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undyingskies · 4 years ago

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Adrenaline

A/N: This one wasn’t a requested but I absolutely loved writing this one. I got the idea from a tiktok, the girl was listening to the song called Fallin’ by Why Don’t We for 3 hours straight. It made me listen to the song and it reminded me of Charlie for some reason which lead to the creation of this fic! To those who have request imagines know I have seen them and will get to them, I got caught up in this fic and another one for Owen, but I promise I’m going to get them out as fast as I can! I really hope you guys enjoy this one, I really love it! xoxo

Warnings: Few curse words.

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Here you are again, caught up in the moment not thinking twice. Your sandwiched between the wall and Charlie, your hand tangled in his hair, his under your thighs, and your lips moving fast and passionately against one another.

The adrenaline rushing through your veins, everything frozen except the two of you in that small corridor, hiding from everyone else.

You see this whole thing with Charlie started about a month ago, you had no idea how it started or where it would lead but here you are again, melting into his touch. Even though you always tell yourself that one was the last time when he’s finished with you.

You and Charlie were just two close friends for the longest time. You were hired to work on season two of Julie and The Phantoms as an intern for Soyon. You always loved fashion and wanted to do costume work on sets so this was your opportunity and you weren’t going to let anything get in the way of that. You jumped on the first plane you could get and made your way to Vancouver, Canada. Your three bags in tow, carrying everything you owned.

Kenny and producers had arranged for an apartment for you but it wouldn’t be available until three weeks after you arrived. They underestimated your ability to pack quickly and find a ticket out almost immediately. The only apartment having three bedrooms being Owen and Charlie’s, which they were kind enough to let you use at Kenny’s request.

It all started out so innocent, you and the boys immediately had a connection. You and Owen sharing a similar humor and personality. Charlie and you sharing the same love for nature and love for adrenaline.

You and Charlie quickly started going on adventures with one another. You started exploring the city and the nature surrounding it. Charlie being Canadian came in handy as he was familiar with the hiking trails that surrounded you guys.

One day he came up to you, about two days before you were finally moving into your own apartment. He told you that he found a new hiking trail with a bridge and on that bridge you could bungee jump off of it. You agreed immediately with no hesitation. That’s the day that changed the dynamic of your friendship.

You felt the adrenaline pumping through your body as you stood at the edge of the bridge. Charlie’s hand in yours, a bright smile on his face.

“You ready?” He leans over and asks you as you start to hear the countdown for the jump.

“Ready as I’ll ever be.” You tell him back with a similar smile on your face. Hearing the faint count of 3, 2, 1.

That’s when you jumped. Yours and Charlie’s yelling drowning out any other noises. You bounce up and down a few times, laughter leaving the both of you.

As you come to slow down, laughter still erupting from the both of you, Charlie’s eye lock in on yours. His laughter slowly dies down as he stares through what feels like your soul. Before you knew it or could ask him what’s up, you felt his lips on yours. That familiar feeling of adrenaline pumping through your veins. You immediately reciprocate the kiss back.

That’s when it all changed. From that day on it was you and Charlie. Anytime you guys could find, his body was on yours and you couldn’t get enough of each other. On set he would pull you into empty closets, sets that weren’t in use, and every-time that adrenaline would come back pumping through the both of you.

You two had agreed to keep it a secret, it was a part of the fun. Knowing you could get caught. You also agreed that it was just physical nothing else. You never planned for the feelings to come with it, but of course like any story they did. Now here you are a month later telling yourself this was the last time; you wouldn’t let it happen again.

But your hearts beating fast and you can’t help but think why do I love this feeling?

Voices and steps break you out of your thoughts. Charlie’s lips and hands on you, making you feel more vulnerable. Your quick to detach your lips and body from his. That fire feeling fading away in the both of you. He gives you a confused look.

“People are coming Char.” You tell him, you grab his hand to pull him around the corner and out of the now occupied hallway. Your back in the parking lot of the set.

“That was a close one Y/N.” He says with a laugh.

“Ya a close one.” You tell him trailing off, beginning to get lost in your thoughts again. Charlie notices but doesn’t say anything, he had to get back to set to film in Julies garage.

“Well I guess I will see you after we’re done here. Meet you at my car tonight?” He asks you. You reach out to fix the beanie placed on his head, the stylist coming out in you. You start to fiddle with the sleeveless tank on him, trying to make it perfect so no one has an idea of what was just going on.

He laughs at your fiddling hands, grabbing onto them and pulling them away from his body.

“It’s fine they won’t know.” As much as you don’t want to admit it, Charlie knows you like the back of his hand and knows what you’re thinking even if you don’t say it out loud. He places a kiss to your forehead before he’s skipping off to set, sending you a wink before he’s gone. Heat rushes to your cheeks at his actions.

Then you’re left alone standing in the middle of the parking lot looking dazed. Savannah rounding the corner, laughing at the scene in front of her as you come into focus.

“Little sneak away fun with Charlie again?” She says sneaking up on you with a laugh at the look on your face.

“What? No? I don’t know what you’re talking about.” You tell her. She smirks at your words.

“Come on Y/N, you don’t think I’ve caught on? You two always disappearing and coming back together. You staying late when you don’t have too and leaving with him. Plus we’re best friends you don’t think I’ve noticed the way you two look at each other? It’s practically heart eyes from both ends.” She tells you, in a serious tone.

“Fine. You’re right but I don’t want to talk about it here.” She nods at your words, agreeing with you.

“My trailer?” She asks you; you follow her as she walks towards it.

That’s when you empty out all your thoughts and feelings to her. You didn’t realize how much you had been keeping in the last month. You told her how it started, the deal you guys made, and your feelings for him. And by the end of your story and all your confessions, all she had to say was,

“I think you should tell him how you feel.”

Did she not hear what you just said? How you guys agreed that this was a no feelings deal, it was for the purpose of pleasure and the two of yours addiction to adrenaline.

“I think you missed the point there Sav. I can’t, I don’t want to ruin our friendship. I would rather end it and keep our friendship than ruin it all.”

“Your delusional if you think he doesn’t like you back, you don’t see the way he looks at you. Everyone else does though.” She tells you and places a hand on your shoulder.

“You should think about it at least.”

“Okay, I will.” You tell her. I don’t think either of you believing your words. Your eyes travel to look at the clock. It read 8:02, you were late meeting Charlie.

“Oh, I got to go. Thanks for the talk Sav, I appreciate it.” You tell her and pull her into a hug.

You make your away around the parking lot pretty quickly, looking to see the mop of brown hair that you really have come to love. You spot him next to the orange car, he refused to admit was a weird color. Your eyes land on him and then quickly to the figure standing in front of him with her hands on his arm laughing.

You stop dead in your tracks, your heart dropping into your stomach. Your throat tightening at the scene, hands sweaty and shaking by your sides. You don’t want to feel like this, you know you two promised each other that what you had was nothing. He was allowed to look and talk to other girls, but you can’t shake the feeling in your stomach.

Charlie looks up and notices you standing back just looking at the scene in front of you. A smile makes its way onto his face at the sight of you. He quickly moves to the side of the girl, gently pushing her away, and is walking towards you.

“Hey Y/N, ready to go?” He asks you, stopping once he is in front of you. He grabs your hand but you quickly slip yours out of his. He frowns at your action but quickly composes himself.

He places his hand on your lower back and walks you to the car, opening the passenger door for you. You slide in, awkwardly smiling at the girl just standing there watching the interaction between the two of you.

“Well it was nice meeting you Josie, see you around.” He tells her, sending her a quick wave before he jumps into the driver’s seat of the car and starts the engine. Not looking back at her once.

The two of you sit in silence, you consumed in your thoughts and him just confused by your actions. He tries to place his hand on your thigh but you move it out of reach. Another frown makes his way onto his face.

He makes the drive to your apartment, you agreed to go there tonight because Owen had an early day and would be at the boys apartment. He was already suspicious of the two of you so Charlie didn’t want to risk trying to sneak you in.

You quickly unbuckle your seat belt and hop out of the car. You keep a quick pace as you make your way into your apartment building. Charlie has to jog to catch up with you, seriously confused at your actions. He doesn’t know why you’re acting like this.

As you make your way into your apartment opening the door, Charlie takes the advantage of the moment and presses his body against yours. His lips finding their way onto your neck, trailing kisses up and down them. You freeze at the contact of him against you, basking in the pleasure for a second.

Your thoughts catch up with you and you move fast to get your body away from his. He stumbles at the loss of contact. He tries to reach for you again, the third time that night and you slip out of it again.

Charlie starts to feel frustrated at your actions, not knowing why you’re acting that way and starting to get nervous he did something wrong.

He goes to stand in front of but you quickly make your way around him and into the kitchen. He’s right on your heel though.

“Okay Y/N what gives? Why are you acting so weird? We were fine earlier so what happened?” He asks you and you can hear the frustration and confusion laced in his tone.

You shake your head, trying to brush it off.

“Nothing, everything’s fine.” You tell him, pouring water into a cup. He takes it out of your hand and places it besides you. He has you turn to face him. The two of you are chest to chest, his arms placed on both sides of you so you can’t escape him or avoid eye contact.

He leans into kiss you but you turn your head fast, his lips making contact with your cheek. The frustration Charlie feels starts to boil over.

“Everything’s fine? Are you sure about that Y/N you won’t look at me or let me touch you!! What is going on?” He asks you, slightly yelling at this point.

You shove him off of you and walk past him. You don’t want to do this with him, not now. Well never really but at some point, you knew you would have too.

You lean your head against your fridge, letting out a sigh before you turn to look back at him.

“I can’t do this anymore Char, we’ve got to stop whatever this is between us.” His face falls at your words.

“What do you mean you can’t do this anymore? I thought we were having fun, just this morning it was fine...” He says slowly taking a step towards you. You put your hand up to stop him from walking closer.

“I know, but the more I think about it the more I need to stop it. Neither of us knew where this would lead when we started it and I just can’t do it anymore.” You let out with a sigh. Charlie feels sadness overcome him; his heart feels like it’s breaking a little bit.

Little did you know how Charlie was feeling. He never wanted to make the deal of keeping it just physical, but he agreed with you not wanting to ruin your friendship or stop what was happening between the two of you. He was just happy that he was getting a piece of you to himself. Charlie had fallen for you pretty much the second he saw you and heard your laugh.

“That doesn’t feel like a real reason Y/N, just an excuse. If you give me the real reason then fine, we’ll end this and we will just go back to being just friends. But I need a reason not an excuse before I leave.” He tells you, sounding desperate.

You don’t want to tell him the real reason. You don’t want to ruin the friendship you two have. It wouldn’t be the same if you told him, you two couldn’t just go back to being two friends if he knew your real feelings.

“That is the real reason Charlie.” You tell him, dropping your hand and looking down at your feet. You couldn’t handle his stare anymore.

You watch his feet walk towards you. His hand being placed under your chin, forcing you to look up at him.

“That’s bullshit and you know it. Please just tell me.” He says just above a whisper, he no longer feels upset. He’s just sad.

You just sigh. You didn’t know what to do, the look on his face breaks your heart. You didn’t want to hurt him or make him sad and you can’t understand why this is doing that to him. You can feel the frustration boiling up in you.

You shove him off of you. You start pacing around your island.

“Tell you Charlie! You really want to know why?” This time you’re the one yelling. You can’t help but feel frustrated at your feelings and confusion. All he does is nod yes.

“Because Charlie! You make me reckless! The feeling of you and I together makes me reckless! I’ve been putting my job on the line to sneak around with you, I’m lying to my friends about what I’m doing when I am with you. I’m lying to myself and you!” You tell.

“What does that even mean Y/N, you’re lying to me?” He asks, his voice slightly raised.

“I love you, you idiot! I’ve been lying about my feelings to the both of us! I can’t do this anymore, this no feelings only physical stuff! It’s not fair to me.” You get quieter at the end of your confession.

Silence fills the air, neither of you say a word. He is just looking at you in shock. You standing on the other side of the island, your arms placed limply on the sides of your body. You look completely defeated.

Charlie doesn’t say a word just steps towards again. Again you lift your arms up, hoping to stop him. He grabs your hands.

“Would you just please let me get close to you?” He asks desperate. You let out a sigh and allow him to come closer.

He drops your hands and places his onto your cheeks, not allowing your head to fall so he could maintain eye contact with you.

“You don’t think I feel the same? Something about you makes me feel insane. I can’t control myself around you, I get a rush of adrenaline anytime I’m with you.” His confession being met with another cloud of silence.

You don’t know what to say, you just keep looking at him. You can see his eyes looking at you desperately, looking around your face hoping he could understand what you’re feeling based on your features. He can’t though.

“Please say something.” He practically begs.

“I don’t-, I don’t know what to say...” You trail off.

“Tell me you feel the same, you just admitted you loved me. Why can’t you admit you want more and that you feel the same adrenaline.” He tells you.

“Charlie...” You trail off. “You know I feel the same way about you. This whole time. You’re like a breath of fresh air, it’s never boring with you, the more we got together the more I needed you. I’m scared though, I’ve never felt like this before. Plus there are so many girls who you could get, why me?”

“Why you? Because Y/N, I’ve never met someone like you. You match me on every level, your love for adventure, your humor. You’re so sweet, you never hesitate to act in kindness rather than anything else no matter the situation. I love you. I have loved you pretty much since the minute I saw you.” He tells you. He places his forehead on yours, both of you breathing harder than usual due to the feeling of adrenaline rushing through the both of you because of your confessions.

“Will you please let me kiss you.” He asks you again the desperation laced in his words. You nod your head yes.

That’s when his lips meet yours, in the most passionate kiss the two of you have ever shared. His hands make their way down to your waist pulling you closer, as yours make their way up to the nape of his neck and entangling in his hair. You can feel the both of you pouring all your emotions into this kiss, letting each other know that both of your confessions are true.

You pull apart breathing heavy.

“Make me a promise, tell me that you’ll stay with me.” You tell him, your insecurities getting the best of you for a moment. He smiles at you though.

“Of course baby, I’m not scared to jump in if you want to.” He tells you, pulling you in for another kiss.

“Let’s just keep falling in love for the hell of it.” He tells you as you pull apart, his signature smirk plastered across his face, and he sends you a wink.

You laugh at his words.

“Ya of course, just for the hell of it.” You laugh as you pull him back into you, placing another kiss on his lips.

You pull apart and make your way to sit on the couch to just enjoy the company of each other. He places his head in your lap, you immediately start to run your fingers through his hair as if it’s second nature. He smiles at your actions and leans into your touch more.

“I guess I have to tell Owen he was right. I owe him 10 bucks.” Charlie says breaking the silence.

“What do you mean you owe him 10 bucks??” You say confused.

“Well you see, Owen and I may have made a bet about me falling for you. He said the minute you walked in the door and he saw my face when I looked at you, and he knew I was falling for you. I didn’t believe him.” You nod your head, encouraging him to continue the story.

“Then basically he bet me that I would fall for you before the end of this year. I didn’t think us hooking up counted since it was a secret so I wasn’t gonna tell him he won. But I guess I have to now.” He says scratching the back of his neck as a nervous habit.

You laugh at his words, only Charlie would make such a bet. The adrenaline junkie and his competitiveness always getting the best of him.

“You’re not mad?” He asks you at hearing your laughter.

“Not at all, that is such a Gillespie move.” You tell him, leaning down to place your lips on his.

You can’t help but laugh at Charlie’s antics, truly he is the only person who would engage in such a thing. But that’s just another reason why you’ve fallen for the boy.

Charlie switches positions so he’s sitting next to you rather laying on top of you. He throws his arm over your shoulders and pulls you into him. You lay your head on his chest, you smile and you feel him press a kiss to your head. This is just another start to a wonderful adventure with Mr. Charlie Gillespie.

#charlie gillespie #charlie gillespie imagine #charlie x reader #charlie gillespie x oc #charlie gillespie x reader #charliegillespieimagines #charlie gillespie fic #charlie gillespie fluff #charlie gillespie fanfiction #jatp #julie and the phantoms #julieandthephantomsimagine

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maybeacrowdedmind · 3 years ago

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So I Just Finished Skam...

First of all, I loved it. It was an incredible show and I'm so glad that there are so many remakes because I enjoyed it so much. One of my favorite things about the show was the fact that it feels extremely realistic, and I think a lot of that is due to the fact that a majority of the actors were actual teenagers (rather than actors who are obviously in their mid 20s and playing characters who are 16) and the fact that the characters behaved like actual teenagers (like using Facebook and Instagram, using "bad" language, dancing and singing along to music, etc. etc.). The other thing I adored about this show was the amount of importance that was placed on friendship. Platonic relationships in fiction are normally vastly underrated or underdeveloped in favor of romantic ones, so I appreciated that Skam showed so many friendships. So I decided to make a list of my favorite friendship moments from each season (two moments per season, with honorable mentions at the end before moving on).

Season 1:

1) Noora cheering up Eva by singing Justin Bieber to her:

I am not a fan of Justin Bieber at all (if you like him, all the more power to you, but I personally can't stand him), but Noora singing to Eva was such a great moment. She knew how sad Eva was, and decided to cheer her up by sharing something that made her (Noora) happy, and it was a really sweet moment between friends. It was also something that is realistic to do when someone you care about is down, and even though it was a small scene, it showed how strong a friendship Noora and Eva have.

2) All of the bonding moments between Sana, Vilde, Eva, Noora, and Chris:

I know this is a vague one, but just the sheer amount of time the girls spend together, whether they are doing something important or just hanging out was really awesome to see. Most of the time, tv shows don't take time to show us little moments like characters talking about boys or just sitting hanging out unless it has a more dramatc purpose. With Skam, we got to see those moments, which made the friendship between the girls that much more realistic.

Honorable Mentions for Season 1:

Eva grabbing the wrong Chris for Vilde, leading both Chris and Penetrator Chris (love that nearly everyone calls him that in the show by the way) to share a huge hug and go "name twins!" because that's totally something I'd do if I met someone who shared my name.

Eva and Ingrid finally talking about everything that happened, giving them both closure and the ability to move on, even if their friendship would never be the same (this was such a great scene because it showed Eva apologizing and telling Ingrid that she couldn't change what she did, but she would if she could, and it also allowed Ingrid to be hurt by what happened with Jonas, because let's face it, Ingrid was the injured party in that particular situation).

Season 2:

1) Noora telling Vilde all of the important things that the ingredients for tortilla do for you, and Vilde later doing the same for Noora:

I love how all of the girls take care of one another, but this scene in particular I loved a lot. Noora has noticed that Vilde hasn't been eating, and after hearing Vilde tell her all the reasons she doesn't like potatoes, Noora tells Vilde all the reasons she should. Noora also does so in a way that isn't shaming Vilde or being condescending to her, rather, Noora brings it up in a casual conversation. Later, Vilde notices Noora not eating, and prepares tortilla for her, quoting what Noora told her about potatoes and eating it with her. I loved this scene because it showed how much Noora and Vilde understood one another, as well as the importance of support.

2) The amount of support given to Noora by the girls after she discloses what happened with Nico:

This one is a total no-brainer. Noora had no idea what had happened that night, and had very little to go off of, and she spent the next few episodes terrified. When she tells the girls what she thinks might have happened, they all immediately stop what they're doing and rally around her. The no-dialogue scene in which they take Noora to the doctor and hold her and keep her safe was incredibly touching, and to be honest, nearly made me tear up.

Honorable Mentions for Season 2:

Sana and Chris playing a joke on the girls at the cabin during their break, because that whole episode was hilarious, and the individual ways each girl reacted was totally in character for each of them.

All of the girls telling Noora that they knew about her and William, because it was the most obvious thing in the world, and Noora being sheepish and surprised that she hadn't been hiding it as well as she thought.

Season 3:

1) Jonas, Magnus, and Mahdi telling Isak what to text Even:

This scene was so funny, and not the type I usually get to see when it comes to male friendships. I love that Isak tells them that he has no idea how to reply to Even, and Jonas tells him what he should say, with Magnus and Mahdi inserting their opinions and talking about how they text girls. It was enjoyable to watch because too many times fiction shows us that boys don't have the same relationship confusion that girls do, and it's often not true. I like that this scene allowed the boys to just be boys, because everybody deals with uncertainty, especially when it comes to liking someone.

2) Linn and Even playing video games together:

I know this scene is literally like two seconds and that we only see them ending from Isak's perspective, but hear me out. I'm pretty sure this is the first scene we see that shows Linn actively smiling and looking happy. Also, Even had just come off of a manic episode, was feeling depressed, and when we see him playing video games with Linn, he too looks actually happy, which is always great to see. Plus, the way Linn and Even are interacting with one another, it looks like they've known each other forever rather than two people who have just met, and even though it was a fraction of a scene, it was super great to watch.

Honorable Mentions for Season 3:

The entire development of Sana and Isak's friendship (I almost broke my "only two friendship moments" per season rule for this, but I decided to stick to my guns). Isak and Sana have a great friendship and I love how it came out of nowhere. Their friendship is literally started by being partnered together for school, which only happened because Sana sat by Isak to tell him that she had the weed he hid (a beautiful start to a beautiful friendship).

Isak coming out to Jonas by telling him that he liked someone and giving him the hint that it wasn't a girl, and Jonas reacting by thinking about the hint for a minute and then going "it's not me...is it?" because the expression Jonas had on his face while he thought about who it could be was funny because it looked like the fact that Isak had just come out to him wasn't even on his radar, because he was more concerned about guessing right, and the fact that he guessed himself was humorous to me.

Season 4:

1) Chris being a total ride-or-die friend to Sana after the stuff regarding the hate accounts for Sara and Vilde came out:

Everybody needs a friend like Chris. She is without a doubt one of the most loyal tv show characters I've seen and I wish Skam had run for more seasons so we could get a Chris season (and a Vilde season and an Even season, and a spin-off for Eskild and Linn, who both totally deserve one). Chris is the first person Sana told about the Sara account, and the first thing she did was tell Sana that the hate would blow over if Eva found out the truth (because Eva and everybody else thought Isak was responsible for it, and Eva was pissed AF at him). Chris also made sure that Sana knew that she didn't hate her for what happened, because everybody screwed up (seriously, we all need a friend like Chris).

2) The girls showing up to the bus meeting in their own tiny bus named "Los Losers" for Sana, effectively showing all of the Pepsi-Max girls (like Penetrator Chris, that will forever be their name) that if you mess with one of them, you mess with all of them. Sana was terrified that the girls would never forgive her, and when they all show up in the bus screaming her name, the joy on Sana's face is practically tangible. I love that they all pull Sana into the bus and give the Pepsi-Max girls the finger as they drive off, because really, what better way to show the true bonds of friendship than by collectively flipping off a ton of girls who messed with one of their own.

Honorable Mentions for Season 4:

Sana and Even's friendship, and the fact that she protected and respected his privacy when Isak asked her why she never said that she already knew Even, because too many times do I see characters give away information to other people that isn't theirs to give, and the fact that it didn't matter to Sana that Isak and Even were together, she was still going to make sure that Even had a right to the details of his personal life was extremely important.

The conversation between Sana and Jamilla about their schooling and Islam, because the texts we see between them prior to their falling out show that they were very close, and it was nice to see them talk and reconcile, because that's how life works sometimes. You fight and fall out with people, and after time passes, sometimes there is reconciliation.

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houseofhurricane · 3 years ago

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Mini prompt suggestion: anything october-y/Halloween-y themed (like trick or treating or costume parties or scenes in a pumpkin patch) for gwynriel. Also I’m a sucker for simp!Gwyn and oblivious Az so if the fic could take place before Azriel realizes he likes Gwyn that would be *chiefs kiss*

This ended up longer than expected! Here's Halloween Gwynriel 🎃

Requests are still open!

+++++++++++++++++++++++++++++++++++++++++++++++ Nesta had been the one to find the stories about Samhain while Gwyn was shelving in the library, but even though the costume party her friend envisioned meant leaving the library, Gwyn hardly protested. Not once Nesta mentioned inviting Azriel.

For a long time, Gwyn didn’t want to think about males, or anybody, touching her. But sometimes Azriel will catch her eye during training and his face transforms with a little smile, or he’ll go through his own training regimen, a sequence Gwyn will take approximately a thousand years to perfect, or he’ll tell a story in that quiet way that is nonetheless full of a dry humor that makes her let out a very unappealing cackle, and as these moments add up, Gwyn has come to realize that she wants something new.

She wants Azriel.

She wants him close to her, letting loose a wicked smile as he touches her. Dips his fingers beneath her clothes.

So when Nesta suggests a well-appointed bar in the Rainbow as the location for her party, Gwyn does not object. And when Emorie had proposed sexy Valkyrie costumes, which turned out to be little more than bustiers and tiny skirts and heeled boots that are beautiful but completely impossible for fighting, Gwyn had taken a deep breath.

She wouldn’t say she was thinking about Azriel, exactly. Or at least he wasn’t the only consideration. She was thinking, maybe this could be freedom for her. Going to a new place. Showing her body with confidence and knowing she would be safe among her friends.

Nesta arranges Gwyn’s hair into a coronet, and the Morrigan appears to apply cosmetics to Gwyn’s face and Emorie’s, which causes a deep blush to rise on her friend’s tawny cheeks.

When Gwyn walks into the party, Azriel doesn’t give her a quick look. He stares at her, his hazel eyes going molten gold, and Gwyn gives him a little wave. She’s going to walk over and speak with him, but Nesta grabs her hand and pulls her along, where a knot of costumed revelers has begun to dance.

“Give him a chance to find you,” her friend says with a smirk. Gwyn feels her cheeks flushing as she follows Nesta’s lead into a silly, purposefully awkward dance that has them both howling with laughter by the time the song is finished.

When the next song begins, Cassian claims Nesta as his partner, and Gwyn bops around on her own for a few moments, smiling when she sees Emorie and Mor at the bar, where Emorie looks at the blond female, who has dressed in the traditional garments of the Winter Court, with star-bright eyes.

Just as their hands touch, and Gwyn lets out a whispered finally!, there’s a warm hand on her bare shoulder. She can feel the scars on his fingers, the intricate remainders of long-ago cruelty that their bearer has overcome. She’s imagined the touch of those fingers more times than she wants to mention.

When she looks up into Azriel’s face, she can’t keep the heat out of her gaze.

“I didn’t know you would come to this party, priestess.”

“Have you ever tried to refuse Nesta, Shadowsinger?”

She hopes that he won’t point out that given her costume, her makeup and her hair, she’s done much more than simply not refuse to attend. She also hopes that he won’t move his hand from her shoulder. Even if this is exactly the way he would touch her during a training session, to correct her posture or her grip on her sword.

He nods towards the dance floor.

“You like to dance?”

“When I have good company,” she says, her hands on her hips, forcing herself to take up space. On her shoulder, his hand shifts with her movement, but he does not bring it back to her side.

“I’ve been told I’m competent at least,” he says, “and between the two of us, Cassian and Mor are hoping I’ll spend the night skulking in a corner so they can laugh about it later.”

“You do make an excellent subject for jokes.” This isn’t really true, but Azriel smirks, and Gwyn’s heart pounds in her chest.

In the end, they dance for four songs, and by the second, Azriel’s hand has fitted itself to Gwyn’s waist. She can feel his breath, spiced with whisky, on her heated cheeks. His muscles shift under her fingers, beneath his leathers, and when she teases him about his lack of costume, Azriel’s laugh is a low rumble that Gwyn swears she can feel in her entire body.

When Emorie appears, halfway to drunk and unable to wait to tell her story about Mor, Gwyn has to work to smother her annoyance. Especially when Azriel becomes the male he is during training, politely assuring her that of course, she should spend some time with her friend.

By the time Gwyn returns to the dance floor, Azriel has gone, along with Cassian, likely on some important Night Court mission that could not wait for Samhain to be over, and so Nesta and Emorie and Gwyn form their little circle in the throng of dancers, laughing to the music and executing increasingly ambitious moves unsuited to a crowd but hilarious to them.

In the end, Gwyn does not return to the library until dawn. She cannot call the night anything but perfect, especially when she speaks with Nesta.

Still, for many nights afterwards, Gwyn’s dreams are filled with the party. What might have happened after those four dances, in a slightly different set of circumstances. She wakes up heated, tangled in her sheets, still thinking of Azriel’s fingers, his molten eyes.

In the dark of the dormitories, there are only the soft sounds of the other priestesses sleeping, but Gwyn convinces herself that somehow, in the distance, she hears the low thunder of his laughter, and it’s this imagined sound that finally lulls her into sleep.

#acotar #acotar fanfiction #gwnriel #azriel x gwyn #gwyn x azriel #halloween gwynriel #emorie #nesta ships gwynriel #gwyn ships emorie #pining #acotar halloween

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popurikat · 4 years ago

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Newtmas essay when?

Finally getting to this, thanks for waiting, I needed to go over a few bookmarks. (Warning, this post contains spoilers from the MAZE RUNNER book and FEVER CODE book, so if you haven’t read either or yet and want the jist of my analysis; just know that in general the fandom interpreting Newt as gay before it was revealed on a twitter post was not just a random headcanon and that Thomas in general is portrayed to have very strong unconditional love for Newt throughout the series; and it shows. To the point that even the director for the movie has stated that Newt and Thomas have a strong bond and portrays that in the movies. I will also preface that I am NOT adding personal opinion anywhere here, these are just backings from quotes and how they are thus meant to be taken/read as. My words are taken as a reader who is currently reading Scorch Trials has yet to fully read Death Cure or Crank Palace.) Anways, without further ado at 3AM today, I’ll try my best to explain how even though Dashner tries his best to make Thomas have other, female love interests; he creates a not so subtle gay subtext for Tommy boy here when in the context of interacting with Newt throughout the lore. Apologies beforehand for any grammar mistakes along the way.

To commence, I am going to start with FEVER CODE, as its supposed to act as the story’s preface to the actual events that play out later. Newt and Thomas upon meeting each other describe their presence as “familiar” and or as a “long lost friend” and they genuinely hit it off from the start to the point that Newt is okay with having Thomas see him cry over the fact that he and his sister are separated since he is doomed to be WCKD’s control analysis as he’s the only one lacking immunity from the flare itself. Once Newt is done being emotionally vulnerable we get our first instance of his personal nickname for Thomas: “That’s the way things are Tommy,’ he said his voice not quite steady. ‘The world outside’s gone to hell. Why should we expect any different here? [...] He said it as if they’d been friends for years” (ch. 14). An interesting note here is that Thomas doesn’t bother to correct him or stifle the moment by feeling that all this information was too much, he genuinely wanted to hear Newt out and is fine with seeing this side of him; if not slightly taken aback by how natural it is that they can converse about such aspects of their lives. In fact, Newt makes such an impact on Thomas that Thomas ends up that same night dreaming of him: “Throughout his shortened night, he dreamed of Newt and Sonya. Of Newt and Lizzy“(Ch. 14). The thing with Thomas though is that the idea of comfort and connection is very foreign to him as he’s been basically isolated all his life with only the adults like Ava to talk to and the one exception being Teresa as his only kid companion. So Thomas didn’t even think he could make others like him for being himself unless they were vital to the overall production of WCKD. Seeing this portion right before the end of chapter 14: “Alby, Minho, Newt, Teresa. Thomas had friends.” shows that Thomas really had to deep dive to see how he deals with personal connections and why he was excited about the notion of friendship. He could’ve been happy with just Teresa, but only fully cemented her bond to him as “friend” when his circle grew and these kids he got to hang with taught him he can be himself, a concept he didn’t realize was possible when all his life was dictated on what he was supposed to learn or do. It becomes especially clear just how controlled his life is with the aspect of sentiment when later on Teresa’s mental communication evokes physcial pain and fear in Thomas. I’ll get back to that later as its more of a small tid bit of Thomas’ view on his forced love interest, Teresa. And yes, I say forced because multiple sentences with Thomas have him even wish he could cease all communication with her. Moving on, let’s talk about mimicking for a second. As humans, we mimic as a behavioral response to become closer to the person we care about. It’s the reason why yawning or laughter is contagious and or why we copy the posture of the person we converse with face to face. Thomas is seen to do this the most with Newt’s quirks. I’ll give the example in chapter 15: “Newt has been promising them that he was saving something special, and he did that annoying zipped-lipped sign every time [...] the little light in his eyes showed he enjoyed every second of their torture” versus Thomas: “Thomas did Newt’s zipped-lipped gesture, and that got him a sharp poke in the ribs”. So, we know enough that Thomas’ mannerisms are developing as a sign that he wants to be closer to Newt and to continue this sense of playfulness they both enjoy from the other. This is the start of their budding bond and a clear indication that they hold each other at greater fondness than the rest through this unconscious copying. Through this copying, they also pick up on emotional cues the other lets up on. Newt is especially good at noticing small things like when Thomas is anxious or overthinking: “He was just shocked that with all their exploring, the others hadn’t already discovered it on their own. And there were supposed to be TWO mazes. How had Newt and his friends not stumbled upon either one of them? ‘Tommy?’ Thomas realized Newt was staring straight at him, eyebrows raised. ‘Sorry,’ he said embarrassed, ‘wandered off for a second there what did you say?’ Newt shook his head in admonishment. ‘Try to keep up, Tommy Are you ready to see the grat outdoors?” (ch. 15). Also in chapter 23: “Tommy?’ It was Newt, breaking him out of his thoughts. ‘I can see your wheels spinnin’ up there.’ He tapped the side of his head”. This furthers Newts perceptiveness on his friend and Thomas’ ability to pick out when he is being looked after. And they bounce off each other really well in that aspect. To the point that Newt can crack a joke he knows will land right on Thomas’ sense of humor: “Newt waggled his fingers in front of Thomas’ face [...] A laugh exploded out of Thomas’ mouth that sent a spray everywhere. ‘Sorry’ he said, wiping his lips on his sleeve” (ch.15). It’s enjoyable to know that at least at a surface level, they have fun together and can cheer the other up if needed or know when to ground the other to reality. It is also through these instances that as a reader I pick up that Thomas’ nervous ticks perhaps allude to an anxiety disorder he has; of which Newt is aware of and never puts Thomas down on for exhibiting. He in fact understands it and deals with it accordingly as he himself has a similar circumstance. SO, what does all this paying attention lead to? Thomas’ devotion to protect Newt. Yeah, thats right I said devotion. Thomas’ actions are influenced by his developed instinct to protect Newt at all costs. Here is the biggest example that comes to mind: “What in the world happened to Newt? -- Less then two hours later, Thomas had spliced together a series of camera clips [...] Thomas turned off the feed. He couldn’t take it anymore...Newt, Newt, Newt, Thomas thought, feeling as if the very air around him were turning black.”(ch.52). Essentially, Thomas seeing Newt plummet to his near death by falling from the maze wall as a result of Newt’s ongoing depressive state, this is the moment that makes Thomas realize WICKD isn’t as good as they seem and that he is going into the maze to save Newt. Its admirable how much self sacrifice Thomas does for someone he cares so much about, to the point that their name is like a mantra. Thats a sensible area of passion and fighting spirit for someone who is “just a friend”. Oh and, the feeling of fondness is mutual mind you if I haven’t been clear. After experiencing the horrors of cranks for the first time, realizing Newt was not immune, and watching Newt until they entered the pits it has been months since they last interacted; this is their first reunion: “What’s up Tommy?’ Newt exclaimed, his face filled with genuine happiness at the pleasant surprise that’s been sprung on him. Thomas couldn’t remember exactly how long it’d been since he’d seen Newt. ‘You look bloody fantastic for three in the morning” (ch. 23). I need to preface this that Newt DOES NOT mean that sarcastically and that out of all the people in the room (Minho, Chuck and Teresa are there in this scene), Thomas only reacts this way specifically toward seeing Newt is okay and back. The characters are also not afraid of being physically close. “Well, look who the bloody copper dragged in,’ Newt said, pulling Thomas into a big hug” (ch.31), “They shook hands, and then the two of them set off...” (ch. 31), and my favorite: “Thomas jumped at the sound, then stumbled. Newt tripped over him, and then they were both laughing, legs and arms tangled in a pile on the ground”(ch.32). I don’t think this far in the novel, Thomas has been AS (emphasis on as) comfortable with touch with anyone else other than Newt. And thats a big step forward on the aspect of trust in a relationship, being able to be comfortable with the presence of another person enough to be as intimate with them as shown here. And all this, is just fever code itself. Mind you this is not the MEAT of the novels as it came out later. But even without it, lets look at Thomas in Maze now, I’ll try to keep this segment a lot more brief. Here’s Thomas looking respectively at boys his age: “A tall kid with blond hair and a square jaw...a thick, heavy muscled Asian kid folded his arms as he studied Thomas, his tight shirtsleeves rolled up to show off his biceps [...] Newt was taller than Alby too, but looked to be a year or so younger, His hair was blond and cut long, cascading over his T-shirt. Veins stuck out of his muscled arms”(ch. 2). Thomas’ initial reaction to being surrounded by boys is to deeply analyze their rugged good looks and heavily emphasize their best physical traits. When reading this the first time, my mind immediately thought this boy at the very least is supposed to be portrayed as bi, especially when later down the line Teresa gets a similar descriptor: “...despite her paleness, she was really pretty...silky hair, flawless skin, perfect lips, long legs.” So right off the bat, we know that be it boy or girl, Thomas emphasizes how attractive someone looks in his eyes when he truly does have a sense of attraction to them. Case closed. Within the same chapter we get Thomas also immediately clinging onto Newt for a sense of grounding, it is now ingrained in him at this point that the boy is his lifeline, a person to rely on. “Thomas looked over at Newt, hoping for help.” And help he does, Newt in this chapter helps ease his worries, explain a general idea of what the glade is and even pats him on the shoulder a bit to ease tension. And Thomas doesn’t bat an eye in the same way he’s weary of literally everyone else. In fact, he’s eager to stay put with him as shown with; “If Newt went up there, then I wanna talk to him.” And if none of that seals the deal, we got early bird Newt being so touch starved he flattens himself next to Thomas to wake him up at the crack of Dawn in chapter 6: “Someone shook Thomas awake. His eyes snapped open to see a too-close face staring down at him, everything around them still shadowed by the darkness of early morning...’Shh, Greenie. Don’t wanna be waking up Chuckie, now, do we?’ It was Newt --the guy who seemed second in command; the air reeked of his morning breath. Though Thomas was surprised, any alarm melted away immediately”. This whole scene follows firstly by Thomas once again impressed by how strong Newt is and then Newt giving him a rundown of what everyone else was too afraid to show Thomas, the grievers. And you know, this scene could’ve ended well and everything as totally platonic, but then we have “Newt turned to look at him dead in the eye. The first traces of dawn had crept up on them, and Thomas could see EVERY DETAIL OF NEWT’S FACE, HIS SKIN TIGHT, HIS BROW CREASED.” Now, look me in the eye and tell me there is a hetero explanation on looking at your best bro like they are the sun reincarnated themselves. But let’s not hog all the homosexual undertones with Thomas here. Wanna know what Newt’s initial reaction to having a girl in the glade was? “It’s a girl,’ he said [...] Newt shushed them again. ‘That’s not bloody half of it,’ he said, then pointed down into the box. ‘I think she’s dead” (ch.8). It’s actually a stark contrast to the other gladers eagerly wanting to know her age, how pretty she looked, and calling dibs to date her; Newt isn’t interested in any of that, he’s more perplexed on her status and not even bothering to remark on her looks, he was the only one not to and even remarks a few other instances that girls are more Thomas’ domain. For instance, he makes a joke in fever code when Thomas remarks that the girls in the institution were going to tackle him down, Newt proceeds to point out sarcastically something along the lines of “wait, isn’t that YOUR dream though?” So Newt is pretty out spoken of his disinterest in girls, and his full admiration and attention on Thomas. Oh, and yes, Newt immediately switches over to “Tommy” the moment Thomas mentions he hates being called greenie, and once again it just becomes a thing between only the two of them. Newt is also the one to be straight forward about the whole Runners business. He warns Thomas about the dangers and doesn’t necessarily turn him down on his desire to be one, he in fact encouraged him to just wait until the right moment. “No one said you couldn’t, but give it a rest for now”(ch. 15). So once again, Newt is the voice of confidence and reason for Thomas to prosper. In turn, this time around Thomas is the one to catch when something is bothering Newt. For instance, “Newt chewed his fingernails, something he hadn’t seen the older boy do before...he was genuinely concerned -- Newt was one of the few people in the Glade he actually liked ”(ch.16). Interesting how we went from fever code “friend” to “like”. And also, when Newt explains his concern about the runners not coming back yet, Thomas pieces together how scared Newt is of the Maze without being told and goes to stand next to him as a physical presence to ground Newt as they wait near the entrance. In fact, this piece is trivial to understand why Thomas does what he does next. When everyone else had given up on the Runners still outside with 2 minutes left til closing, and Newt was escorted away from the entrance, Thomas waited. And when Thomas saw them, he yells to Newt, realizes he’s too far to do anything, and makes a decision himself. He KNEW how much Newt cared about his fellow Gladers, they were like family or “kin” as its said in the book, so what does he do? “Don’t do it Tommy! Don’t you bloody do it!’ ... Thomas knew he had no choice. He moved. Forward. He squeezed past the connecting rods at the last second and stepped into the maze”(ch.16). Yes, Thomas does this because of his empathy for the Gladers, but the chain reaction of Newt’s concern is what sets his decision in stone. And yet again, Thomas enters the maze for Newt. And that’s pretty much the constant for the rest of Maze Runner the book, Newt just sticking up for Thomas and Thomas in turn just being happy that: “He was at least relieved that Newt was there” (ch.17). And thats basically their entire dynamic. Newt just going: “If you really did help design the maze Tommy, it’s not your fault. You‘re a kid -- you can’t help what they forced you to do” to ease the survivor’s trauma Thomas has, as well as saying “I actually believe you. You just don’t have an ounce of lying in those eyes of yours. And I can’t bloody believe I’m about to say this...but I’m going back in there to convince those shanks we should go through the griever hole, just like you said”(ch.51); and I think thats the most romantic thing to hear from him. Just right out being all for supporting Thomas no matter what happens as long as he stays alive and continues to fight, he doesn’t care about what happened before. And Thomas eats that up because it fuels him even more to seek out a means to escape for the people (Newt) that deserve a life outside of running from monsters forever. So essentially, I’ll state again, it’s always been Newt the catalyst for Thomas to run head first into the Maze and seek freedom. And with all this I can clear that these two are shown to if not be romantically involved, at least have unconditional love for the other that transcends the author’s original intention. And with that in mind, here’s the thing with Teresa as a love interest. I can list here quotes of every time she mind speaks to Thomas and how that affects him, but then this would be too long. And this is a newtmas post gosh darn it. Teresa is gleeful to humiliate, control, hurt, and force Thomas to believe they’re in love. In multiple instances we get her barging into his mind unwarranted making him understand that she has full access to his inner most thoughts. Theres nothing romantic about that, and I think its why Thomas ends up being so perceptive to the smallest of gestures that allow him to think on his own and feel like his own person. Something I’ve seen Brenda do later in scorch, and something I’ve seen Newt do since the very beginning is that they allow Thomas to come to his own conclusions in order to create his own opinions on the matters at hand. Thomas’ love language revolves around words of affirmation. He likes it when people confirm his thoughts are valid and that remind him that WICKD can’t hurt him anymore now that he has the power to be his own person. This is where Newt comes in very handy. He allows Thomas to grow in ways his female love interests have yet to show, sorry Brenda but I’ve heard you were trying to unite all immunes together to the safe haven by the end and in a sense still only using Thomas to get by; I still think she was the better call than teresa of course and I have no remorse for Teresa getting smushed by a boulder. But essentially my point here is that, how do you fail to make your initial love interests clash so badly where one has no real care about the others well being so long as everything goes according to WCKD by using a form of gaslighting and manipulation? AND THOMAS HAS STATED HIS DISCOMFORT ON THIS MULTIPLE TIMES, but the narrative always erases these instances from his mind in place of pity for Teresa’s well being (as you can tell, Teresa through this becomes my least favorite character, I can rant about her some othe time though with proper backing). The narrative in turn treats it all like a joke. I understand there are scenes where Thomas is worried about her and looks out to make sure shes ok, but even then he doesn’t know how to react with mental images of her kissing his cheek or when she screams the next minute that she doesn’t know who he is or how hes speaking into her mind. And thats because they can’t properly communicate their emotions to the other, not even in fever code could Thomas give a forward answer if he loved Teresa or not, she just assumed. Come to think of it, Thomas really doesn’t show much affection to Teresa of his own accord. So then, how DOES Thomas show his affection? Thomas provides acts of service as his love language, if he cares about you enough he will risk his life for you. Why? Because Thomas values putting the people he loves foremost knowing full well they are what help him have purpose and succeed in continuing on. In a way, Newt and Thomas’ dynamic works in this instance because they balance the other out and because they have seen each other at their worst and at their best. In a way, that's why knowing the ending of the books makes it harder to accept that Thomas would just easily take the shot...when all his life clung to Newt’s survival. But that’s a story for another time where I compare the movies (of which let me make that clear, yes I prefer) over the books. For now just know that the book may have done this by accident, maybe not, but at the end of the day theres solid proof that Thomas and Newt care about each other in a way that is separately portrayed from their connection to the other glade members, and have this consistency of soft moments running through the entirety of the series. In conclusion; newtmas. Newtmas. NEWTMAS, etc.

#Newtmas #long post #Skquill #ask #The ending gets a bit ranty with Teresa I must admit #but for the most part its just me recalling the best newtmas moments from the novels I've currently read #Please add on more newtmas proof to the thread

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miraculouscontent · 4 years ago

Text

*long, deep, exhausted sigh*

So, I just wanna talk real quick about this whole “Adrienette” business in the special. Humor me for a bit.

On a narrative level, the show has designed Marinette and Adrien as endgame. They’re the ones at the forefront, they’re the ones crushing on one side of each other, and they’re the superheroes who protect Paris.

And yet, here I am, having just watched the special, feeling no desire whatsoever for them to be together. This isn’t even about their chemistry for once, no, this about how the show cannot let Marinette make decisions involving their relationship in any way without screwing her over.

She tries to give Adrien gifts? Either someone steals it, a ladybug conveniently flies in to distract her from signing it, or the way she gives it almost leads to the world ending.

She tries to move on because Adrien has openly stated that he’s interested in someone else? Her friends stand up and start loudly arguing about it.

She tries to roleplay - as per Tikki’s advice - in front of an Adrien statue to work up a confession? Oops! The statue was actually Adrien and she just humiliated herself!

She tries to give him up again when Adrien reiterates that he loves another girl? Tikki gives some vague platitude about surprises and the future, which apparently convinces Marinette not to take down her Adrien photos.

She tries a scheme to talk to Adrien? She fails. She tries to just talk to him normally? She fails more.

And now, past three seasons and one special, I’m not even surprised anymore. Any expectation of things going well for Marinette can basically be thrown out the window unless it’s for the sake of shipping fuel and nothing else.

We’re here, post-”Miracle Queen,” and Marinette continues to be a mess around Adrien. She’s still stammering, still freaking out when he touches her, and still getting stuck in situations with him that force her and him together.

People wonder why Marinette still hasn’t changed? They wonder why she can’t move on? I know why.

It’s because she isn’t allowed to, not just because of the narrative/universe/whatever, but because of her surroundings.

I just wanna make it clear that, by “Miracle Queen,” Kagami and Adrien are as close to dating as they’ve ever been, with Kagami kissing Adrien just above the lips in the special, so they’re either actually dating or on such intimate terms that they might as well be.

Marinette has every reason to both want to and try to move on. At this point, her crush can only hurt her. What the special verbalizes as “denial,” I see as Marinette doing whatever she can to only be a friend to Adrien because the girl he loves is not her.

Heck, even if it’s truly a matter of her being in denial, that’s not what the special goes for, because Marinette tells Alya outright, near the beginning, that she needs help seeing Adrien as “just a friend.” Alya vents to Nino about how she wants Marinette to just “be honest with her feelings,” but Marinette is and practically told Alya as much.

Marinette relates dancing with Adrien as “friendly,” along with anything else Alya tries to tease her about. Gee, I wonder why? Maybe it’s because she’s been through it before and has seen signs where there apparently weren’t any. Adrien asked her to dance in “Despair Bear” (at Chloe’s party, which the special incorrectly calls Chloe’s birthday party) but a few episodes pass and Adrien is suddenly asking her for romantic advice to get him with another girl.

Marinette freaks out because every time she tries to be normal, someone mocks her, or Adrien makes a motion to get way too close, and at this point, she has no idea when the next “scheme” will be to force her together with him. Marinette’s anxiety and stuttering are where they are because of how much she’s been through; all the embarrassment and failure that led to no good results, which means that any success at all with Adrien gives her that emotional high (thinly disguised as “love”) for him. I don’t have to wonder why she acts the way she does because I’m seeing it.

When she tries even harder to get to Adrien in Season 3, it’s specifically because of how bad she failed before. It’s, “well, none of these other crazy things I’ve done have worked, so that must mean I have to try even harder!”

Because being in Adrien’s class and being called a “friend” by him is getting her nowhere. He doesn’t spend time with her, he doesn’t know her (at least not enough to know that startling her with a prank won’t help her like him more), and the only forces putting them together are outside ones.

Marinette wants to be friends with Adrien here - she wouldn’t be insisting that everything was friendly between them if she didn’t - but basically no one will let her. Marinette even gave a list of Adrien-related things that she stopped doing nowadays, and what happens?

Alix tries to nail her over something else that she still does, because apparently progress doesn’t matter, and the “joke” that the special keeps trying to hammer home is that Marinette is a wreck who’s still very much into Adrien even though she's trying not to be.

Then, there’s Alya, and I have not been this annoyed with her in a LONG time.

The worst thing to do to someone trying to get over something is to keep bringing it up to them, and Alya was relentless in this special. From start to finish, Alya was doing whatever she could to remind Marinette that her crush is still very much there and it’s agony. Alya is constantly groaning and making faces whenever Marinette denies that there’s anything special about what she did with Adrien, to the point where she pulls a “The Puppeteer 2″ and tries to force them together herself.

And the mocking does not end. I counted at least three instances of Alya using “friend” sarcastically to describe how Marinette felt towards Adrien, and that’s only counting the ones where she used actual airquotes.

At one point during the beginning, Marinette goes to Alya to talk about how she can’t sit next to Adrien. Alya proceeds to say that “there’s still time to get off the plane” and goes on about how “romantic” New York will be. Marinette freaks out at the mental images that enter her head and screams that she “has to get out of here” (not “I need to be moved,” but a clear indication of get me off this plane I DO NOT want this) but when Ms. Mendeleiev asks what’s wrong, Alya doesn’t ask for Marinette to be taken off the plane (which hasn’t taken off yet) and just asks her to be moved elsewhere.

It’s outright uncomfortable how much Alya keeps pressing the issue of Marinette feeling “more than friendly” feelings to Adrien. When Adrien is leaving New York to go back with his father, Alya yells at Marinette and makes it about Marinette’s crush, as if Marinette can’t want Adrien to stay unless she has a crush on him.

The special makes Marinette’s situation all about “do you have a crush on him or not” and it’s awful. It hammers away at Marinette, repeatedly, then continues the typical Treatment of Marinette “humor” by having her walk by all the couples (DJWifi, Myvan, and Julerose) in the beginning of the special while she’s on her way to the bathroom of the plane, then jostles the plane at just the right time for her to be soaked and get toilet paper in her hair.

This special never should have been about Marinette trying to confess to Adrien (and, y’know, forcing her too). That’s not important here. What was important to teach Marinette was, “You have a crush, and that’s okay even if he likes someone else as long as you’re working on it and know what you want to do about it.”

Marinette’s agency is completely stripped away for this entire special because everything is a matter of convenience or by force of the plot. Even by the matter of Chat Noir not being in Paris, it’s technically Marinette’s fault because she tried to convince Adrien’s dad to let Adrien go (the scene of her deciding to do this, by the way, also comes off as if she’s not allowed to want this for him and be just his friend). The show doesn’t acknowledge it because it can’t, but the implications are there.

When Marinette suffers, it’s most likely because of Adrien, whether it’s his fault or just the stars aligning to form a middle finger at her. No matter what she tries to do, fate will work against her.

But here’s the special, insisting that they’re “made for each other,” pointing it out more than once, verbally, by one of the characters.

Here’s the tea, honey: if Marinette and Adrien were really made for each other, then I wouldn’t have to be told that they are.

The more that I’m told, the less I actually believe it, and this special comes nowhere close to making me believe it.

Instead of showing me that they should be together, all this special does is find any contrived situation it can to force them to interact, without realizing that all it’s doing is proving that they shouldn’t be together specifically because the interaction needs to be forced. If Adrienette was a ship I wanted to consider worthy of being endgame, the special wouldn’t need to shove them together needlessly.

It wouldn’t need to have their airplane seats happen to be right next to each other.

It wouldn’t need them to happen to wake up before everyone else to watch the clouds.

It wouldn’t need the two sets of automatic doors to stop working to trap them in the area in-between, twice.

It wouldn’t need them to happen to stumble into the same room together so someone can comment on how they’re, again, “made for each other.”

It wouldn’t need the magic hot dog they eat to be the one that happens to send them up in the air so they can dance together.

And it especially wouldn’t need the contrived moments of Marinette accidentally forcing her seat back so Adrien falls on top of her, or the plane jostling at just the right time to force her against him, or her and Adrien touching hands (ala “Gamer”) before she looks away in embarrassment.

Heck, I don’t even like Adrien, but with how his and Kagami’s relationship seems to be going, I’m disgusted for him too when Nino is going full-force on trying to get Adrien to notice Marinette. Adrien has no idea that any of this is going on and is just being strung along with all of it, whereas Marinette is stuck along for the ride whether she likes it or not.

People can have whatever opinion of Lukanette they want, but one person who didn’t make things worse for her was Luka himself. He shows up briefly in the opening, giving her a ride on his bike to catch up with the bus that’s taking the class to the airport. When Marinette worries that they won’t make it, Luka insists that they will because he knows how important the trip is for her. Marinette asks if he’s referring to Adrien and nervously tries to insists that she and Adrien are just friends and that’s all she sees Adrien as.

But Luka doesn’t mock her, nor laugh at her for it, because he doesn’t have to and he gets it. Unlike people who constantly try to force Marinette’s hand, Luka lets her figure things out on her own.

And when they finally come to a stop next to the bus, he doesn’t put any emphasis on Adrien. All he tells Marinette is that the importance of the trip is for her to get some clarity.

That is the closest thing to what I wanted (and just emphasizes how much I adore Luka and how refreshing his interactions with Marinette are), but it’s the farthest thing from what she actually gets.

How am I supposed to believe that Marinette and Adrien have a genuine relationship deserving of endgame when her feelings are constantly being forced in one direction? How am I supposed to believe anything about them when it’s not natural? How am I supposed to believe that this is the couple that’s “made for each other” when the show is so desperate to make me believe it that they’ll say it outright?

Because, obviously, I don’t believe any of that, and all this special has done is make my disdain for the love square even stronger.

That’s a failing grade if I’ve ever seen one. What a waste.

#category: salt #special: Miraculous New York #((It's like some horrid amalgamation of ''Mayura'' ''Heart Hunter'' ''Startrain'' and ''Gamer''))#((and I didn't even get into the other needlessly-cruel things they did to Marinette for the sake of a laugh.))#((Ugh.))#((I'm just gonna go daydream about if Marinette had been able to be let off the plane and spent her time with Luka and Kagami.))

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jocia92 · 3 years ago

Link

… So much of an actor’s craft is figuring out the “I want” of their character, but that’s got to be a little different with Tom since he states that he literally cannot want anything. What challenge or opportunity did that pose for you?

I think he wants to improve. I think he wants to calibrate according to Alma’s needs, wants, and desires. I think he’s very ready to learn and to understand. That was the kind of primary objective: listen, learn, calibrate, improve. That’s almost the track of each scenario. He just gets a little better each time, and the process gets a little faster. But certainly, in the beginning, he’s just delivering this sort of 20 classic chat-up lines that he’s been uploaded with and getting it all wrong. It’s fun to watch the machine learn and chart that progress.

On a practical or philosophical level, how did you approach the process of humanizing a character that’s an algorithm, or did you at all?

It was very much about charting with Maria exactly when we want to see the machine, when we want to see the human. Even playing with that ratio was really interesting and fun. It’s not so much about watching him play the machine, but watching a character try to play the human. Certainly, in the beginning, in some of the not quite so successful human moments, shall we say, we deconstructed what we regarded as the conventional human behavior in that. We looked at a lot of screwball comedies, like Cary Grant, Jimmy Stewart, Katharine Hepburn movies. [We were] taking a move or a gesture, breaking that down, and just doing two of the things. It just suddenly looks very odd and wrong, and you’re like, “Oh, this is what a human does in this moment!” But it’s just off. It was really as much about looking at the human.

You’ve mentioned things like The Philadelphia Story as shaping the film and its central relationship. Was that to ground it in reality or further ensconce it in the warped reality of cinema? Grant and Stewart are recognizable to us as people, but things like that mid-Atlantic lilt were entirely manufactured for the screen.

That was a very key point for Maria in referencing Cary Grant. The hair color that we chose for Tom was very much like Cary Grant’s hair color, being a shade darker than is possibly human. And the skin tone being slightly artificial for Tom. You’re right, Cary Grant is often very heightened and mannered sometimes, and it works in the situation in the style of the thing that he’s in. But we quite liked the idea that Tom has been uploaded with some outdated versions of what a romantic lead was supposed to behave like.

It’s striking just how thought-out things had to be down to how Tom responds to dead air space in a conversation. What was the process behind those small moments that can make or break the believability of a character?

It was very fun to play with, and probably quite frustrating for a lot of the human actors. Maren was giving a beautifully naturalistic performance, and the conventional responses that there should be from her scene partner weren’t there. We deliberately strip those away—sometimes without telling her, sometimes without needing to tell her. It’s just the way that Tom was, so it was about pushing those moments into a space that became a little uncomfortable: not jumping in on the lines where you might normally jump in, sometimes coming in hard, sometimes offering a delayed response, sometimes none at all. Playing with those, and watching how comfortable or uncomfortable that made them both, was really fun.

Did that frustration, built in by the process, bleed over for Maren into the character of Alma, do you think?

Maybe for Maren. Certainly, for me, it was frustrating in that I would have to remember not to respond in the way that I might normally and remove some of those things. [I had to] really break down exactly what Tom is thinking, what his programming is doing in that point, how he’s responding and calibrating, and whether we see that or not. Choosing moments to show the human, to show the machine. Along with Maria, that was one of the great joys of the role.

How did you settle on the physicality of the character? Was it at all helpful to have done something like Beauty and the Beast in a mo-cap suit to be hyper-aware of how your own movements translate to the screen?

Very much so. In fact, in pretty much every role I’ve done since Beauty and the Beast, I’ve incorporated not always a movement coach, but I’ve definitely looked at movement theory and physicality in a totally new way because of the challenges of that role. And, I have to say, dance plays a huge part in that. Whether it’s incorporated on the screen or if it’s something that just feels as if it helps the role, I often find that a dance studio is a very fruitful space to discover things about your character’s physicality. Learning the rumba for this role was incredibly helpful because it’s a very precise, technical, almost robotic dance in terms of the laser precision that’s needed to get it absolutely right. I had a fantastically exact teacher in Berlin who was teaching me the rumba the whole way through the shoot. We shot that [one scene] quite near the end of the shoot. Just to have those lessons, that kind of physicality, and that poise with me the whole way through the role was really useful.

How did the role being in a non-native tongue affect the characterization of Tom? Was it all easier to make him seem slightly unreal given that the words might not come quite as naturally as they would in English?

I think it was a deliberate choice on the part of Maria to look for a foreign actor who could speak German. She needed somebody who could both get their heads and their mouths around the very technical German that was required, which, even for a German is pretty complex, but also who had that sense of otherness. I’m sure they could have tailored the screenplay to any number of nationalities, but I was very happy they came to me and made him British. It definitely helped with, as I say, the fact that he’s listening, learning, focusing, trying to improve…that was literally all I was doing last summer, every day.

How do you lock onto the frequency of German comedy, which isn’t always something people associate with that country or people? How is it different than doing something like the more mannered British wit of Blithe Spirit or the broad studio comedy of Eurovision Song Contest?

It’s not a country known for it, but I think they should [be]. I find Germans very funny. They have a very interesting sense of humor. What’s particularly delightful is the way that they can tackle really kind of big, sometimes weighty, issues with a certain wit and lightness of touch, which is not common to all countries. Physical comedy, I think, is fairly universal. I think there’s something almost farcical about some of the physical stuff that we managed to get in this. It was really fun to make people laugh in a foreign language. It was surprisingly delightful. It felt very unifying, somehow, to be able to get a joke across in any language.

#ich bin dein mensch #i'm your man #dan stevens #slant magazine #interview #long post

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wallgirl · 3 years ago

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The Little Nereid Part 11

Record of Ragnarok fanfiction

Poseidon x OC

Word count: 2,100

Dynamene, youngest of the 50 Nereids, has lived most of her adolescence as a servant alongside her sisters at Poseidon’s palace. But with her coming-of-age birthday and other developments, what she initially thought was just admiration of her master blossoms into something stronger and more passionate… and painful.

Categories and warnings: Romance, angst, unrequited love, coming-of-age, earn-your-happy-ending, slow-burn (ish); no sexual content. There will be some graphic violence in the future.

Starting a temporary hiatus; will have about ?17? parts total.

---

Dynamene could hardly see through the dark, brackish water that surrounded her on every side. She was too upset to pay attention to where she was going; she swam straight on until her tears had stopped. When she had finally slowed to a halt, she didn't recognize the ocean around her. The water was colder and the coral reefs had disappeared. A heavy stillness and silence pressed about her. She allowed herself to drift down to the bottom, her gentle landing stirring up clouds of silt. She was completely alone now. This part of the ocean was largely devoid of sea life; any way she turned, she saw no movement. It was only her and the swaying kelp that stretched as far as her limited vision could see.

Sniffling quietly, she removed her bracelet and cradled it in both hands. It didn't shine in the hazy water, but the colors remained the same. She stared at it, wishing that the same strong hands that had gifted it to her could appear now to caress her cheek and tell her that everything would be alright.

But they would not. She was all by herself, with no one to count on or turn to. She didn't dare go back home now, where they would surely lock her up on account of keeping her safe. She couldn't go back to his palace either; that would be the first place her family would look for her. Her face crinkled up again in despair, but no tears emerged; she had cried them all out long ago.

What do I do? Where do I go? I'm alone now. And I have the feeling that, no matter where I go, people will discourage me from following my heart. She squeezed the bracelet tight.

I want to see you. Won't you come here, so I can talk to you? I want to hear you explain things in your calm, logical way. I want to hold your hand and feel how strong its grip is around mine. I want you to hold me until I feel better, and this ache goes away.

Her lower lip quivered, and she allowed herself to sink down onto the coarse sand. She curled up, squeezing the bracelet to her chest with both hands. But you won't.

Maybe my feelings are hopeless after all. I have no way to act on them. I can't tell him what I really feel, and my family won't let me be with him. It's all useless. It's all for nothing.

She sensed something moving in the seaweed nearby, and quickly turned. A small pike was poking its head out, watching her puzzledly.

"Oh, excuse me, my lady," the pike said quickly. "I wasn't expecting to see one of you Nereids way out here, especially so late."

"No, it's okay," Dynamene sat up straighter. "I hope I didn't disturb you." She brushed the sand from her cheek.

"Not at all. I was just settling in after a hunt." It swam forward curiously, its immobile little face and dark eyes an almost humorous clash with its sympathetic voice. "Are you alright? You sounded upset."

"I..." Dynamene covered her face in both hands. "I am. It's been a horrible night. I've ran away from home. I got in an argument with my older sister... I don't know where to go from here."

The pike rested against her leg sympathetically. "I'm sorry to hear that. Family quarrels are never fun. Do you want to talk about it? It might not be much, but I can listen."

Dynamene took a deep breath. "I... I've fallen in love with someone that my family doesn't approve of."

"Oh, dear. That's no good."

"No. I want to be with him, but they won't hear me out. They don't like him at all. I don't know what to do. I love him, but it's hopeless. Nothing will come of it." Dynamene wiped at her eyes, despite the fresh tears bubbling away in the water.

The pike was quiet for a moment, flicking its tail in thought. "I might have some advice, if you'd like."

Dynamene looked at it in surprise. "You do?"

"Yes. About thirty miles from here, overlooking the coast on a tall hill, is a temple of Aphrodite. Perhaps she could counsel you."

Dynamene jerked back in surprise. "Aphrodite?! I'd never even considered..."

"She can be temperamental, but it's said that she loves a good love story. She might see fit to help you. You can get there from here by following the north star."

Dynamene mulled this over briefly. Temperamental... I already knew that from gossip over the years. But if there's even the slimmest chance that she can help me, I have to try. She had never spoken to Aphrodite, only seen her from a distance during formal events. Aphrodite was not one to often lift a finger for mortals who asked for her help. But Dynamene was a Nereid, and part of Poseidon's court. Perhaps she would be willing to speak to her. Dynamene's expression began to brighten with hope. "Thank you so much, friend. I truly appreciate it."

"Not at all. I hope your luck improves, Nereid." The pike brushed its face against her hand before returning to its home in the weeds.

Dynamene took a deep breath, her spirits slightly lifted. A door had finally opened for her; she had a spark of hope to embrace now. That spark had lit a new resolve within her, flooding out the dark hopelessness that had weighed her down previously. But it was so late, and she was tired. There was no way she could make the long swim to the temple on her limited energy. She began to walk the ocean floor, the current gently pushing against her body. She just needed to find a good place to rest for a while.

Her approach stirred up a school of silvery blue fish from the weeds, and they scattered in every which way about her. She stopped to watch them swirl about her. Their color was a perfect match for Poseidon's eyes. The ache returned to her chest, and she reached for them, her fingertips brushing against the slick scales.

I wish I could see you right now. Are you asleep at the palace? Or have you returned to the Indian Ocean, seeing to your duties? Even if we're miles apart, the idea of you being awake as well comforts me...

I love you. I want to be yours. I want you to be mine. I want to wake up next to you in the morning and see the sun shining in your fair hair. I want to cling to your arm as we attend events together; you and I, as lovers. I want you to take me all across the ocean, showing me everything you know, everything you see.

If that can happen, then one night alone on this cold seafloor isn't so bad.

A dip in the silt ahead seemed like a reasonable spot to stop. She curled up in it, her body just small enough to fit comfortably. She waved her fingers, and the surrounding seaweed gently bent over her to weave themselves into a delicate shelter. Taking comfort in her new course of action, she quickly faded off into a deep sleep filled with visions of slender lips and strong arms.

---

Hundreds of miles away, Poseidon stood before a towering underwater wall of craggy rock. Focusing his energy, he slowly rose his arm and tightened his hand into a fist. By his will, the rock groaned in an ear-splitting crack before separating. Giant segments of the wall began to fall slowly through the water, narrowly avoiding the sea god. He didn't blink. He knew they wouldn't touch him.

The last of the fault was finally broken up; at least that of it which had been causing the disturbance. Given another year, the grinding of the plates might resume. Even he couldn't stop the movement of the Earth's giant tectonic plates, but he had no desire to. It was simply another cycle of nature. That being said, he also didn't like the idea of the friction leading to disaster. He'd have to have one of the lesser sea gods keep an active eye on it for the time being.

His work finally finished, he leapt from his perch to land on the ocean floor. One task was done; now he had another to focus on.

"Come to me," he spoke. His words were at a casual volume, but they resonated over hundreds of meters, reaching out to the sea life nearby. At once, the animals stopped what they were doing and began to flock towards him, his words an undeniable command. Like a scene from a painting, fish, cetaceans, and crustaceans of every sort formed a colorful crowd about him in the pristine blue waters.

"The largest of you, find me more of these." He held up an opened oyster in his hand, showing them the mother-of-pearl interior. "Only oysters that are this size or larger will do. Quickly."

The sea life scattered, the biggest animals rushing out obediently to find what he'd asked for. Some of the oysters they fetched were broken from being opened by other animals.

"No, not the cracked ones," he told a whale who brought him a large oyster that was nearly trisected. He gently placed his hand on its head. "Only those that are intact. I need them for jewelry."

The whale looked at him with its intelligent dark eyes before hurrying away once more.

Why am I doing this? I promised her a bracelet. I don't need these many oysters.

A necklace and a tainia for her hair will be much more visible. No one will miss them. I'm sure she'll be over the moon with delight. Such a simple girl.

But a bracelet is a rather pathetic gift. So low-brow coming from one of the greatest gods. So easy to miss on such a slender wrist.

A heap of oysters with shining interiors quickly began to pile up next to him. "That's enough," he told his subjects. "Thank you."

He summoned a bag, and as if they'd returned merrily to life, the oysters hopped one by one inside. He fastened the bag and was about to return to the surface when he saw a humpback dolphin steadily approaching from far off in the blue void.

"What is it?" He asked the animal as soon as it came within range. He recognized the intricate golden markings on its back immediately as a sign that it was part of the court of the Nereids' family. "My day is busy enough as it is."

"I apologize for... interrupting you, sire," the dolphin began apologetically. It was completely out of breath, as if it had raced the entire way here. Poseidon's brow furrowed. If the dolphin was arriving just now in the morning, it had to have left its palace in the dead of night.

"You're nearly incomprehensible. Surface first, then tell me."

"Lord Poseidon, it's an emergency. The Nereid Dynamene has run away overnight."

Poseidon froze. His jaw clenched tightly. "...Run away?"

"She had a quarrel with one of her sisters last night, and escaped into the ocean. She hasn't been seen since. Her family is... is worried for her."

Poseidon's lip began to curl. Those idiot Nereids. I allow them to remove her from my palace, and they can't even keep hold of her for one day. Worthless sisters. I should have never let them leave. "Where do they think she might have gone?" He managed to ground out. Cracks began to form in the seafloor beneath his boots.

The dolphin shrank away from him, his anger apparent from the way the water was beginning to simmer about his body. "They haven't any idea, my lord. They wondered if she might have returned to your palace."

"That would be the logical idea." His cool words barely concealed his rage. "Return to them. I will return home and organize a search on my end immediately. If she has returned to the palace, I will send word."

"Yes, my lord." The dolphin quickly swam towards the surface to take a breath before making its return journey.

Poseidon stood there, fuming, as he formed a plan of action. The sea life nearby quickly scattered, not wanting to get caught in his growing wrath. Stupid child. She'll get herself killed. She's far too naïve and weak to traverse the ocean alone. So like a young girl, to let her emotions rule over her. The water around him was boiling now, bubbles hissing in his ears.

Eyes snapping, he waved his arm in a sweep before himself. The water began to roar as it swept quickly all about him. For her sake, she'd better be at the palace.

The turbulent current dispersed, and he was gone.

---

AUGHHH

I listened to On My Own from Les Misérables. The 25th Anniversary Samantha Barks version. That's what I thought of with Dynamene by herself.

Is Poseidon even capable of loving another person? Or is owning someone like an object the closest he gets to affection?

I will be taking a brief hiatus from writing this to refill my writer juice, no longer than 3 weeks. I love this story, but I'm losing energy for writing it. I need to give it some space to regain that emotional drive. I will see you all soon!

#record of ragnarok #poseidon #poseidon x oc #record of ragnarok poseidon #shuumatsu no valkyrie #fanfiction

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wits-writing · 4 years ago

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What’s so Funny About Vengeance, the Night, and Batman? – Two Superhero Parodies in Conversation

Back in 2016, the first trailers for Director Chris McKay’s The Lego Batman Movie hit. A spinoff of the take on the iconic hero, voiced by Will Arnett, from 2014’s The Lego Movie. Those trailers spelled out a plot covering how Batman’s life of crimefighting is turned upside down when Robin unexpectedly enters the picture. It was a funny trailer, promising another insightful comedy from the crew behind The Lego Movie. A promise it handily delivered on when it came out in February 2017 with an animated feature steeped wall-to-wall jokes for the sake of mocking Bruce Wayne’s angst filled crusade that can only come from understanding what’s made the character withstand the test of time.

But there was a thought I and others had from seeing that trailer up to watching the actual movie:

“This seems… familiar.”

Holy Musical B@man! is a 2012 fan-made stage production parody of DC Comics’ biggest cash cow. It was produced as the fifth musical from YouTube-based cult phenomenon Starkid Productions, from a book by Matt and Nick Lang, music by Nick Gage and Scott Lamp with lyrics by Gage. The story of the musical details how Robin’s unexpected entrance ends up turning Batman’s (Joe Walker) life of crimefighting upside down. Among Starkids’ fandom derived projects in their early existence, as they’ve mainly moved on to well-received original material in recent years, Holy Musical B@man! is my personal favorite. I go back to it frequently, appreciating it as a fan of both superheroes and musicals. (Especially since good material that touches on both of those isn’t exactly easy to come by. Right, Spider-Man?)

While I glibly summarized the similarities between them by oversimplifying their plots, there’s a lot in the details, both major and minor, that separates how they explore themes like solitude, friendship, love, and what superhero stories mean. It’s something I’ve wanted to dig into for a while and I found a lot in both of them I hadn’t considered before by putting them in conversation. I definitely recommend watching both of them, because of how in-depth this piece goes including discussing their endings. However, nothing I can say will replace the experience of watching them and if I had included everything I could’ve commented on in both of them, this already massive piece would easily be twice as long minimum.

Up front, I want to say this isn’t about comparing The Lego Batman Movie and Holy Musical B@man in terms of quality. Not only are they shaped for vastly different mediums with different needs/expectations, animation versus stagecraft, but they also had different resources at their disposal. Even if both are in some ways riffing on the aesthetic of the 1990s Batman movies and the Adam West TV show, Lego Batman does it with the ability to make gorgeously animated frames packed to the brim with detail while Holy Musical often leans into its low-fi aesthetic of characters miming props and sets to add extra humor. They’re also for different audiences, Lego Batman clearly for all-ages while Holy Musical has the characters cursing for emphasis on a regular basis. On top of those factors, after picking through each of these for everything worth commenting on that I could find, I can’t say which I wholly prefer thanks in part to these fundamental differences.

This piece is more about digging through the details to explore the commonalities, differences, and what makes them effective mocking love letters to one of the biggest superheroes in existence.

(Also, since I’m going to be using the word “Batman” a lot, I’ll be calling Lego Batman just “Batman” and referring to the version from Holy Musical as “B@man”, with the exception of quoted dialogue.)

[Full Piece Under the Cut]

Setting the Tone

The beginning is, in fact, a very good place to start when discussing how these parodies frame their versions of the caped crusader. Each one uses a song about lavishing their respective Batmen with praise about how they are the best superheroes ever and play over sequences of the title hero kicking wholesale ass. A key distinction comes in who’s singing each song. Holy Musical B@man’s self-titled opening number is sung from the perspective of an omniscient narrator recounting B@man’s origin and later a chorus made up of the Gotham citizenry. Meanwhile, “Who’s the (Bat) Man” from Lego Batman is a brag-tacular song written by Batman about himself, even playing diegetically for all his villains to hear as he beats them up.

youtube

Holy Musical opens on a quick recap of Batman’s origin:

“One shot, Two shots in the night and they’re gone And he’s all left alone He’s just one boy Two dead at his feet and their blood stains the street And there’s nothing, no there’s nothing he can do!”

We then get a Bat-dance break as the music goes from slow and moody to energetic to reflect Batman turning that tragedy into the driving force behind his one-man war on crime. Assured by the narrator that he’s “the baddest man that there’s ever been!” and “Now there’s nothing, no there’s nothing he can’t do!” flipping the last lyric of the first verse. For the rest of the opening scene the lyrics matter less than what’s happening to establish both this fan-parody’s version of Batman and how the people of Gotham (“he’ll never refuse ‘em”) view him.

Lego Batman skips the origin recap, and in general talks around the death of the Waynes to keep the light tone going since it’s still a kids movie about a popular toy even if there are deeper themes at play. Instead, it continues a trend The Lego Movie began for this version of the character writing music about how he’s an edgy, dark, awesome, cool guy. While that movie kept it to Batman angry-whiteboy-rapping about “Darkness! NO PARENTS!”, this one expands to more elaborate boasts in the song “Who’s the (Bat) Man” by Patrick Stump:

youtube

“In the darkest night I make the bad guys fall There’s a million heroes But I’m the best of them all!”

Batman singing this song about himself, as opposed to having it sung by others aims the crosshairs of parody squarely on the hero’s ego. His abilities make fighting his villains effortless, like this opening battle is more an opportunity to perform the song than a life-or-death struggle. Even Joker’s aware of that as he shouts, “Stop him before he starts singing!” This Batman doesn’t see himself as missing out on anything in life, even if he still feels that deep down. Being Batman is the coolest thing in the world that anyone would envy. He’s Batman, therefore everyone should envy him.

The songs aren’t only part of the equation for how these two works’ opening scenes establish their leading hero. While both songs are about Batman being cool, they’re separated by the accompanying scenes. Lego Batman keep the opening within the Joker’s perspective until Batman shows up and the action kicks in. Once it does, we’re shown a Batman at the top of his solo-hero game. Meanwhile, Holy Musical’s opening is about B@man building his reputation and by the end of the song he has all the citizens of Gotham singing his praises with the titular lyrics. Both are about being in awe of the title hero, one framed by Joker’s frustration at Batman’s ease in foiling his schemes yet again and the other about the people of Gotham growing to love their city’s hero (probably against their better judgement.)

That’s woven into the fabric of what kind of schemes Batman is foiling in each of these. Joker’s plan to bomb Gotham with the help of every supervillain in Batman’s Rogues Gallery is hilariously high stakes and the type of plan most Batman stories, even parodies, would save for the climax. Neatly exemplified by how that’s almost the exact structure of Holy Musical’s final showdown. Starting with these stakes works as an extension of this Batman’s nature as a living children’s toy and therefore the embodiment of a child’s idea of what makes Batman cool, his ability to wipe the floor with anyone that gets in his way “because he’s Batman.” It also emphasizes Joker as the only member of the Rogues Gallery that matters to Lego Batman’s story, every other Bat-villain is either a purely visual cameo or only gets a couple lines maximum.

The crime’s being stopped by B@man are more in the “Year One” gangster/organized crime category rather than anything spectacle heavy. Though said crimes are comically exaggerated:

Gangster 1: Take these here drugs, put ‘em into them there guns, and then hand ‘em out to those gamblin’ prostitutes! Gangster 2: Should we really be doing these illegal activities? In a children’s hospital for orphans?

These fit into that model of crime the Dark Knight fights in his early days and add tiny humanizing moments between the crooks (“Oh, Matches! You make me laugh like nobody else!”) in turn making the arrival of B@man and the violence he deals out a stronger punchline. Further emphasized by the hero calling out the exact physical damage he does with each hit before warning them to never do crime again saying, “Support your families like the rest of us! Be born billionaires!” Later in the song his techniques get more extreme and violence more indiscriminate, as he uses his Bat-plane to patrol and gun down whoever he sees as a criminal, including a storeowner accidentally taking a single dollar from his own register. (“God’s not up here! Only Batman!”)

A commonality between these two openings is how Commissioner Jim Gordon gets portrayed. Both are hapless goofs at their core, playing more on the portrayal of the character in the 60s TV show and 90s Burton/Schumacher movies than the serious-minded character present in comics, Nolan’s Dark Knight Trilogy, and other adaptations. Lauren Lopez’s portrayal in Holy Musical gets overwhelmed by everything thrown at him, eventually giving up and getting out of B@man’s way (“I’m not gonna tell Batman what to do! He’s Batman!”) Hector Elizondo’s Gordon in Lego Batman clearly reached the “stay out of Batman’s way” point a long time ago, happy to have “the guy who flips on the Bat-signal” be his sole defining trait. While the characterizations are close, their roles do end up differing. Lopez’s Gordon sticks around to have a few more comedic scenes as the play goes on, where Elizondo’s exist to set up a contrast with his daughter Barbara and her way of approaching Batman when she becomes Police Commissioner.

These opening sequences both end in similar manners as well; the citizens of Gotham lavishing praise on their respective Batmen and a confrontation between Batman and the Joker. Praise from the citizenry in Holy Musical comes on the heels of a letter from B@man read out on the news about how much they and the city of Gotham suck. They praise B@man for his angsty nature as a “dark hero” and how they “wouldn’t want him any other way!”, establishing the motif of Gotham’s citizens in Holy Musical as stand-ins for the Batman fandom. Lego Batman uses the praise of the Gotham citizens after Batman’s victory in the opening scene as a lead in to contrast their certainty that Batman must have an exciting private life with the reality we’re shown. Which makes sense since Lego-Batman’s relationship to the people of Gotham is never presented as something at stake.

Greater contrast comes in how the confrontations with the Joker are handled, Lego Batman has an argument between the hero and villain that’s intentionally coded as relationship drama, Batman saying “There is no ‘us’” when Joker declares himself Batman’s greatest enemy. The confrontation in Holy Musical gets purposefully underplayed as an offstage encounter narrated to the audience as a Vicki Vale news report. This takes Joker off the board for the rest of the play in contrast to the Batman/Joker relationship drama that forms one of Lego Batman’s key pillars. While they take different forms, the respective citizenry praise and villain confrontation parts of these openings lead directly into the number one common thematic element between these Bat-parodies: Batman’s loneliness.

One is the Darkest, Saddest, Loneliest Number

Batman as an isolated hero forms one of the core tenants of the most popular understanding of the character. Each of these parodies picks at that beyond the broody posturing. There’s no dedicated segment in this piece about how these works’ versions of the title character function bleeds into every other aspect of them, but each starts from the idea of Batman as a man-child with trouble communicating his emotions. Time’s taken to give the audience a view of where their attitudes have left them early in the story.

Both heroes show their loneliness through interactions with their respective Alfreds. Holy Musical has the stalwart butler, played by Chris Allen, try to comfort B@man by asking if he has any friends he enjoys being around. When B@man cites Lucius Fox as a friend he calls him right away, only to discover Lucius Fox is Alfred’s true identity and Alfred Pennyworth was an elaborate ruse he came up with to protect Bruce on his father’s wishes. Ironically, finding out his closest friend was living a double life causes Bruce to push Alfred away (the play keeps referring to him as Alfred after this, so that’s what I’m going to do as well.) After he’s fired he immediately comes back in a new disguise as “O’Malley the Irish Butler” (same outfit he wore before but with a Party City Leprechaun hat.) That’s unfortunately the start of a running gag in Holy Musical that ends up at the worst joke in the play, when Alfred disguises himself as “Quon Li the Chinese Butler” doing an incredibly cringeworthy “substituting L’s for R’s” bit with his voice. It’s been my least favorite bit in the play since I first saw it in 2012 and legitimately makes me hesitate at times to recommend it. Even if it’s relatively small bit and the rest holds ups.

That disclaimer out of the way, that conversation between B@man and Alfred leads into the title hero reflecting on his sadness through the musical’s I Want Song, “Dark, Sad, Lonely Knight.” The song’s split into two halves, the first Alfred reflecting on whether he played a part in Bruce’s current condition and the second B@man longing for a connection. The song does a good job balancing between the sincerity over the hero’s sadness and getting good laughs out of it:

“Think of the children Next time you gun down the mama and papa Their only mama and papa Because they probably don’t have another mama and papa!”

The “I Want” portion of the song coming in the end with the repetition of the lryics “I want to be somebody’s buddy.”

Rather than another song number, Lego Batman covers Batman’s sadness through a pair of montages and visual humor. The first comes after the opening battle, where we see Batman taking off all his costume except for the mask hanging out alone in Wayne Manor, showing how little separation he puts between identities. Compared to Holy Musical where the equivalent scene is the first we see of Bruce without the mask on, which may come down to practicality since anyone who’s worn a mask like that knows they get hot and sweaty fast. Batman is constantly made to appear small among the giant empty rooms of his estate as he eats dinner, jams on his guitar, and watches romantic movies alone.

Ralph Fienne’s Alfred coming in at the end of this sequence witnessing Batman looking at a photo of himself as a boy with his parents for the last time. Alfred outlines Batman’s fear of being part of a family again only to be met with Batman denying he has any feelings ever. Pennyworth’s role as a surrogate father gets put into greater focus here than in Holy Musical, as we get glimpses of Alfred reading a book titled “How to Deal with Your Out-of-Control Child.” Also shown in smaller scenes of Alfred dealing with Batman’s insistent terminology for his crime fighting equipment, like calling his cowl an “armored face disguise.”

Batman’s denial of his pain contrasts how B@man wallows in it. Though he’s forced to confront it a little as the Joker’s plan ends up leaving him with no crimefighting to fall back on to ignore his issues. This montage gets set to the song “One” by Harry Nilsson and details Batman, unable to express his true feelings, eventually letting them out in the form of tempter tantrums. There’s also some humor through juxtaposition as Batman walks solemnly through the streets of Gotham City, rendered black and white, as the citizens chant “No more crime!” in celebration, while flipping over cars and firing guns into the air.

A disruption to their loneliness eventually comes in the form of a sensational character find.

Robin – The Son/BFF Wonder

Between both Bat-parodies, the two Robins’ characterizations are as close as anyone’s between them. Each is nominally Dick Grayson but are ultimately more representative of the idea of Robin as the original superhero sidekick and his influence on Batman’s life. The play and movie also both make the obvious jokes about Dick’s name and the classic Robin costume’s lack of pants at different points. Dick’s origin also gets sidestepped in each version to skip ahead to the part where he starts being an influence in Batman’s life.

Robin’s introduction to the comics in Detective Comics #38 in 1940, marking the start of Batman’s literal “Year Two” as a character, predating the introduction of Joker, Catwoman, and Alfred, among others. Making him Batman’s longest lasting ally in the character’s history. His presence and acrobatics shift the tone by adding a dash of swashbuckling to Batman’s adventures, inspired by the character’s namesake Robin Hood, though both parodies take a page out of Batman Forever and associate the name with the bird for the sake of a joke. Robin is as core to Batman as his origin, but more self-serious adaptations (i.e., the mainstream cinematic ones that were happening around the times both Holy Musical and Lego Batman came out) tend to avoid the character’s inclusion. These two works being parody, therefore anything but self-serious, give themselves permission to examine why Robin matters and how different characters react to his presence. Rejection of Robin as a character and concept comes out in some form in each of these works, from Batman himself in Lego Batman and the Gotham citizens in Holy Musical.

The chain of events that lead to Dick becoming Robin in Lego Batman are a string of consequences for Batman’s self-absorption. A scene of Bruce barely listening as Dick asks for advice on getting adopted escalating to absentmindedly signing the adoption paperwork. Batman doesn’t realize he has a son until after his sadness montage. Alfred forces Batman to start interacting with Dick against his will. The broody loner wanting nothing to do with the cheery kid, played to “golly gee gosh” perfection by Michael Cera, until he sees the utility of him. Batman doesn’t even have the idea to give Robin a costume or codename because he clearly views the sidekick’s presence as a temporary measure for breaking into Superman’s fortress, made clear by how he lists “expendable” as a quality Dick needs if he wants to go on a mission.

This makes Robin the catalyst for Batman’s shifting perspective throughout Lego Batman. When Robin succeeds in his first mission, the Dark Knight is hesitant to truly compliment him and chalks up his ward’s feats to “unbelievable obeying.” Other moments have Robin’s presence poke holes in Batman’s tough guy demeanor, like the first time Batman and Robin ride in the Bat-mobile together, Robin asks where the seatbelts are and Batman growls “Life doesn’t give you seatbelts!”, only for Batman to make a sudden stop causing Robin to hit his head on the windshield and Batman genuinely apologizes. They share more genuine moments together as the film goes, like Batman suggesting they beatbox together to keeps their spirits up after they’ve been imprisoned for breaking into Arkham Asylum. Robin’s representative of Batman gradually letting people in throughout these moments.

On the exact opposite end of the spectrum, B@man needs zero extra prompting to let Robin into his life. Nick Lang’s Robin (henceforth called “Rob!n” to keep with this arbitrary naming scheme I’ve concocted) does get brought into his life by Alfred thanks to a personal ad (“‘Dog for sale’? No… ‘Orphan for sale’! Even better!”) but it’s a short path to B@man deciding to let Dick fight alongside him. The briefest hesitance on the hero’s part, “To be Batman… is to be alone”, is quelled by Rob!n saying “We could be alone… together.” Their first scene together quickly establishing the absurd sincerity exemplified by this incarnation of the Dynamic Duo. An energy carried directly into the Act 1 closing number, “The Dynamic Duet”, a joyful ode between the heroes about how they’re “Long lost brothers who found each other” sung as they beat up supervillains (and the occasional random civilian.)

That song also ties into the contrast between the Batman/Robin dynamic and the B@man/Rob!n one. While Holy Musical is portraying a brotherly/BFF bond between the two heroes, Lego Batman leans into the surrogate son angle. While both are mainly about their stories’ Batman being able to connect with others, the son angle of Lego Batman adds an additional layer of “Batman needs to take responsibility for himself and others” and a parallel to Alfred as Batman’s own surrogate father. It also adds to the queer-coding of Batman in Lego Batman as Batman’s excuse to Robin for why he can go on missions is that Bruce and he are sharing custody, Robin even calling Batman’s dual identities “dads” before he knows the truth.

In the absence of the accepting personal responsibility through fatherhood element, the conflict Rob!n brings out in Holy Musical forms between B@man and the citizens of Gotham. “Citizens as stand-ins for fandom” is at it’s clearest here as the Act 2 opener is called “Robin Sucks!” featuring the citizens singing about how… well, you read the title. Their objections to Rob!n’s existence has nothing to do with what the young hero has done or failed to do, but come from arguments purely about the aesthetic of Rob!n fighting alongside B@man. Most blatantly shown by one of the citizens wearing a Heath Ledger Joker t-shirt saying Rob!n’s presence “ruins the gritty realism of a man who fights crime dressed as a bat.” It works as the Act 2 opener by establishing that B@man and the citizens conflicting opinions on his sidekick end up driving that half of the story, exemplified in B@man’s complete confusion about why people hate Rob!n (“Robin ruined Batman? But that’s not true… Robin make Batman happy.”)

Both Robins play into the internal conflict their respective mentors are going through, but what would a superhero story, even a parody, be without some colorful characters to provide that sweet external conflict.

Going Rogue

Both works have the threat comes from an army of villains assembled under a ringleader, Zach Galifianakis’s Joker in Lego Batman and Jeff Blim as Sweet Tooth in Holy Musical. Both lead the full ensemble of Batman’s classic (and not so classic) Rogues at different points. As mentioned before Joker starts Lego Batman with “assemble the Rogues, blow up Gotham” as his plan, while Sweet Tooth with his candy prop comedy becoming the ringleader of Gotham’s villains is a key turning point in Act 1 of the play. Part of this comes down to how their connections to their respective heroes and environments are framed, Sweet Tooth as a new player on the scene and Joker as Batman’s romantic foil.

Lego Batman demonstrates Batman and Joker are on “finishing each other’s sentences” levels of intimate that Batman refuses to acknowledge. Shown best in how Joker’s plan only works because he can predict exactly how Batman will act once he starts playing hard to get. When he surrenders the entire Rogues Gallery (without telling them) and himself to police custody, he describes it as him being “off the market.” He knows Batman won’t settle for things ending on these terms and tricks the hero into stealing Superman’s Phantom Zone projector so he can recruit a new, better team of villains for a take two of his masterplan from the start. Going through all this trouble to get Batman to say those three magic words; “I love hate you.” Joker as the significant other wanting his partner to finally reciprocate his feelings and commit works both as a play on how the Batman/Joker relationship often gets approached and an extension of the central theme. Batman is so closed off to interpersonal connections he can’t even properly hate his villains.

Sweet Tooth, while clearly being a riff Heath Ledger and Caesar Romero’s Jokers fused with a dash of Willy Wonka, doesn’t have that kind of connection with B@man. Though there are hints that B@man and his recently deceased Joker may have had one on that level. He laments “[Joker]’s in heaven with mom and dad. Making them laugh, I know it!” when recalling how the Clown Prince of Crime was the one person he enjoyed being around. This makes Joker’s death one of the key triggers to B@man reflecting on his solitude at the start of the play.

What Sweet Tooth provides the story is a threat to B@man’s new bond with Rob!n. Disrupting that connection forms the delicious center of the Candy King of Crime’s plan in Act 2. He holds Rob!n and Gotham’s people hostage and asks the citizens to decide via Facebook poll if the sidekick lives or dies (in reference to the infamous phone hotline vote from the comic book story A Death in the Family where readers could decide the Jason Todd Robin’s fate.)

With the rest of the villains under the leadership of the respective works’ main antagonists, there’s commentary on their perceived quality as threats. When Holy Musical has Superman talking to Green Lantern about how much B@man’s popularity frustrates him, he comes down especially hard on the Caped Crusader’s villains. Talking about how they all coast by on simple gimmicks with especially harsh attention given to Two Face’s being “the number two.” Saying they’re only famous because B@man screws up and they get to do more damage. Which he compares to his own relationship with his villains:

Superman: You ever heard of Mr. Mxyzptlk? Green Lantern: No. Superman: No, that’s right! That’s because I do my job!

Lego Batman has commentary on the other villains come from Joker, recognizing that even all together they can never beat Batman, because that’s how a Batman story goes. The other villains get portrayed as generally buffoonish, struggling to even build a couch together and described by Joker as “losers dressed in cosplay.” Tricking Batman into sending him to the Phantom Zone provides him the opportunity to gather villains from outside Batman’s mythos and outside DC Comics in general. Recruiting the likes of Sauron, King Kong, Daleks, Agent Smith from The Matrix, and the Wicked Witch of the West, among others. When I first saw and reviewed The Lego Batman Movie, this bugged me because it felt like a missed opportunity to feature lesser-known villains from other DC heroes’ Rogues Galleries. Now, considering the whole movie as meta-commentary on the status of this Batman as a children’s toy, it makes perfect sense that Joker would need to go outside of comics to break the rules of a typical Batman story and have a shot at winning.

The Rogues of Holy Musical get slightly more of a chance to shine, if only because their song “Rogues are We” is one of the catchier tracks from the play. They’re all still more cameo than character when all’s said and done, but Sweet Tooth entering the picture is about him recognizing their potential to operate as a unit, takeover Gotham, and kill B@man. The candy-pun flinging villain wants all of them together, no matter their perceived quality.

Sweet Tooth: “We need every villain in Gotham. Cool themes, lame themes, themes that don’t match their powers, even the villains that take their names from public domain stories.” (Two Face’s “broke ass” still being the exception.)

Both Joker and Sweet Tooth provide extensions of the shared theme of Batman dealing with the new connections in his life, especially with regards to Robin. However, Robin isn’t the only other ally (or potential ally) these Dark Knights have on their side.

Super Friends(?)

The internal crisis of these Caped Crusaders come as much from how they react to other heroic figures as it does from supervillainous machinations. In both cases how Batman views and is viewed by fellow heroes gets centered on a specific figure, Superman in Holy Musical and Commissioner Barbara Gordon (later Batgirl) in Lego Batman. Each serves a vastly different purpose in the larger picture of their stories and relationship to their respective Batmen. Superman reflecting B@man’s loneliness and Barbara symbolizing a new path forward for Batman’s hero work.

Superman’s role in Holy Musical runs more parallel to Lego Batman’s Joker than Barbara. Brian Holden’s performance as the Man of Tomorrow plays into a projected confidence covering anxiety that nobody likes him. Besting the Bat-plane in a race during B@man’s Key to the City ceremony establishes a one upmanship between the two heroes, like Joker’s description of his relationship with Batman at the end of Lego Batman’s opening battle. Though instead of that romantically coded relationship from Lego Batman, this relationship is more connected to childish jealousy. (But if you do want to read the former into Holy Musical B@man, neither hero has an onstage relationship with any woman and part of their eventual fight consist of spanking each other.)

B@man and Superman’s first real interaction is arguing over who’s the cooler hero until it degrades into yelling “Fuck you!” at each other. B@man storming off in the aftermath of that gets topped off by Superman suggesting he should get the Key to the City instead, citing his strength and longer tenure as a hero (“The first hero, by the way”) as justifications. This only results in the Gotham citizens turning on him for suggesting their city’s hero is anything less than the best, which serves both as a Sam Raimi Spider-Man reference (“You mess with one of us! You mess with all of us!”) and another example of the citizens as stand-ins for fandom. Superman’s veil of cocksureness comes off quickly after that and stays off for the rest of the play. Starting with his conversation with Green Lantern where a civilian comes across them, but barely acts like Superman’s there.

One of the play’s running gags is Superman calling B@man’s number and leaving messages, showing a desperation to reach out and connect with his fellow hero despite initial smugness. Even before the first phone call scene, we see Superman joining B@man to sing “I want to be somebody’s buddy” during “Dark, Sad, Lonely Knight” hinting at what’s to come. The note it consistently comes back to is that Superman’s jealousy stems from Batman’s popularity over him. This is a complete flip of what Lego Batman does with the glimpse at a Batman/Superman dynamic we see when Batman goes to the Superman’s fortress to steal the Phantom Zone projector. The rivalry dynamic there exists solely in Batman’s head, Lego-Superman quickly saying “I would crush you” when Batman suggests the idea of them fighting. Superman’s status among the other DC heroes is also night and day between these works. Where Lego-Superman’s only scene in the movie shows him hosting the Justice League Anniversary Party and explaining he “forgot” to invite Batman, Superman in Holy Musical consistently lies about having friends over (“All night long I’m busy partying with my friends at the Fortress… of Solitude.”)

Superman’s relationship to B@man in Holy Musical develops into larger antagonism thanks to lack of communication with B@man brushing off Supes’ invitations to hang out and fight bad guys (“Where were you for the Solomon Grundy thing? Ended up smaller than I thought, just a couple of cool guys. Me and… Solomon Grundy.”) His own loneliness gets put into stronger focus when he sees the news of Rob!n’s debut as a crimefighter, which makes him reflect on how he misses having Krypto the Super-Dog around. (The explanation for why he doesn’t have his dog anymore is one of my favorite jokes in the play and I won’t ruin it here.)

Where Superman’s a reflection of B@man’s loneliness, Rosario Dawson as Barbara in Lego Batman is a confrontation of Batman’s go it alone attitude. Her job in the story is to be the one poking holes in the foundation of Batman as an idea, starting with her speech at Jim Gordon’s retirement banquet and her instatement as commissioner. She has a by-the-book outlook on crimefighting with the omnicompetence to back it up, thanks to her training at “Harvard for Police.” Babs sees Batman’s current way of operating as ineffectual and wants him to be an official agent of the law. An idea that dumps a bucket of cold water on Batman’s crush he developed immediately upon seeing her, though that never fully goes away.

Her main point is that Batman “karate chopping poor people” hasn’t made Gotham better in his 80 years of operating. A contrast to Holy Musical’s Jim Gordon announcing that B@man has brought Gotham’s crime rates to an all-time low (“Still the highest in the world, but we’re working on it.”) She wants to see a Batman willing to work with other people. A hope dashed constantly dealing with his childish stubbornness as he tries to foil Joker’s schemes on his own, culminating in her arresting Batman and Robin for breaking into Arkham to send Joker to the Phantom Zone.

Barbara’s role as the one bringing grown-up attitudes and reality into Batman’s world does leave her in the role of comedic straight woman. Humor in her scenes comes from how she reacts to everyone else’s absurdity rather than anything she does to be funny. This works for the role she plays in Lego Batman, since she’s not there to have an arc the way Superman does in Holy Musical. She’s another catalyst for Batman’s to start letting people in as another character he grows to care about. Which starts after she lets the Dynamic Duo out of prison to fight Joker’s new army of Phantom Zone villains on the condition that he plays it by her rules. Leading to a stronger bond between Batman, Robin, Alfred, and her as they start working together.

The two Batmen’s relationships to other heroes, their villains, Robin, and their own solitude each culminate in their own way as their stories reach their conclusions.

Dark Knights & Dawning Realizations

As everything comes down to the final showdowns in these Bat-parodies, the two Caped Crusaders each confront their failures to be there for others and allow themselves to be vulnerable to someone they’ve been antagonizing throughout the story. Each climax has all of Gotham threatened by a bomb and the main villains’ plans coming to fruition only to come undone.

Holy Musical has Sweet Tooth’s kidnapping of Rob!n and forcing Gotham to choose themselves or the sidekick they hate sends B@man into his most exaggerated state in the entire play. It’s the classic superhero movie climax conundrum, duty as a hero versus personal attachment. Alfred, having revealed himself as the “other butlers”, even lampshades how these stories usually go only for that possibility to get shot down by Bruce:

Alfred: A true hero, Master Wayne, finds a way to choose both. B@man: You’re right, Alfred. I know what I have to do… Fuck Gotham, I’m saving Robin!

B@man’s selfishness effectively makes him the real villain of Holy Musical’s second act. Lego Batman has shades of that aspect as well, where Batman gets sent to the Phantom Zone by Joker for his repeated refusal to acknowledge their relationship. Where the AI running the interdimensional prison, Phyllis voiced by Ellie Kemper, confronts him with the way he’s treated Robin, Alfred, Barbara, and even Joker:

Phyllis: You’re not a traditional bad guy, but you’re not exactly a good guy either. You even abandoned your friends. Batman: No! I was trying to protect them! Phyllis: By pushing them away? Batman: Well… yeah. Phyllis: Are they really the ones you’re protecting?

Batman watches what’s happening back in Gotham and sees Robin emulate his grim and gritty tendencies to save the day in his absence makes him desperately scream, “Don’t do what I would do!” It’s the universe rubbing what a jerk he’s been in his face. He’s forced to take a look at himself and make a change. B@man’s not made to do that kind of self-reflection until after he’s defeated Sweet Tooth but failed to stop the villain’s bomb. He’s ready to give up on Gotham forever and leave with Rob!n, until his sidekick pulls up Sweet Tooth’s poll and it shows the unanimous result in favor of saving the Boy Wonder. Despite everything they said at the start of Act 2, the people want to help their hero in return for all the times he helped them. All of them calling back to the Raimi Spider-Man reference from Act 1, “You mess with one of us. You mess with all of us.”

Both heroes’ chance at redemption and self-improvement comes from opening themselves up to the people they pushed out and dismissed earlier in their stories. Batman takes on the role he reduced the Commissioner down to at the beginning of the movie and flips on signals for Barbara, Alfred, and Robin to show how he’s truly prepared to work as a team, not just with his friends and family but with the villains of Gotham the Joker pushed aside as well. Teamwork makes the dream work and they’re all able to work together to get Joker’s army back into the Phantom Zone but like in Holy Musical they fail to stop the bomb threatening Gotham. Which he can only prevent from destroying the city by confessing his true feeling to Joker

Batman: If it wasn’t for you, I wouldn’t have learned how connected I am with all of these people and you. So, if you help me save Gotham, you’ll help me save us. Joker: You just said “us?” Batman: Yeah, Batman and the Joker. So, what do you say? Joker: You had me at “shut up!”

The equivalent moment from Holy Musical comes from B@man needing to put aside his pride and encourage a disheartened Superman to save Gotham for him. This happens in the aftermath of a fight the two heroes had where Superman tried to stop B@man before he faced Sweet Tooth, B@man winning out through use of kryptonite. That fight doesn’t fit into any direct parallel with Lego Batman, but it is important context for how Superman’s feeling about B@man before Superman finally gets his long-awaited phone call from the Dark Knight. Also, the song accompanying the fight, “To Be a Man”, is one of the funniest scenes in the play. What this speech from B@man does is bring the idea of Holy Musical B@man as a commentary on fandom full circle:

B@man: I forgot what it means to be a superhero. But we’re really not that different, you and me, at our heart. I mean really all superheroes are pretty much the same… Something bad happened to us once when we were young, so we dedicated our whole lives to doing a little bit of good. That’s why we got into this crazy superhero business. Not to be the most popular, or even the most powerful. Because if that were the case, hell, you’d have the rest of us put out of a job!

This speech extends into an exchange between the heroes about how superheroes are cool, not despite anything superficially silly but because of it. Bringing it back to the “Robin Sucks!” theme that started Act 2, saying “Some people think Robin is stupid. But those people are pretentious douchebags. Because, literally, the only difference between Robin and me is our costumes.” The speech culminates in what I genuinely think is one of the best Batman lines ever written, as B@man’s final plea to Superman is “Where’s that man who’s faster than a gun?” calling back to the trauma that created Batman across all versions and what he can see in someone like Superman. So, B@man sacrificing his pride and fully trusting in another hero saves Gotham, the way Batman letting Joker know what their relationship means to him did in Lego Batman.

Each of these parodies ends by delivering a Batman willing to open himself up to a new team of heroes fighting at his side, the newly minted Bat-Family in Lego Batman and the league for justice known as the Super Friends in Holy Musical. Putting them side by side like this shows how creators don’t need the resources of a Hollywood studio to make something exactly as meaningful and how the best parodies come from love of the material no matter who’s behind them.

If you like what you’ve read here, please like/reblog or share elsewhere online, follow me on Twitter (@WC_WIT), and consider throwing some support my way at either Ko-Fi.com or Patreon.com at the extension “/witswriting”

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kal-djarin · 4 years ago

Text

Memories From the Past

Fandom: Star Wars

Date Posted: February 8th, 2021

Pairing: Reader x Obi-Wan Kenobi

Warnings: angst, fluff, suggestive themes but no actual smut, fighting?

Request: n/a

A/N: Okay I’m actually kinda proud of this one. I really love the dynamic of Obitine so I tried to translate that into fic without stealing the entire plot, but it steal is very obviously similar. I really hope the flash back scenes and change in pov. make sense, I had some issues trying to figure out what tense I should use for them, but hopefully it’s not confusing. IM SORRY THE ENDING IS RUSHED!!! As always please let me know what you think!!

Word Count: 4.5k

The news of Jedi Obi-Wan Kenobi’s return to Sundari caused an array of emotions throughout the Palace. The Royal Guards were more watchful than usual, still not truly able to release the years of grudges held against the Jedi Order and Satine, was glad to be reunited with her old friend, despite the impromptu meeting being over possible changes in where the planet stood in the Clone Wars; a figure dressed in Mandalorian armour attacking a Republic cruiser would bring anyone to question the supposed position of neutrality Mandalore held.

You, on the other hand, were instantly filled with dread. Years have passed from the last time you have laid eyes on Obi-Wan and still the mere mention of him causes hundreds of memories to resurface.

When Satine became Duchess of Mandalore, many people were happy, but there were still insurgents that would not accept her pacifist leadership. They would send bounty hunters to try to eliminate her and the power she held. These constant threats against her life compelled Obi-Wan and his Jedi Master Qui-Gon Jinn to remove her and you, her most trusted advisor, from Mandalore and live on the run for nearly a year.

You lived one day at a time, trying to focus on surviving the present and live to see what uncertainties the future held. Most people would think that living in such dubious conditions would be terrifying, but it was one of the best years of your life.

Right when you met Obi-Wan, you were instantly turned off by him, despite his handsome looks. His diplomatic kindness and reverence felt impersonal and fake instead of charming and he was far too arrogant for your liking. Qui-Gon, on the other hand, was someone you befriended very quickly. His empathetic and wise nature instantly connected the two of you and he became almost like a father-figure. He was constantly giving you advice and was the only reason you tolerated Obi-Wan in the beginning.

Obi-Wan instantly felt this disfavor towards him, bringing out his sarcasm and frequent jabs, making him even more unbearable. The two of you spent weeks either trying to see who could irritate the other more or just completely ignoring each other, to both Qui Gon and Satine’s dismay. Qui-Gon always tried convincing you that you and Obi-Wan would make a great pair if the two of you would just stop being so stubborn, but his advice fell onto deaf ears.

Your hostility towards each other did die however, when you were being chased by venom-mites on a cliff on Draboon. Qui-Gon and Obi-Wan fought them off as you and Satine escaped to the ship. Satine ran onto the boarding ramp and just as you were about to join her, you tripped over a divot in the ground, the momentum of it almost completely hurtling you off the side of the cliff, had you not grabbed a hold of the ledge.

All you can remember was the absolute terror that coursed through your veins and Satine’s horrified scream. Your body was hung over what seemed to be a bottomless pit and the only thing anchoring it were your hands; hands that were rather weak from a life devoid of physical exertion and that were slipping as each second passed.

You struggled, trying to find a way to climb up to solid land, but soon realized all the effort was fruitless. Obi-Wan, startled by Satine’s cries for help, turned around and saw your rather unfortunate situation. His eyes widened and he quickly turned from his Master and ran towards where you hung. When he was close enough, he slid to his knees and stretched his arm out to you.

“(Y/N), Take my hand!”

You wanted to, you really did, but the fear of falling to transfer your grip from the ground to his hand was too debilitating.

“Obi-Wan, I can’t, I’ll fall!” You managed to choke out

“You have to trust me!” His voice was loud, but still held its usual steadiness. His eyes however gave away his true emotions. They were frantically searching your own trying to convince you to lay your life in his hands. You could practically feel his terror radiating off of him.

Realizing you were out of options, you slowly released your grip and reached out to grasp his outstretched hand. Your fingers barely grazed his own and you knew it was too late. Gravity met you full force, and you felt yourself scream as your body began to plummet.

Then, all of a sudden, a warm cradling feeling caught you, interrupting your imminent death. You felt yourself rise over the cliff and saw Obi-Wan’s concentrated face and twitching hand. When you were about a foot above the ground, you dropped into Obi-Wan’s arms, and let out a sob of relief. Your body was racked with tears, still trying to process what just happened, and Obi-Wan just held you. You wrapped your arms around his neck, seeking comfort for your near death, and leaned against Obi-Wan’s own shaking body.

That day was the start of a new relationship for the two of you. You began to confide in each other more and felt the trust between the two of you grow as time passed. Obi-Wan dropped his guard of fake diplomacy and began to act more like himself. Of course, he still had his sarcastic humor, but it was more endearing now and his kindness felt genuine.

Soon, your relationship became more than just finding comfort in each other. When one of you couldn’t sleep, you and Obi-Wan would just sit together and talk until you became tired or if it was time to get up. Being around him was effortless and there was an understanding the two of you had that was rare to find. Of course, there was still tension between the two of you but it was different, less hostile.

If your relationship with him had ended there, innocent and full of what-ifs, you would have been just as excited as Satine was to see him. You wouldn’t currently be standing in the throne room, shaking with anxiety, waiting for him to step through the doors.

Just as you begin to contemplate completely ditching Obi-Wan’s arrival, the doors are opened and you hear the Prime Minister talking to him.

You look down and try to not draw attention to yourself, which is impossible considering Satine insisted you walk in beside her. Satine knew you and Obi-Wan were close, but you never told just how far your relationship with him went, so she didn’t see anything with the reunion. She sits down at the throne and you stand next to her. They greet each other briefly and the sound of Obi-Wan being so close to you again gives you the courage to finally meet his gaze.

He looks absolutely radiant, somehow looking more attractive than you remembered. His hair is a bit longer and a perfectly trimmed bear adorns his handsome face. You can’t help but stare, trying to take in the view you have been deprived of for almost 15 years.

“After all these years, you're even more beautiful than ever,” He says towards Satine, but still keeps his eyes locked on you.

You break the intense eye contact and try to not let his smooth words affect you. He doesn’t falter at your discreet rejection and continues the diplomatic conversation between him and Satine. She invites him on a walk through the city, and to your dismay, she gestures for you to join them. You walk just behind Satine, allowing the two of them to lead the way. Air speeders whistle by around you and people walk around the city, going about their day, unbothered by the Duchess and Jedi moving around them. You hear Satine talk about the current predicament Mandalore has found itself in with the Death Watch and you know you should be paying attention and adding into the conversation for sake of not seeming rude, but can’t help but carefully watch Obi-Wan’s side profile as he walks.

It’s perfect just like the rest of him and triggers yet another memory in your mind: you and his first kiss. It was a couple months after the incident on Draboon, and the four of you were forced to spend the night in a cave because of a rather wild storm. You sat on the cold floor near the fire Qui-Gon made, unable to rest, just watching the rain hit the mouth of the cave for hours. Unlike you, Satine used her time wisely, quickly finding much needed sleep. Qui-Gon had been meditating earlier, but now seemed to be resting as well, facing the inside of the cave. Obi-Wan sat cross-legged, reading a book about, if you remembered from his earlier explanation correctly, the method of Jar’Kai, farthest from the fire.

It wasn’t long before he noticed your restless form and decided to sit down next to you, close enough for your shoulders to touch.

“What’s up with you?” He asked, nudging your shoulder with his own.

Usually this kind of touch wouldn’t have caused you any issues, but more recently, you began to take note of every physical contact the two of you made. Obi-Wan was rather reserved, so knowing he so frequently chose to make contact with you gave you conflicting feelings. You turned and looked at him and suddenly felt rather sad.

“Don’t you wish we could be more carefree, like other people our age?”

He looked taken aback from your sudden question, but soon began to contemplate, fingers coming up to gently grasp his chin. After a moment, he looked back at you and shook his head.

“I never truly have thought about it. Why?” He questions further.

You knew why. No matter how hard you tried to deny it, Obi-Wan has found a special place in your heart. Months of confiding and building trust with one another let you get to know his true personality, making it impossible not to feel so much for him. But, although you were just teenagers, the both of you had responsibilities and expectations of you. He was a Jedi and you had to stay focused on helping Satine rebuild Mandalore after the raging civil war.

So instead of answering his question, you decided to satiate the need to feel reckless by standing up and walking out into the rain. The feel of the cold drops on your skin should have annoyed you, but instead it made you feel alive; it helped numb the feelings you so badly wish you didn’t have.

“What are you doing!” Obi-Wan yelled, looking alarmed at your sudden uncharacteristic decision.

“I’m living!!” You replied, soaking in the feeling of the rain and quickly running back and grabbing his hands with your dripping ones.

“Come on, Obi Wan, join me” You urged. His eyes are wide in shock but, nonetheless, takes off his outer robes and walks out into the rain.

His trust to join you with no question made you feel even more giddy and you dragged him into the middle of the valley that the cave sat in. You grabbed his hands and began to dance, if you could even call it that. Obi-Wan, as comfortable as he was with you, immediately stiffened up, since he was never truly taught how to dance. This setback, however, caused little pause in your actions and you just spun with him around in a circle.

The drumming of the rain did little to drown out your laugh whenever Obi-Wan would stumble, to his dismay, but he too began to chuckle at the unskilled dancing going on. You gazed up at him and just from the look on his face you knew your feelings for him were going nowhere. His hair laid flat on his head, soaked, and his face was covered in water and he looked breathtaking. He made you feel safe and trusted and maybe that was the reason you decided to risk it all.

You grabbed his face between your hands and pressed your lips to his. It was short-lived, with him quickly pulling away with his eyebrows furrowed and lips parted.

You instantly were filled with regret, embarrassed from the rejection, and went to run back into the cave to hide from your mistake. You felt selfish, trying to act on feelings that completely disrespected everything Obi-Wan lived for. Right when you pulled away from his arms, Obi-Wan quickly grabbed your wrist and pulled you back in.

His hands went up to cradle your face and he kissed you. It was overwhelming how much emotion he was channeling through it. The kiss was needy and hard but his hands were gentle, one of them coming up to tangle itself in your soaked hair. You could tell he was inexperienced, his form being a tad messy, but the passion put into it made up for any mistakes.

You feel a hand rest on your shoulder and are instantly pulled out of the memory. You see Satine looking at you, worry written all over her face.

“(Y/N), are you alright?” She asks, her eyes searching your face.

You go to answer her and shut down any of her worries about you, but catch a glimpse of Obi-Wan and lose the words. His face looks almost distraught and you know he must have seen what you were thinking of. You force yourself to look away from him and respond to Satine.

“Yes, sorry I must have zoned out.” You apologize, hoping she buys your white lie. “As a matter of fact is it alright if I return to the Palace, I think I need a little rest”

She still looks worried, but quickly approves of your request and turns back to walk with Obi-Wan, who still seems bothered by your memory, but remains cordial and attentive.

You turn and go back to the Palace, a single guard flanking your side. When you return, you do exactly what you told Satine, you lie on your bed and rest, or at least try to.

***

When Obi-Wan sensed the memory you were thinking of, he was no longer able to focus on the important matter at hand. Even after the bombing on Mandalore after you left and him nearly being crushed to death on Concordia, he found himself thinking about it. He remembers that day so clearly; the first time he truly gave into his temptations.

He had worked so hard to stay in the Jedi Order- nobody wanted him as a Padawan. He was always not enough and it was only by fate that Qui-Gon decided to take him under his wing. He knew better than anyone that the title of Jedi was invaluable and there you were making him question everything he ever knew. He knew Jedi weren’t supposed to form attachments or express their emotions, so why did he keep indulging himself with your presence.

The moment you kissed him, Obi-Wan’s instinct was to run. He was powerless against the attachment he had to you, so he knew the best way to stop it was to completely remove himself from the situation. He had every intention of doing so when he pulled away the first time, but then his other instincts kicked in. He felt the feel of your hands on his face, the closeness of your body, and realized there was no way he could let this go, at least not now.

Days after the kiss, Obi-Wan was filled with disgust at himself. He hated that he let himself indulge. He hated how he completely disregarded everything he was ever taught. He hated the fact that he loved every second of it, and what he hated most of all is that he began to wonder how it would feel to kiss your neck, skin, and other very un Jedi-like places.

Because of this, the months of progress the two of you made in your relationship were completely erased. He knew it was unfair to you, but he had to uphold the morals of a Jedi, and being around you made that goal impossible. He reverted back to the arrogant and guarded Padawan and pushed you away every time you tried to fix things.

But his efforts were fruitless. You knew Obi-Wan and were not able to let go of his sudden change in personality.

His Master also noticed the sudden change in relationship and decided to take matters in his own hands. He decided to send the two of you off on a mission to retrieve some sort of plant and herb. The two of you walked through the woods, The entire trip, Obi-Wan ignored every attempt of yours to engage in conversation and didn’t even truly acknowledge your presence. You finally decided to confront him, to his dismay.

“Was it truly that horrifying to kiss me, Obi-Wan”

“What?” He said, trying to keep the act up.

“Was it so bad to the point of ignoring me,” You pushed, getting angrier by the minute.

“I hardly see how that is relevant to the current task at han-” He began to deflect but was cut off by you grabbing his shoulder and whipping him around. Angry tears began to form in your eyes and at the site, Obi-Wan felt his facade crack.

“You don’t get to decide to drop me when things get hard, Obi-Wan” You spat, emphasizing your words by jabbing your finger on his chest.

Obi-Wan tried. He tried so hard to stay away from you. But the look of anger and heartbreak on your face made him, give into your spell, once again. He grabbed your hand and looked into your eyes.

He knew he was going to hate himself after, like last time, but the temporary pleasure it brought was impossible to resist, so he kissed you.

The kiss was hard and full of anger: anger at you, at himself, at the Jedi Order, and at the world for making you his weakness. You instantly reacted bringing your hand around to run through his short auburn hair and pulling your body as close as possible.

Obi-Wan deepened the kiss, letting his tongue explore the inners of your mouth, inciting a moan from your lips. Obi-Wan felt himself flush from the obscene sound and couldn’t help but feel bolder from the thought of bringing you pleasure. He started to kiss along your jawline and down your neck, his brain becoming muddled from the pleasure of it all.

You had begun to take off his robes and that was when he came to his senses. He knew he had to stop this, it was completely un Jedi-like and uncivilized, especially out in the open. His thoughts were immediately shut down however when you slid your hand down his chest. He decided to burn every single pleasure and feeling into memory and worry later. Your hand began to venture between his legs and that was the second time Obi-Wan gave into temptation.

You were all he could think about while fighting on Concordia, and he knew this was why Jedi don’t form attachments. Just the memory of your relationship caused his judgement to be clouded. He couldn’t imagine how he would have been if you were there during the fight with Death Watch: constantly worried, focused on an individual rather than the greater good.

He was relieved to get on to the Coronet and away from the memory of his failures as a Jedi, but that relief was short-lived when he saw you boarding the ship alongside Satine.

***

Satine, as strong-willed as ever, insisted on you going to Coruscant with her. She didn’t want you to be alone on Mandalore, vulnerable to the rapidly more aggressive Death Watch attacks. Once aboard the ship, you settle into your temporary room and head down to meet back up with the Duchess, who was currently discussing her position of neutrality with other senators down the hall.

As you walk towards the meeting, you run into a young, handsome man and Obi-Wan. You immediately freeze, not prepared for the sudden direct interaction and just stare at him. “O-Obi-Wan” You stutter out, not knowing how to fully go about this.

Obi-Wan looks equally as startled, but recovers quickly and introduces you to the younger man.

“(Y/N), this is Anakin Skywalker, my Padawan and Anakin this is Adviser (L/N).”

You tear your eyes away from Obi-Wan’s and quickly greet Anakin with a nod and small smile. Wordlessly, you walk through the door and head to Satine’s side, not before hearing the Padawan say, “On a first name basis, huh, Master?” and a small grunt following a hitting noise.

The meeting was full of high tensions, many, including Obi-Wan, disagreeing with Mandalore’s neutrality. It was always an issue when brought up, and even you saw the issues with it. The idea of staying neutral and not interfering in a war is noble but is much harder in execution and can cause more turmoil in the long run.

As soon as the meeting is dismissed, you file out of the room, trying to avoid any more confrontation. You head to the room where you are supposed to have dinner and find Satine waiting for you.

Obi-Wan enters the room, walking with other leaders. All you had to do was get to Coruscant. Once there you can get out of here and not have to think about Obi-Wan Kenobi ever again. You zone out for most of the meal, not noticing the nervous atmosphere starting to settle over everyone or the warning Obi-Wan gives about a situation going on below decks.

You are suddenly pulled out of your own head, when you hear him yell to the guards about securing the lifts. You see the blue light of Obi-Wan’s lightsaber and Satine quickly stands up from the table, bringing you with her.

A horrifying crunching sound is heard and the doors to the lift begins to wrench open, revealing a giant spider droid. It easily knocks down the guards and clambers onto the table, quickly approaching the group of senators. Obi-Wan goes into action and severs the spider droid's legs and lands a fatal lightsaber wound to its head.

The people around you breathe a sigh of relief but soon find out that it's far from over. Miniature spider droids begin to pop out of the body of the larger one and spread out to box the group of you in. Senators begin freaking out, but you and Satine know better. Years of dealing with the pushback of the people have forced you to learn how to defend yourself. Not to mention, the year spent with Qui-Gon and Obi-Wan required you to spend quite a bit of time learning to fight. You and Satine immediately pull out your deactivators and get to work killing the droids.

Obi-Wan joins the fight with his lightsaber and the two of you fall into the instinctual rhythm from all those years ago. Back to back, slowly turning, ensuring the other doesn’t get too overwhelmed by the enemy. As much as you hate being reminded of your once very close relationship, it's easier to connect to him through the ease of physical touch. You can predict his movements and fighting techniques, making it much easier to interact than dialogue. Once all, except one, of the droids are eliminated, Obi-Wan turns towards you and seems as if he has something to say but quickly stops himself and walks away to check on the others. The adrenaline coursing through your veins from the fight keeps you on edge however, even after you return to your seat.

It stays with you, even when Anakin returns to inform Obi-Wan that there is a seperatist among you. The surviving spider droid is walked around the table, a test to see who it won’t attack. When Obi-Wan reaches Tal Merrik, a sudden change in the droid's hostile behavior proves him to be a traitor.

You watch in horror as Tal grabs Satine and holds a blaster to her head. The adrenaline from the previous fight serves you well because, even before Obi-Wan has time to react to the sudden change in severity of the situation, a fallen guard’s blaster, set to stun, is in your hand and has already raised and fired at the Senator. He quickly falls, releasing Satine.

You release a shaky breath and everyone, including Obi-Wan, stares in shock at your quick save.

“T-thank you,” Satine says, obviously shaken from almost being held hostage.

You nod in acknowledgment and watch as Tal Merrik is put into custody.

For obvious reasons, all the senators decide to retire to their rooms for the rest of the night.

Exhausted emotionally and physically, you do the same and head to your room after making sure Satine arrived at hers safely. You are about to relax into your bed when you hear a knock at the door. You open it to find Obi-Wan standing there, looking rather uncomfortable. “What do you want, Obi-Wan,” you sigh, tired of hiding from your past.

“I thought that we could talk”

“You are the last person to want to talk about feelings, Obi” You say turning around and heading back into the room, silently allowing him access to your space.

He walks in and closes the door behind him and leans against the wall opposite of you.

“I thought it would be a benefit to the both of us if we just talk”

“What do you want me to say Obi-Wan?” You raise your voice, tired of his roundabout way of talking.

“Do you want me to say I’m in love with you? But you already knew that didn’t you, all those years ago, and you still left” you accuse spitefully, not believing that you could somehow still have feelings for such an emotionally constipated man.

His face contorts into one of regret and grief at the mention of his abandoning you, but you still don’t let up.

“I think it’s better if you just go, Obi Wan. It’s what you do best.” You spit out, turning around to face away from him.

You hear him push off the wall and begin to move, but instead of leaving like you told him to, he walks up to you. You sense his presence against your back and he is so close you can feel his breath gently hitting the back of your neck. He stands there and lightly touches your hand with his own, breathing you in, again resorting to physical touch when his words fail. You bask in the closeness of him, giving into the way you missed his touch.

After a few moments, you hear him sigh and pull away from you.

“Had you said the word, I would have left the Jedi Order”

With that confession, he slowly leaves and shuts the door, leaving you more confused and heartbroken than ever.

#obi-wan kenobi x reader #obi wan kenobi #obi wan oneshot #obi wan x reader #obiwan #obi wan headcanon #clone wars x reader #obi wan angst #obi wan smut #starwars x reader

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sharkselfies · 3 years ago

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The Minds Behind The Terror Podcast Transcript - Episode 4

Our journey comes to an end with the transcript for episode 4 of The Minds Behind The Terror Podcast, where Dave Kajganich, Soo Hugh, Dan Simmons, and Adam Nagaitis discuss the last two episodes of the series. Once again, Adam steals the show with his revelations about Mr. Hickey, but we also hear about everyone’s favorite death scenes, the fight to let Mr. Blanky say fuck, the many changes the writers made to the ending that differed from the novel, and the importance of trusting your audience’s intelligence.

The Minds Behind The Terror Podcast - Episode 4

[The Terror opening theme music]

Dave Kajganich: Welcome to the fourth and final installment of The Minds Behind AMC’s The Terror as we discuss our final two episodes of the show! I’m Dave Kajganich, creator and co-showrunner of the series, here with the honorable Dan Simmons, creator of the novel The Terror on which the series is based. Also with us is Soo Hugh, executive producer and co-showrunner of the show, and Adam Nagaitis, who plays a man who plays a man called Cornelius Hickey. Welcome back!

Adam Nagaitis: Hi!

Dan Simmons: Hi Dave.

DK: So we launch into our final episodes. Now we are in an episode where the show begins to bend time. We cover a lot of ground in episode nine, a lot of distance, we say goodbye to quite a lot of characters, and we start to really bend the tone and the shape of the narrative towards the kind of horrible collision that’s coming between Crozier and Hickey and our Tuunbaq.

Soo Hugh: So in nine we say goodbye to so many of our characters. I mean Dave and I cried so--

[laughter]

SH: The amount of tears that he and I shed editing this show, especially with nine and ten. For you guys, Adam and Dan, which were the deaths--well, what did you think of the deaths?

DS: What’s your favorite death?

[laughter]

SH: Yeah, what was your favorite death?

AN: My favorite was probably, the one that really moved me was Fitzjames, it’s such a fantastic story, his character’s so interesting, that transition, discovering, you know, admitting who you are, and the firework at the Tuunbaq being his feat of courage, and then to end up, to embrace death, and to do it in such a beautiful way. And then the line of “there will be poems” that Mr. Bridgens says.

[show audio]

[sad, eerie music]

Bridgens (through tears): It was an honor serving you, sir. You’re a good man. There will be poems.

AN: It’s a beautiful death, it’s probably the best you can ask for, in that situation, you’re with a friend. Yeah, it’s quite sad. Of course you gotta love Blanky’s death as well, that’s, I’m cheating, now, yeah, but Blanky’s death is the greatest line to go out on, surely.

[show audio]

[Tuunbaq growling, shales crunching underfoot]

Blanky: What in the name of god took you so fuckin’ long?

[Tuunbaq snorts, Blanky laughs maniacally]

DK: We weren’t entirely sure whether AMC was going to permit us to use that word, a curse word, because on AMC you’re not meant to. Luckily for us, there are a number of AMC shows that have a precedent of using that word and we argued successfully that, you know, could you ask for a better show, a better scene than a Victorian disaster show to use the F-word, and they finally allowed us to use it, and we’re really grateful.

SH: I think just visually Bridgens’ death was so beautiful, and that pull out. And what was interesting was in our research found, we discovered, there was a corpse they discovered who had rolled over and was found sleeping on a set of papers, and in the show Bridgens takes Peglar’s diary when he chooses to die out there in the cold alone comforted with his memories, we see him roll over, and so that’s just our nod to history. Now it turns out we don't know whether or not it was actually Peglar’s diary, it could have been Armitage’s--

DK: No, I think we know it’s Peglar’s journal, but we don’t know whether the man lying on top of it was Armitage or Bridgens.

SH: Then there’s Goodsir’s death. Oh my God, Goodsir! I can’t believe Hickey! Adam! Goodsir!

AN: Yeah, yeah, yeah, I know. He had it comin’!

[laughter]

AN: I forgot that death, I forgot all of those deaths, actually, what a--so beautifully acted. I mean, unbelievable. It was perfect. The pure clean images of the coral, and the shell, oh I loved it, and the end, I think it’s an orchid, I just loved it, I absolutely--it’s something that I don’t like talking about, that death, it’s really horrible.

[show audio]

[the rising music from the scene of Goodsir’s death]

DS: They were all very moving in their own way, saying goodbye to each of the characters, surprisingly powerful, you know, some of ‘em were not major characters, but everything connected for me watching your version. When--earlier, when Fitzjames is out with Crozier alone, and Fitzjames sort of acknowledges that he’s a fake, that he’s just been faking this heroism, you know, the admiralty thought they sent a hero, they sent Fitzjames, he was the man of the moment, but he hadn’t done that much, so he had the courage to say that, and Crozier immediately had the compassion to point out, “No, you’re here, now, and you’re doing fine,” that’s not the dialect but that’s the essence of his message. So all through these scenes with the different characters, I found compassion again. [It] was the way Crozier touched men who were close to the end, the tone of his voice, you know, it wasn’t mawkish, he wouldn’t like being at all sentimental, but it was so supportive. It was like Goodsir helping the poor boy at the beginning of the show, telling him how death could be good, how you see light, you cross over. The kid died in terror; some of these people did. But most of ‘em, they’re like--Fitzjames, when he’s, you know, when he finally has to be carried in the sledge, and he has a sense of humor at the end, he can laugh at himself, somewhat, ‘cause he tells Crozier that that the bullet that went through his arm into his chest, that area is now so gangrene--er, rotten, you know, the bullet is finally going to kill him. Haha.

[polite awkward laughter]

DK: Well you pointed out a line from the first episode, where Fitzjames is talking to Franklin and he says, “Sometimes I think you love your men more than God loves them,” and Franklin's response is “For all your sakes, let’s hope you’re wrong,” and we brought that line back in a different way in episode nine, which is where the survivors of the Terror Camp attack are about to leave, and they know Hickey’s out there somewhere, and Fitzjames’s impulse is to hide or destroy all of their extra supplies so that Hickey’s group can’t benefit from them, and Crozier has the opposite instinct, which is because he knows some people in Hickey’s group probably made that decision because they were afraid that the alternative was worse to stay with Crozier and so many people, that he wants to offer them the resources in case they can use them and in case they wanna make a different decision in the days ahead.

[show audio]

Fitzjames: And the supplies we cannot carry? If Hickey’s band are waiting us out to loot the camp?

Crozier: Some of the men with them made their choice out of fear, I’ll not take away any chance they have to survive. We may meet them yet again, and if we do, I want them to make a different choice. Leave our supplies in a tidy pile, as an offering. I want the men with Hickey to know that’s how we meant it.

[shales crunching underfoot]

Fitzjames: More than God loves them...

DK: Lines like that are a real test, I mean, you struggle with them in the editing room. Did we earn that line? Is it important that an audience remembers that as an index point that line has now been sort of superficially applied to one man, but more sincerely applied to another man, and, you know, that goes back to sort of a close reading of the book, Dan, just sort of scouring through your dialogue trying to figure out how does a master, if I can refer to you that way, approach this idea of a relationship with an audience? And we learned an enormous amount from your book about restraint and indirection, and credit, giving the audience credit. And I will say this, the series is different enough from your novel that I would encourage everyone who has seen the television show but not read your book to seek it out, because they will have just as rewarding--even more so, possibly!--a time of learning about this history through the lens of horror than they did watching the show. So I think they complement one another. I hope they do, and I hope people will seek out both.

DS: That’s kind of you, Dave. My wife keeps track of the tie-in version of the book, and it’s selling very well, so some people are gonna get that.

SH: There is this fantastic scene that is in your book, that we had neither money nor time to shoot, but it’s where they discover leads, and they take the boats out going around, and they realize they’re just going around in a circle. We didn’t have the time to shoot that and we re-jiggered our narrative so that the leads ended up being a ploy on one of Hickey’s secret mutineers. Nine is a very quiet episode, and in some ways when you, in television shows--did you miss a set piece, in nine? Did anyone miss having a bigger narrative punch?

DS: Well, I'll answer, then let Adam answer, but for me, who had that boat scene and really liked it a lot, I didn’t miss my stuff too much, because what happened was when the young man, a boy actually, who’s secretly under Hickey’s control tells Crozier and the others he sees open water, and they rush to the rocky beach to see it, and of course that was a lie and a ploy to get them there so Hickey can seize them, but my heart just flew, that, “Open water! Ohh boy!” You know? How would men have felt if they’d heard that, in reality, what was their reaction? ‘Cause the open water could conceivably be their savior, they could get other places, not just cross over and start marching through middle Canada, but they could go anywhere on open water, and to see it all locked in with ice was just stunning to me, it was such a disappointment. So no, I don’t miss my part of it very much.

AN: I never thought of it as something that suggests a quiet narrative like you described it, Soo, to me it sort of links--I see nine and ten as one episode, really. It’s this slow build, the creation of that relationship that these two--the antithesis between these two camps, and between the tactics employed... I just think that the way you guys wrote it and put it together is flawless, I just think it’s so beautifully weighted, between, you know, the deaths that to me they don’t seem to just sort of monotonously pile up, they’re all just so beautifully handled and acted. And the whole time you have this tension building, slowly, slowly, that, you know, that it’s gonna come to a head. I didn’t feel when I watched it that it ever lacked punch. It had such clarity and such patience that made it really beautiful.

DS: And I don’t know if we can say the C-word on podcasts… cannibalism?

[laughter]

DK: Yes, that one we can.

SH: Yes.

DS: Oh, ok. You know there was a--if Hickey hadn’t already divided the troop into his people, the anointed, and then Crozier’s group, it would have happened anyway because of the cannibalism. And when you think about it, think of that rugby team or soccer team or whatever that crashed in the Andes. They went back into society. They were cannibals, they admitted it, they got a book deal. And so, presumably, even in England, these people would have been forgiven, or they would have kept it secret like some do. So cannibalism, what it did in this show, I think, divides the people. I didn’t see, until he was forced to imbibe in cannibalism, I didn't see Crozier even considering it. And so that fascinates me, just how far people will go to survive.

[show audio]

[tense music, tent canvas flapping in the wind]

EC: I’ll give you some advice. Don’t indulge your morals over your practicals. Not now. Don’t you also wanna live?

SH: Dave, we talked a lot about this, is when you’re in that moment, you’re not Dave Kajganich and I’m not Soo Hugh, in that moment, choosing whether or not we decide to eat someone. Something else will take over, whether it is the Goodsir in us or whether it is the Hickey in us, in that moment. I think that’s why when we shot that scene, you know, after Gibson is cut up, Adam, remember when we shot the reaction shots from each one of you eating your first bite of human flesh meat, and we took so much footage, we shot so much. We shot, you know, closes, mediums, just because Dave and I, you know, at that point, we were very confident of how to shoot everything, that was probably the moment when we were like ugh.

DK: Well we wanted to know how little we could get away with, and what we found, of course, which is typical for the show, the performances were so terrific, that we didn’t need very much. And I remember on the mix stage, the first mix that they did of the show, of that episode, I mean, there was quite a lot of chewing.

[laughter]

And so when I said, no no no, let’s pull all of that out, and use the most minute changes in expression, because all of you at that table were so well in character, that even the slightest muscle movement on your face communicated everything we needed you to. And we were obviously very interested in not overplaying that scene, knowing that audiences had been waiting for it, wondering how, in what kind of taste we would show it, you know, how we would modulate it, and you know a rule throughout the show was to try to present everything with its most practical face, including this. And so, you know, hopefully when that lands for people it will be both satisfying in the sense that they will understand how these characters made that decision but it won’t feel that we have over-articulated it, somehow.

DS: I’m not religious, but I’m obsessed with religion, and in your story, the way you structured it, you have, in a sense, we’ve already talked, or at least I have, about how Hickey seems to be evolving towards Messiahdom, I think he near the end he thinks he is the Messiah, but it’s Goodsir who provides The Last Supper. How much more powerful a story of Christ is there, than, you know, “Take, eat,” and it’s yourself? And it’s fascinating to me that the man who dedicated his life to helping people and curing people and being empathic at their ending, his last act is to kill as many of Hickey’s people as possible. And, you know, so there’s--that’s where the trial was, it wasn’t when Hickey was gonna be hanged, it was inside Dr. Goodsir when he decided that “These people need to end and I will do it.”

SH: So should we talk about the big scene at the end--well, it’s not the end, it’s the Tuunbaq sequence in 1.10?

DK: To set it up, Adam, you know, Hickey--we’ll keep calling him Hickey even though we’ve established he isn’t--you get an important piece of information in episode nine where Tozer, Sergeant Tozer, relays to you a piece of information that he hasn’t shared with anyone, that he watched Collins be killed and he watched Collins’s soul be pulled out of his body. And, you know, for Hickey, suddenly a lot of things make sense. What happened to Private Heather, who was alive for many episodes but no longer sort of present in his body, I mean you even have a scene where you poke his brain hoping to get some kind of reaction out of him, and you take that piece of information and you suddenly realize you’re not longer in a kind of survival story, you’re in kind of a spiritual story, you’re in kind of a mythological story, suddenly. Can you talk about how you decided to play that so it was sort of clear to an audience what that opportunity was? Because we did not devote a lot of dialogue to it, it was going to have to be something an audience felt as much as was described to them.

AN: I can only describe the way that it--the process--the mind of it, that, you know, you see Hickey has a plan, up until that point, he’s started--the way that I thought about it was that, you know, once he starts to hear things, he starts to have this space of this area, creates this space in his mind and he understands the things that have come before him and his curiosity leads him to, you know--one element in him is still practically engaged in survival, and outmaneuvering the captain, and heading south, and coming up with a plan and, you know, a story as to what happened, but then there are other elements of, you know, consuming human flesh, that there might be an answer there, it might be an enlightening experience. And if it’s not in that, is it something else? And he finds the hill, and he understands when he sees that hill, that he hears something, and then he’s not quite clear on what it is, what’s drawing him, and what’s talking to him, and what he’s feeling, but he’s becoming one with this realm, and, you know, he starts to, once he discovers the supernatural element--not that he hasn’t already established that there is one, but the fact that it’s such a specific--he’s been developing his knowledge of the summoning song that Lady Silence sings to become a Shaman, you know, the rules of this particular realm, this empire. And he’s been gathering this information as we go along, all the way through the series he’s been taking pieces of information, and he pockets it and learns and keeps it for later.

[show audio]

[mysterious music]

Hickey: Tuunbaq… a spirit that dresses as an animal, and yet we shot it with a cannon and drew blood. How do you reconcile that?

Crozier: I can’t. There’s much about this voyage I can’t reconcile.

Hickey: What mythology is this creature at the center of?

Crozier: About the creature I have no answers, Mr. Hickey. We were not meant to know of it.

AN: And when he gets this key piece of the puzzle, that the Tuunbaq is taking souls, and that... there’s a hierarchy of what the Tuunbaq wants to eat. You know, a captain, and important people, he realizes that he really is the center of this universe. I suppose the way that I adjusted it was that everybody else became irrelevant. Completely irrelevant. I no longer needed to worry about manipulation, control, fear. Everything was gonna sing for me, everything was gonna work as if I had magic hands, and my voice just dictated what the universe would do.

[show audio]

[mysterious music continued]

Hickey: I didn’t have anywhere near an equal on this expedition. But you. I wanted to thank you for that. On the eve of what is quite an important day.

AN: Every single conversation was an annoyance because it was getting in the way of me listening to the universe, this world, this empire, this realm that was now speaking to me. And I was talking to the Tuunbaq, you know, from this distance, and we had this dance going, and everything that happened was just getting in my way. It was all gonna work itself out because I’ve been chosen to ascend, to reach this ascension, to, you know, ride the Tuunbaq into my new empire, to take my new throne, and I was finally gonna be given the answers to these questions that I’d been asking.

[show audio]

[rushing wind, men singing weakly in the background, creaking]

Hickey (shouting): Bugger Nelson! Bugger Jesus! Bugger Joseph and Mary! Bugger the Archbishop of Canterbury! None ever wanted nothing from me!

SH: When you offer the Tuunbaq the tongue, and there’s that pause, what’s gonna happen, and he bites your arm off instead, and that look on your face of just, you know, “You too have failed me.”

DS: Et tu?

[laughter]

“Et tu, Tuunbaq?”

[laughter]

AN: “Et tu, Tuunbaq,” that’s a great T-shirt. But that scene, I drifted, but that scene in particular, is a slight difference to what his plan was, which was to climb the hill, sacrifice the men, sacrifice the tongue, and to become one with the Tuunbaq and to take my place on the throne in this new realm. And to find the answers and maybe, you know, climb through to a different realm, or who knows what. This empire was now my empire, which was the culmination of all of Hickey through his entire life has been leading to this point, and he’s quietened himself enough to hear it, and then suddenly he gets sick, because somebody poisons him. And so it’s a slightly different feeling, as he’s climbing the hill, and it’s a different--something else is happening inside him. He’s still perfectly capable of executing his plan, he gets carried away in that scene, and then by the time the Tuunbaq appears, he kind of focuses again, and becomes very excited. It’s a relationship with the Tuunbaq, it’s a dance, that everything is for him and the Tuunbaq. Everyone else is irrelevant.

[show audio]

[Tuunbaq snuffling, boat chain clanking]

[the Tuunbaq roars, sound of chomping flesh, then the screeching sound of the soul being eaten]

SH: And what he gets so wrong about the Tuunbaq, and I think what a lot of the Western characters in our show get wrong about the Tuunbaq, is that the Tuunbaq is not a deity, the Tuunbaq doesn’t ask to be a god, right? All it is is just this arbiter of what is good or what is not good for the land, you know, there’s no sense of the Tuunbaq wanting to be the ultimate creative force here, and I think that’s where Hickey was wrong, right?

AN: I think he sees it as a supernatural creature, and again, because everything comes through him, and the universe revolves around him, that it’s a challenge for him, it’s a question for him, and he deals a lot in questions as opposed to answers, and what his position is in the universe, and by the time he meets this creature that eats souls--and the creature’s sick, and it’s because he hasn’t united with it yet! It’s because of me that it’s sick, it hasn’t, I haven’t been in contact with it, and we haven’t united ourselves and taken over this empire, and he doesn’t see it for what it is. SH: And when you guys see the Tuunbaq’s death in the very end of that sequence, how did you guys feel?

DS: Speaking for the novelist here, I was surprised; and then I got through the surprise and thought yeah. And then I immediately wondered how Lady Silence would have to pay for this death, ‘cause you’d already shown me that she’s in charge of protecting the Tuunbaq, so it was controlling it in some way, and she wasn’t really up to the task, so I liked that in going, when Crozier’s with the Inuit band, learning that she’s been punished and sent out by herself. But the Tuunbaq’s death itself just seemed right at that time.

[show audio]

[Tuunbaq’s death scene--growling noises, boat chain clinking, Crozier struggling]

AN: It was a horrible thing to watch, as a viewer, it was so sad, and it spoke to me of this sort of contemporary sort of--to me it was sort of a global warming issue, not to bring it ‘round, but it was sort of like, that’s it, they’ve killed it.

SH: No, absolutely, yeah!

AN: They’ve killed it, they’ve killed the Tuunbaq and we’re actually rejoicing at Crozier’s survival. But really, the man deserves death, with the creature that creates balance to this culture should be alive. And we have this upside down world that we are celebrating, which is so, you know, intelligent of you guys to create, and it’s difficult to take, but that creature is gone, and so balance is gone, and here we are.

DK: The very specific and subtle thing that we put in the show that probably no will decode it ‘til they hear this podcast, but was important to us as a structural element, was Sir John dies, when he’s killed down the fire hole in episode three, he has some flashes of subjective kinds of hallucinations, I suppose, or visions, I don’t know what you would call them. But one of them is of open water, it’s just a vista of the future of the Arctic, that there are going to be these, you know, that there’s going to be a huge melt, and there’s going to be all this open water. And for the final shot we tried to match, as much as we could, the angle, so that all of that frozen water that Crozier is sitting on at that seal hole would maybe possibly evoke that memory, to speak to what you’re saying, Adam, which is that this whole thing is a kind of, from the Netsilik’s point of view, it’s a huge tragedy in which these Europeans are the terrors, in a way. And not to be too reductive about it, but, you know, we wanted the season to have that kind of change of polarity, which is one reason why we couldn’t quite use the sort of the ending of the book, as much as we loved it, Dan, it felt like a lot of things that would feel--that would pull the point of view of the season across that line too much and too late. We wanted to try to modulate it a little bit so that every episode felt like you were giving some room in your point of view for Lady Silence’s perspective, or the Inuit’s perspective, and that that change would sort of happen so slowly you might not even notice that it was happening at all, which is one reason why we made that decision.

DS: You gave every character I saw room to have his or her own apotheosis, which is a big theme with you guys, I meant, the arcs end and people becoming someone else. Crozier grows into his leadership, I think, beautifully. Maybe he deserved punishment, but I found Crozier and his empathy, as Fitzjames is dying in the boat, it’s Crozier that touches him and lets him know, you know, through physical contact, that he’s not alone. And giving them room is unusual. I just find there’s so many unusual elements to what you three have created, that, I have to warn you, I think it deserves a lot of intelligent attention.

DK: Well I hope we can volley a lot of those right back to the book, Dan. Well we should take some time at the end to--given that after the sequence, this really becomes almost a kind of silent film to deliver the ending to Crozier’s arc--to really sing the praises of Jared Harris in this show, I mean, what he did with this role is remarkable. So, Dan, I would love to know what you thought of Jared Harris’s Francis Crozier?

DS: After watching the ten episodes of him and all those, and watching what he did with it, I just wanted him to adopt me.

[laughter]

SH: He would love that!

DS: But it certainly--leading is the operative word, isn’t it? He just, he didn’t give 100 or 1000 percent, he gave more than that to the character. He became Crozier for me. I’m the one who had to dream up the man, and see what he looked like, and write about him for about 1100 pages, 700 finally in type, and so I had my Crozier, he was pretty solid. But now Jared Harris is Crozier. There’s no doubt in my mind.

DK: The ending of the season is quite different from the ending of the book, Dan, how did you feel watching the ending of the show, and, in all candor, do you feel that it was satisfying? Do you feel that it was at least a good companion piece for the ending of the book?

DS: Well I’m glad I didn't video record my reaction the first time I saw the different ending, because speaking for two million readers I stood up and shouted, “What's wrong with my ending!”

[laughter]

“Is it chopped liver?” And I realized it would be. I realized that I don’t think you could have taken my ending and made it a sensible finale visually in the way it went. So I tracked--the whole episodes, the last two episodes, were enlightenment to me, because I’m just a viewer now, I’m watching something I didn’t create, these are not my ideas, so I sat back and enjoyed it, as horrible as they were. So when I watch your ending, the only thing I was bothered by was I’m sentimental. And the real Crozier, I believe, and certainly the fictional Crozier that we’ve all created, was so lonely, he was so alone in life, I think he was less alone than Crozier was, and, you know, rejected by Franklin’s niece several times from marriage, a life where he really felt rejection, probably more than Hickey did, and at the end I wanted him to be with someone. So as much as I liked your ending and I really thought it was proper and appropriate for the series, I woulda put a person next to him as he’s fishing out there in, you know, in his Inuit outfit at night waiting by a seal--he’s not fishing, he’s waiting by a seal breathing hole to kill it. So if I’d seen a glimpse of two of them, you wouldn’t even need to see their faces, you know, the sentimental side of me woulda been happy.

SH: But we leave that ambiguous in the ending, in terms of he’s not with Lady Silence, she, you know, had to pay the bill in some ways for the loss of the Tuunbaq and her destiny is to venture forth alone, and in some ways her storyline is the most tragic of all the characters in our show because, I mean, the price she paid is so harsh. But in terms of the last shot, which Dave and I just knew from pretty early on that was gonna be our last shot, and it felt right. We don’t know much about Crozier’s biography, you know? For all we know that child could be his, it may not. We actually didn’t want to fill in too much of the coloring book at that point. It’s up to the audience to describe whether or not that last shot is--it’s interesting ‘cause we had this big argument, lovely argument in the color suite, the grading suite, of how we grade that last shot. Whether we grade it bright and sunny to be optimistic, or we grade it with a lot of contrast and stamp down a lot of the light to make it seem that, you know, there’s a sense--a harshness, to this reality. And in some ways we split the middle, so the audience can decide whether or not the life Crozier has at the end is one of punishment, reckoning, or whether or not he will move on and have something different.

DK: And I think something in that final shot that certainly we couldn’t have planned, that tipped things in a warmer direction was the child that plays that boy in the shot, who’s meant to be sleeping against Crozier as he’s waiting at the seal hole, really fell asleep because he was wrapped up in fur, and Jared’s a very welcoming person, and he fell asleep. And in the middle of that shot he twitches in his sleep, like children do. And I think that if you catch that it’s quite undeniably a warm moment. You don’t know whether that’s Crozier’s son, whether that’s just a friend’s son, someone he’s taking care of, but you do get a sense that there is a community and that it’s a warm one, even though that life will be difficult and he will occupy no position of leadership in that world, he will be--you know, he’s missing a hand at that point, it’s going to be a rough rough road ahead of him, but we decided to sort of be as ambiguous as we could but for that child who twitches in his sleep, which we just loved that, that that’s a part of that final shot of the show.

DS: Now you’ve made me wanna go back watch that scene about ten times. I think you did at the ending essentially what you chose to do throughout the series, which is to trust in the intelligence and the sensibilities of the audience. So in that sense I like it a lot, but I admire it too. It just, I’m just sentimental, I just want Crozier finally to find somebody.

[show audio]

[”The Gates of Paradise” by Robert Fripp, which is the music from that aforementioned final scene of Crozier and the little boy asleep at the seal hole, plays]

SH: And with episode ten, the story of the Franklin Expedition on AMC is completed. And Dave, you’ve been working on this project now for ten or twelve years, I’ve been on it for two and a half years, Adam you’ve been on this journey for a long time, Dan you’ve probably been--how long has it been for you?

DS: Oh, since about 1994!

SH: Yeah, wow. I mean, what is it about this story that means it’s hard to let go? Even now I feel like there’s a grieving process that I feel like I have.

DS: I know why it’s hard to let go. You created real people, you did something that is incredibly rare I think, for any media, movies, series, anything. They’re real people, and when they suffer the viewer suffers with them. When they try to fight back and survive, that’s the viewer’s impression, and we’re sorry to see each one of them go, including Hickey. So, I think there’s a success in what you set out to do.

SH: We’re just so thrilled that, you know, you gave us the trust to do your book but also that you love it! We were so nervous that you would hate this adaptation!

[laughter]

DK: Well and now what’s amazing is we all get to sort of take a seat in the theater of real history playing out again, now that they’ve discovered the ships. You know, we’ve been told by Parks Canada and by people we’ve met who are actively on the archeological expeditions now, dives to the ships, that there is a chance that they will find a ship’s log, and that all of the questions that have come up and perplexed us and preoccupied us and fascinated us in the researching of both the writing of the novel and the creating of the television show, that those questions may have answers soon. And so now we are all now back in that position of being riveted by this actual history. And what a treat it will be to have a conversation in a year when we have learned hopefully much more about what actually happened on this expedition.

[“The Gates of Paradise” begins playing again softly in the background]

DS: If I were on the expedition ship and found the log, the diaries, everything, I would hide them.

[laughter]

DK: Agreed.

AN: Yep, absolutely.

DS: I mean we’ve all done a lot of work here, who cares about reality?

[laughter]

DK: Well thank you, Adam, thank you Dan, for joining us, Soo and I have had a fantastic time having this extended conversation that hopefully is interesting to people who have watched and appreciated the show. So thank you for the opportunity to do it, it’s been fantastic to talk to you both, and onwards we go, into the future!

SH: Onwards ho!

DS: Onward.

AN: Onward. Thank you so much guys, it’s been a pleasure.

DK: Thank you, and thank you for everyone who’ve watched the show and thank you for everyone who’ve read the novel, and we can’t wait to hear your feedback!

[“The Gates of Paradise” fades out]

#the terror #the terror amc #dave kajganich #soo hugh #dan simmons #adam nagaitis #the minds behind the terror #personal #aaah the last one! we're finished!#as always lmk if you catch any mistakes and google docs link will be in the reblogs #this has been a great project and i hope this was helpful for you guys!#<3

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xiaodejunletsact · 5 years ago

Text

i still love you | zhong chenle

word count: 17, 367

genre: high school!au, basketball!player, angst, fluff, you are a bet au??? lol idk 8 letters!au

warnings: lots of angst, playing of emotions, mentions of panic attacks and sex.

authors note: im finally back!! with a chenle fic!! okay so,, i wanted to thank everyone who loved 8 letters, the reaction to that fic was better than anything i could’ve ever imagined, so thank you so much!! this is like a chenle version from the same universe. but most importantly: i decided to put songs in some scenes to enhance the experience while reading, you don’t have to but if you want to listen to the ‘soundtrack’ of this fic click the ‘🏀’!!!!! please enjoy!!

synopsis: high school can be complicated. thats why when your crush of three years, zhong chenle, approaches you out of nowhere offering to drive you home you are right to question his intentions.

🏀

You can hear the loud thumping of your heart in your ears as you watch the players dart across the court. The squeaking of their sneakers against the polished floor as they furrowed their eyebrows in concentration. Well… as he furrowed his eyebrows in anticipation, you wouldn’t know about the rest of the players on the court because your eyes were focused on one boy in particular. Number 22, Zhong Chenle. Your crush since sophomore year and soon to be captain of the basketball team (even if this is your personal opinion you’re 87% sure of it). The boy had caught your eye when he first smiled your way back in 10th grade and offered to help you with everything since you were new, leaving a stamp on your heart that would mark it as his own for the next years to come. Of course, you hardly ever spoke to him, too nervous and clumsy to even think of approaching someone so out of your league but there was something about his crinkly smile eyes and fluffy hair that got a hold of and never let go.

Which is why you find yourself seated at the school’s bleachers watching the basketball game like you did every week, hands clutching the sides of the bench as you watched Chenle get the orange ball passed to him, and the scene plays in slow motion.

Sweat drips off the tips of his newly dyed blond hair as he gains impulse with a jump, shooting a perfect three pointer and deeming the game of victory for his team. You proudly smile as you watch his teammates cause a ruckus around him, cheering and hitting him occasionally. However, your mood dampened as you watched Chenle escape the clutches of his team, running to the side benched where Ava, (the bitchiest girl in school but also his girlfriend), sat. He leans down to peck her lips, only to be stopped when she holds her hand up, pushing him away with a disgusting, “you’re sweaty!” He looks dejected for a second, before forcing a smile and turning back towards the team. You wonder if you’re the only one who noticed the interaction, you wonder if you’re the only one who cares enough to want to march down there and tell her off. You huff, instead opting to march your angry way to the entrance of the gym starting the trek home. Wondering if Number 22 will ever be yours like you desperately want him to.

It’s funny how much of your life you could dedicate to one person without any sort of reciprocation. You felt almost embarrassed as you shoved yet another letter into an envelope that increasingly got thicker and thicker with every burst of your emotions. You see, every time your feelings for Chenle got too strong to bare you would write short letters about how you felt, obviously, with no intention of Chenle ever getting his hands on them, just for your own catharsis. It helped, most days.

Today is not one of those days.

“Uh huh…” you said absentmindedly at your friend, Donghyuck , who tries to explain to you what intricate contraption they are building in this week's robotics class. However, you’re too busy looking over his shoulder at Chenle who laughs half heartedly at something his friend says, before going serious once again. You furrow your eyebrows and say, “have you noticed anything off about Chenle?”

Donghyuck sighs, knowing he has lost you once again. Nevertheless, he humors your narrative turning to watch the boy in question along with you. “I mean… he is kind of down.”

“Right?” You reply, shutting your locker and clicking the lock. Donghyuck shrugs.

“Maybe it’s because he broke up with his girlfriend this weekend.”

You stop dead in your tracks, “He did what?”

Donghyuck nods, (like it’s not a huge deal!) “at the party you missed this weekend, they got into a big fight and he told her it was over and stormed off.”

“A-and you didn’t think to tell me this?” You respond to which he just shrugs.

“It’s not like you had a chance with him anyway.”

“Ouch, Donghyuck .”

The words stung, of course but you knew Donghyuck was just being realistic with you, never one to lead you into things that could only hurt you in the future.

Donghyuck says something after that, that you don’t quite catch but you guess it’s fine since you didn’t really want to listen to him right now anyway.

Especially since Zhong Chenle just caught you staring at him and is now staring just as intensely into your eyes as you were to the side of his face.

You don’t know what kind of glitch you go through that you are unable to form any type of reaction or look away. Instead just kind of… freezing.

He brings up a hand and slightly waves in your direction. A kind smile on his face.

Oh no. He actually sees you.

Before you can even process it, you realize that you're running down the hall in the direction opposite to him. Out of the back door of the school, heaving as your heartbeat reaches 3000bpm.

🏀

Recalling the memory as you walk to the bus stop that afternoon causes you to slap your palm against your forehead once again. “What was I thinking? Now Chenle is really going to think I’m a freak.”

You couldn’t believe yourself, kicking the gravel underneath your sneakers in frustration you beat yourself up over having ruined the only interaction that could’ve possibly been your chance to win his heart. It could’ve been the last time he ever looked your way again, and you wouldn’t blame him.

But it wasn’t.

Because just minutes after, like a miracle from heaven, you hear the roar of an expensive car engine near you before hearing his angelic voice call the syllables you thought you’d never hear him say: “Y/N!”

Wide eyed, your snap your head to the sound of his voice only to see him through the window of his shiny million dollar car. He smiles and you feel like running again. He notices. “Wait! Don’t go!”

You hear the buckle of his seatbelt being undone and watch in shock as he jogs around the car and suddenly he towering over you with a sweet smile. “Hi.”

Say hi back! What are you doing? “Uh- I- uh- Hi?”

He chuckles, looking down at his shoes before looking into your eyes once again. “How you doing?”

“I’m- im good.” You stutter.

“Yeah?”

“Yeah.”

The silence that follows makes you want to get swallowed up by the ground and never see daylight again.

Chenle notices how you avoid his eyes and chuckles once again, rubbing the back of his neck awkwardly. “Well, um, I just saw that you were walking and wanted to know if you wanted a ride.”

“In your car?” You ask in a quiet voice. Chenle laughs.

“I mean, yeah. Unless you want to rent bikes from the tourism center.” You allow a small smile to grace your lips briefly before remembering the circumstances you currently found yourself in. Chenle (Zhong Chenle, Number 22, Yes. Chenle.) has just offered you a ride in his fancy car. The same car you watched him pull up in for two whole years. And he wants you to get in it.

The millions of scenarios that go through your head as to why this could be happening but as you painfully remember today’s events, you realize what this is about.

Chenle shoves both his hands in his jean pockets as he awaits your answer. “...So?”

You breathe in deeply, “Listen, um, if you’re doing this because you feel bad about earlier or something, please don’t.”

Chenle’s eyebrows furrow together and he comes closer to you. “That’s not the case at all, I just saw you walking all by yourself and thought to offer you a ride home.”

“But you drive past here every day and you’ve never offered me a ride before?” You question out loud, wincing as you realize that you could possibly sound creepy for knowing where he goes in the afternoon. “I mean- you always drive in the same direction as my bus stop! So I see you!” You feel how clammy your palms are rubbing against the harsh fabric of your jeans. “Speaking of the bus, I should probably go before I miss it.”

Just as you turn to walk away, Chenle’s hand grips your wrist where your sleeve has ridden up, allowing the first skin to skin contact you ever made with him. Your eyes widen at him and he lets go immediately, awkwardly. “I guess I was focused on other things, but now I’m focused on you.”

In the fever dream that was Zhong Chenle flirting (?), and the insistent drumming of your heart in your ears you come back to only realize you were moving into Chenle’s car. (The doors opened upwards!)

The boy took the liberty of opening it for you, closing it once you were settled in. You took the moment he was walking to the driver’s side to take in a deep breath and compose yourself.

What the hell is going on? Why Zhong Chenle talking to you? Why is he driving you home? Why did he tell you he’s focused on you? What? What does any of this mean?

Before you could begin pulling your hairs out in frustration, Chenle’s door opens and he plops down onto the driver’s seat. He looks over at you with a smile as he fastens his seatbelt, “Buckle up.” You do so quietly, biting your lip to prevent any further embarrassment.

The drive begins with little to no talking, the only thing filling the silence being the constant humming of the air conditioning and static of the radio.

“Do you want to listen to something?” He presses his pale fingers to the glossy touch screen in between you two. Soon enough, a soft beat travels through the ambience of his car. You see from the corner of your eye that he looks over at you and smiles, but keep your nervous eyes on the road in front of you; Chenle faces the road once again, tilting his head to the side in a gesture that you would find unbearably cute any other day makes you want to open the car door and jump out into the street, running away from the awkward silence and the confusing thoughts plaguing your mind.

Chenle leaves after promising to pick you up tomorrow morning, you can only nod your head rapidly and run into your house, afraid that he would be able to hear the loud beats of your heart.

Once the door of your room is closed safely behind you, you finally breathe for the first time this afternoon. “What the fuck? What the shit? What the hell?” You mutter to yourself as you pace around the room.

Could it be that your dreams are finally becoming a reality? Had Chenle seen you the way you saw him this entire time?

The one sided crush wasn’t as one sided as you thought! Is what you wanted to think, but there was part of you that questioned where his intentions lie due to the abruptness of the situation. What if there was an ulterior motive behind his actions? No. Chenle wouldn't do something as bad as play with someone’s emotions like that? Right?

As you lay in bed pondering the thought you decide it's best to ask him tomorrow.

You wake up 30 minutes earlier the next day, showering thoroughly and waiting in the living room so as to not make him wait too long to leave when he arrives.

This moment comes while you’re sitting at the table with your family, your eyes widen as you hear the knocks on your front door. “I’ll get it!” You stop your mother from reaching the door as you run to it.

Chenle smiles politely as your face appears from inside the house. “Hey.”

You smile back nervously, “Hi.” You proceed to stand at the doorway for a few awkward seconds before your mother comes to see who it is. She is pleasantly surprised to see someone of the male species there in front of you.

“Oh?” She says, smiling at him then looking at you suggestively. You try to convey a silent plea to not embarrass you before she looks away to shake Chenle’s hand. “Hi! I’m Y/N’s mom, are you one of her friends?”

Chenle smiles at her sweetly, “Yes, I am. I’m actually here to pick Y/N up for school.”

“You’re taking Y/N to school?” Your mother’s shocked face is enough to tell Chenle that it was probably the first time anything like this has happened to you.

“Yes, ma’am.”

Your mother sends you a sly smile that she thinks Chenle doesn’t notice before nudging your arm. “Then what are you doing standing there? Don’t make him wait!” Your groan and rub the spot on her arm where she pushed you as you go upstairs to grab your backpack.

Downstairs, Chenle accepts your mother’s offer of entering your humble home. Your house is a modest abode with strange decorations hanging up on the walls, along with pictures of your family. The living room looks like an orphanage where mix matched furniture goes to live. There's one pale green couch, one beige and one a bright yellow. Chenle thinks back to the pristine state of his own living room, the pure white furniture and modern, classy decorations hung up on the marble walls. He realizes that it is nothing like his own, in fact, he doesn’t think it could’ve been more different but he finds that he likes it. That it feels homey compared to his usually liefless house. It’s the kind of place he would stay in for a long time.

Chenle shakes those thoughts out of his as soon as they appear, remembering why he was doing this in the first place, he couldn’t risk getting attached.

“Be honest with me.”

Chenle startles upon hearing your voice above its normal shy muttering. You, on the other hand, are shaking in your shoes having practiced what you would say and thought over doing this millions of times last night. “What are your intentions? Like, it’s not that I think you’re a bad person or anything but I just don’t understand because of the suddenness.”

Chenle averts his eyes from the road to glance at you, smiling. He faces forward once again sighing slightly. “Okay, I’ll be honest,” He starts, you sit up straighter and involuntarily lean toward him. “I think you’re really cute, I always noticed you at my games and the way you would cheer me on was really endearing and it encourages me a lot.”

The butterflies that erupt in your stomach with his words are undeniable. “You noticed me?” Your quiet voice is back, still, he hears you. He smiles, and it’s genuine.

“Of course I did,” he says, “And i know that it was very… sudden but if you give me a chance i would really love to take you on dates and maybe… more.”

He sounds slightly unsure of himself. Rubbing the leather of his wheel with his hands.

Your mind is mush. Chenle likes you! He thinks you're cute and he noticed you at his games! What is life?!

“What do you say?” he says after the awkward pause in which you freaked out.

‘No’ is not a word in your dictionary.

The cycle continues throughout the next week; Chenle picks you up every morning (never forgetting to bid your mother a good morning) and takes you home every afternoon (always politely rejecting your mother’s offers to stay for dinner), always spilling banter in the car, learning about each other. Chenle notices how you open up to him and he likes it (though he can’t really pinpoint why), he likes talking to you, and laughing with you and he finds himself wanting to be around you more often. Though this wasn’t initially part of the plan, he figures he can enjoy it until it had to end.

The thought makes an eerie feeling rise in his chest, even if he doesn't know why, he thinks things will be a lot harder than he planned.

🏀

It’s friday when Chenle invites you to come watch his basketball practice.

You had imagined this scenario in your head plenty of times before but not once did you think you would ever actually be here sitting on the players bench watching up close as Chenle maneuvered across the court along with the rest of the players. There was sweat dripping off the tip of his blonde hair which made him look 10 times more attractive than he already was and you have to stop the drool that threatens to leak from your lips as he sits down next to you on the bench. “Hey.”

“Hi,” You reply, trying to keep yourself together.

“Practice is over.” Chenle says motioning towards the now empty court. It's only then that you realize that you and Chenle are alone, and suddenly, he’s sitting a lot closer to you than you thought. You turn your face to him and realize that your noses are nearly touching, Chenle smiles. “Hi.” He says, coming a bit closer until he feels the moisture of his sweaty arm against your dry one, he recoils. “Oh my god, I’m sorry. I’m so sweaty right now.” There’s a dust of embarrassed blush on his face as he slides away on the bench. Your heart starts beating erratically as you watch him try to rub his sweat away with his small hand towel.

You can’t find the words to tell him it’s okay (slightly scared to tell him that you like it) so you say the next best thing. “You looked cool playing.”

This eases him a bit, he smiles. “You think so?”

“Yeah!” You say, “Like Curry!”

Chenle laughs, “Oh man! I can’t believe you just compared me to Curry.” He stands and takes a bow, waving his towel dramatically. “I am honored.”

The scene causes you to giggle, and Chenle has to take a breather to calm his own beating heart.

“Especially when you blocked Jaemin at the 3rd point and scored on the spot. I was impressed.”

“You must know a lot about basketball.” He points out. You shake your head.

“Not really,” is your response. “I only learned from coming to watch your games.” The sudden confession slipped from your lips and you momentarily panicked.

Upon not hearing a response from Chenle, your breathing deepens and you think maybe you ruined the moment.

Unbeknownst to you, Chenle watches you with curious eyes. He senses the tension coming from you and walks away, leaving you alone in your troubled state.

You think maybe Chenle left without, freaked out and uncomfortable because of what you said, however, you’re proven ridiculously wrong when you dribble a basketball on the floor.

You lift your gaze to Chenle who dribbled the orange ball with a teasing smile on his face. “Why don’t you show me what you got?”

“I- I don’t-“ you begin.

“Oh come one, Y/N!” He says, passing the ball to you, “You have to be good. I mean, you did learn from the best.” The cocky shrug of his shoulders and teasing smile bring you peace of mind and you find yourself agreeing.

It’s safe to say that Chenle is surprised at your skills. He should’ve known you had paid enough attention to him to learn all his techniques and dodge them while playing. And to think he was planning on letting you win so you could feel better. It eventually became a full competition. Sweaty bodies and heavy breathing, running, dodging, scoring. Teasing words and intense competitive gazes.

The score was 7-7. Chenle sweeps in to swipe the ball from your hands but you pivot and shoot the three pointer right from your spot. “Yes!” You exclaim, throwing your hands in the air with a celebratory dance. “I won!”

Chenle is leaning with his hands on his knees, his chest heaving. “I need-“ he breathes, “I need to stop being so good at basketball. So heathens like you can stop learning my best tricks.” He brings his hand up to pinch your cheek teasingly. “You should join the team.” He says jokingly. You chuckle, rubbing the spot on your face that was just touched by his fingers.

“As if.”

“Hey! Does the idea of being in a team with tons of rowdy sweaty dudes that unappealing?” Chenle jokes, placing the basketball back in its place.

“It’s enough with you.”

Before you can retract the statement, Chenle speaks. “That’s right, you only need one sweaty rowdy basketball player in your life.” He winks. “And that’s me.”

You laugh at his words but can feel your heartbeat all throughout your body. You can’t stop your mind from thinking:

You’re damn right. It’s you.

As you walk back to his car, Chenle is the first to break the comfortable silence. “You know… it was nice to see you so talkative and competitive today. I had fun.”

And despite everything, he meant it. He knows he probably shouldn’t, but he does.

Unaware of his inner turmoil, you smile. “I did too.”

He gives you a lopsided smile in return before sliding the strap of your backpack off your shoulder and onto his own, keeping his own backpack company. “I’ll carry it for you.”

You wonder if this is the start of something magical. Beside you, Chenle wonders the same but his thoughts are weaved with something more, something that meant trouble.

You, however, hurry home to pour your feelings into a letter. Hearts drawn on the borders of the loose leaf page and a smile on your face all throughout.

🏀

Every week it gets harder to become immune to Chenle’s charm.

Today, he did something as simple as drop you off at home after school. However, before bidding you goodbye as song rings from the radio of his car. Chenle perks up. “I love this song!”

He turns up the radio to its full capacity and rolls down the windows, making the music sound through the street.

“Chenle! Turn that down!” You exclaim but the laughter in your tone hints that you want the exact opposite. Chenle shakes his head.

“No can do!” he waves his arms dramatically in the air, “Dance with me!”

You laugh once again at the wonderful boy, “You’re ridiculous!”

“Oh yeah?” He says challengingly. Suddenly he is opening the door and dancing on the sidewalk where everyone could see him. His movements are almost manic and all you can do is continue laughing. “I’m not leaving until you dance with me.”

“My neighbors are going to see you.” You warn. He shrugs.

“It's fine. I’ll just tell them I’m with you!”

“Oh my god no.” You say, stepping out of the passenger’s side, walking around the car until you’re in front of him, you cross your arms.

“Show me some moves, I’m getting tired.”

And so an impromptu two people dance party breaks out on the sidewalk in front of your house. Even though in your imagination dancing with Chenle would require the presence of an elegant ball gown and fancy chandeliers, all there is to be seen is loud music, laughter, grabbing of hands and playful banter. And you wonder if it could ever be more perfect than this.

Of course, like any other human, Chenle has his moments.

The morning car ride was as silent as could be. Chenle’s hands gripped the steering wheel tightly, angrily. His usual smile is replaced but a scowl that only left momentarily when you stepped into the car earlier, a (clearly forced) polite smile is what you saw.

Since then you didn’t dare to speak, not wanting to bother him when he was clearly having a bad time.

You arrive at the school and escape the still awkward ambience, bidding him a quiet farewell before running in.

You proceeded to spend the entire school day wondering what was up with Chenle that morning and what you could do to help him. It’s when you meet at the end of the day once again that you ask, “Hey, is everything okay?”

The boy freezes up, before clearing his throat. “Yeah, why do you ask?”

You shrug, “Nothing, you you were just kind of, like, quiet this morning… so i figured you were upset.”

The blonde boy in the driver’s seat keeps his eyes on the road ahead of him, “It’s nothing, Y/N.” He says in a rough tone, one you’ve never heard or thought you would ever hear him use. “It doesn’t concern you anyway, okay?”

Your form deflates into the seat, wishing you had kept quiet like you did this morning. You reply, “Okay.”

There’s tension. Body swallowing tension that lasts all throughout the car ride to your house, as Chenle pulls up in front the driveway and you have already unbuckled your seatbelt before he got the chance to put the car in park.

In the passenger’s seat, Chenle feels the guilt creeping on him. He realizes that you only asked because you cared. “Wait-” Seemingly, he is too late since you’ve already shut the car door and made your way up your driveway. “Goddammit.” He sighs to himself, working to take off his seatbelt.

Your feet hurriedly take you to your door after you exit Chenle’s car, your nerves increase as you hear Chenle leave his car. “Y/N, I-”

The door opens before you can turn the handle, your mother’s smiling face looks back at you. “Hey, Honey.” You smile back at the woman, who immediately notices the emotions behind your smile. Quietly, she asks: “Are you okay?”

As soon as you nod in response, her eye catches Chenle standing guilty behind you. “Chenle! How are you?”

Chenle smiles with a nod, “I’m doing alright.”

“Well, I would invite you in for dinner but I can imagine what your answer will be.” She says jokingly, teasing him for all the times he had rejected her offer. To her surprise, Chenle doesn’t laugh awkwardly or agree with her, instead, he ponders for a bit. His gaze finds your own causing you to quickly look away. He feels his heart contract as he thinks of starting at square one with you; back to when you couldn’t look him in the eye.

“Actually,” He says, “Dinner sounds great.”

🏀

Even though the tension between you and Chenle is painfully obvious, he feels his heart become lighter as he watches how you interact with your little siblings. Laughing at their childish antics and playing along with them at the dinner table. Your parents engaged in conversation with each other across the table and Chenle sat next to you, smiling and nodding as your little sister animatedly explained to him why the rocks she found next to the trash can at recess just had to be magical. As he looks at the dynamic you have in your home, he realizes that this feels more like a home than his house ever has. All of you are sat at the table, the splash of colors brought by the miscellaneous decorations, the laughter and the love radiating from every corner makes Chenle want to stay there forever.

“Woah!” He acts, “Are you serious?”

The little girl nods proudly, “Mhm! And I’m going to give this one,” she points to a particular shiny one on the dining table, “to Y/N, so she can make her dream come true. But don’t tell her it’s a secret.”

He chuckles at her before whispering, “why do you think she’ll ask for?”

She giggles, leaning closer. She puts a hand over her mouth as she whispers. “Number 22.”

Chenle refrains from gasping, “Huh?”

“She talks about him but she never wants to tell me who he is.” She explains. “But I think if she had a rock to grant her wishes, she would wish for him.”

Chenle takes this moment to look over at you, studying your side profile as you tuck a strand of hair behind your ear, helping your little brother with his food.

That’s when it hits him. He realizes that this isn’t what he planned it to be, that the bet he set up with his friends had gone too far, and that if he himself had a magic rock for his use… he would wish for you too.

“Thank you so much for the food, it was delicious.” Chenle says, rubbing his full belly to emphasize. Your mother chuckles. “It was my pleasure, Chenle. You can come back anytime you want, you are always welcome here.”

“I definitely will, ma’am.” He says with a lopsided smile before shaking your father’s hand firmly. You can already tell by the way your father affectionately claps his hand on his shoulder and smiles at him that he too has taken a liking to the boy, like your mother.

“Y/N.” She says sternly, turning to you who currently battled to avoid Chenle’s eyes. You hum. “Be polite and walk Chenle to his car, please.”

You grimace subtly, not wanting to be the awkward air that would come with being alone with him. You want desperately to say no, but the gaze your mother gives you tells you that would mean trouble for you.

The basketball player notices your hesitation and looks down sadly at his sneakers, remaining that way as you lead him to the front door of your house. Its then that Chenle looks up to the view of the back of your head, his hand twitches in want to smoothen out the ahi at the back of your head for you.

You catch Chenle mid dilemma as you turn to face him, gesturing towards the open door. His eyes shift from you to the door. And to his car, he thinks about the ride home and how once he gets home it will just be him and he’ll be alone.

He doesn’t want to be alone. Strangely enough, he wants to be with you.

“Chenle?” He hears your soft voice. Your eyebrows are furrowed as you watch him stand there, unmoving, with a look of confusion. He looks into your eyes and realizes you’re waiting for him to walk through the door first. He does so, head tilted down. You follow him out the door and close it behind you.

You trail behind him until he reaches his car, however, instead of getting in like you expected him to, he turns abruptly to you. His eyes are glossy and startled at the sight of them. “Do you-“ He pauses, hesitating. “Do you wanna go for a drive?”

“A drive?” You ask, watching him fiddle nervously with his keys.

“Yes.”

“Right now?” He nods firmly.

“I don’t- I don’t think my parents will let me go out this late.” You say, wrapping your arms around yourself to combat the winter wind. Before saying in a quieter voice, remembering the events that took place earlier that day, “And I thought you wanted to be alone.”

Chenle feels guilty upon hearing your words. Knowing you felt hurt by his words from earlier. He shakes his head, stepping closer to you. “No. I don’t. That’s the last thing I want right now.”

You see something in his eyes that you had never seen before. Exhaustion mixed with sadness and worry. The usually mischievous happy go lucky look nowhere to be seen amongst all the turmoil you found looking at him. You immediately grew more concerned. “Chenle…” you say, he looks away momentarily. “I’ll- let me ask my parents.”

Much like many times before, you’re sat in the passenger's side of his expensive car. The scene has become common, except the ambiance is different. Chenle doesn’t attempt to start conversation like he always does, instead, he just stares forward blankly. Occasional tears rolling down his pale cheeks which he wipes away as soon as they appear, you are itching to ask the boy what is going on in his pretty head but decide against it once you remember how that turned out earlier. So you keep silent as Chenle presses harder on the gas causing the streetlights of the empty highway to become a blur above you. It momentarily impressed you how fast his car could go, however, once you look over at the boy, you see his state. Chenle has strings of tears running down his face, snot dripping out of his nose and even his hair is sticking to his forehead due to his excessive sweating.

“Chenle, maybe we should pull over.”

He doesn’t seem to hear you, only pushing further down on the accelerator. Fear and concern enters your bloodstream as you watch him become a version of himself you’ve never seen, a version you didn’t even think existed. You reach over took him and rest your shaky hand on his arm. Upon feeling your touch, his head snaps to you and he hits the brakes abruptly causing your entire body to jolt forward. “Woah!”

Chenle’s chest heaves as he sees how scared he has made you. “I’m- I’m sorry.”

“Pull over, Chenle.” You say sternly, pulling your hand away and instead of doing what he wanted to do which was pulling your hand back to him, he does as you told him and park his car on the side of the road. The two of you sit in silence for what feels like forever, until you hear a sniffle come from Chenle’s side of the car. Looking over, you notice how he is hunched over the steering wheel, crying.

“Chenle?” You use the softest voice you could muster. “Chenle, what’s wrong?”

Your immediate response is silence. He takes in short choked breaths, it seems like every breath he takes causes him to fall into a state of agony.

“I think-” he said, voice quivering. “Y/N, I think I’m a bad person.”

The sentence confuses you. “Why would you think that?”

“Because I did something terrible to someone I care about.” He answers, you note that he is not able to meet your eyes. It scares you. “What did you do?”

“I can’t-” He says breathlessly, his hand fumbling to open his car door. Stumbling out, watch as he makes his way around the car, leaning against the cement railing with his head in his hands.

You watch him in momentary shock before following him his actions and getting out of the car as well. You carefully approach him. “What is going on with you?”

Chenle sighs, pulling his hands away from his face. “I had a fight with my mother this morning, and everything was just piling up and I guess that was just the last straw.”

“Do you want to talk about it?”

“I just… everyone expects so much from me.” He breathes. “My parents, my friends, my teachers, everyone at that damn school!” The railing in front of him takes the blows of his frustration. “And I don’t think i’m as good as they think i am, i'm not worth it.” He looks over at you and you immediately straighten at the sight of his red face. “Like you, Y/N. You’re so good to me, so nice and sweet. I don’t deserve it. Especially from you.”

You don’t know what he means by that. Chenle knows you don’t know but he stays silent. You take this as your chance to speak. “I’m not only nice to you because I want to be. Because you’ve always been nice to me too, Chenle.” You dare to step closer, into his bubble. “Don’t be too hard on yourself, it would be impossible to meet everyone’s expectations so just be yourself… that’s enough for a lot of people.”

Chenle’s mouth speaks before he can stop it. “Is it enough for you?”

To forgive me? To still be the same after you realize what I’ve done.

There is a silence that follows that one sentence, Chenle avoids your gaze nervously, he doesn’t realize that your silence is the product of your racing mind. The mind that is currently trying to find the words to describe what is happening in your heart. You ultimately decided that the best way to go is the truth.

“You know… I kinda had a crush on you all throughout high school, which is kind of embarrassing but that’s not the point,” you start, “the point is that I had this perfect version of you in my head. Of what you would be like. And then when you came up to me that day… I didn’t know if I could talk to someone who wasn’t the Chenle I knew up here.” You take the liberty of poking a finger against your temple. “But I did anyway, and I realized you were nothing like the Chenle I saw in my head…”

Chenle chuckled sadly before commenting, “Ouch.”

“You were better than him.” Chenle’s gaze snaps towards you in shock, you look forward. Too afraid to meet his gaze. “Nicer, funnier, and way more handsome than I thought up close.” You chuckle, having made the comment to help him feel better. “So yeah. I would say you are enough. More than, even.”

“You really mean that?”

For the first time you make eye contact, you furrow your eyebrows to try and make your sincerity as apparent as possible. “I do.”

He knows you do and that mends his heart as much as it breaks it into tiny pieces. He wants nothing more than to pull you towards him and smash his lips onto your own, but he also knows that it will only worsen the situation that is yet to come. Still his hands reach before he can stop them and reach to cup either side of your face.

Your heartbeat is running at an unearthly speed, Chenle can hear it but knows his own is probably the same. Betraying his common sense, he leans into you until your lips are almost touching, the top brushing enough to have you wanting more. You think he’s going to kiss you and close your lips tightly. However, instead of his lips, you feel his hot breath when he utters the words: “I’m sorry.” Before removing his hands from your face and backing away.

You can’t say the action didn’t cause a hurtful blow to your feelings but you also knew Chenle was in a tough place right now. You smile at him. “You don’t have to be sorry.”

Chenle hates how you smile at him when he does things that hurt your feelings. He hates that you’re so considerate and nice to him despite what he is doing to you behind your back. He hates that you will find out one day and that you’ll hate him as much as he hates this. He hates that he doesn’t want to lose you, and that in the end he probably will.

Friday is a holiday, so you don’t see Chenle the day after he took you on a late night drive with him. (You wrote another letter that night). In fact, you don’t hear from him until your phone chimes Saturday morning, Chenle’s name above a text message.

22 [9:15am]: hey

22 [9:15am]: I hope you’re good :)

22 [9:15am]: I just wanted to let you know there’s a party at my house tonight

22 [9:16am]: if you want

22 [9:18am]: actually, I really want you there so…

22 [9:20am]: please come.

You read the texts over a few times, it dawns upon you that you've never seen Chenle’s house. Sure, you’ve heard from classmates who had gone to his huge parties that it was extravagant as can be, resembling a hotel lobby rather than a house. The thought of being in his home made your hands sweat. Still, you remember how anxious you were to see him, especially after the other night, and you find yourself typing a reply of confirmation before tossing your phone to the side and walking to your closet to find something to wear for tonight.

🏀

As soon as your parents drop you off in front of what was easily the biggest, brightest, classiest house you’ve ever seen in your entire life, you get the unnerving urge to go home.

The abundance of people did nothing to help the creeping anxiety, the stares of some that briefly trained on you before whispering something to their friends. You couldn’t help but feel out of place. That is, until you see a familiar face. Jisung walks up to you with his hand wrapped around his girlfriend’s. “Hi!” He calle brightly as the girl waved friendly.

“Hey guys!” You try to stabilize your voice. “How’s the party?”

“Honestly… it kinda turned sour once some lower class men came and started to get wasted.” Jisung chuckled out, his girlfriend nods in agreement as she grips his arm affectionately. You smile when he looks over at her and smiles. There’s a part of you that feels envious of the relationship the two have but most of your thoughts surround how happy you are for the two. “We’re probably leaving soon anyway.” Jisung adds on.

After getting over your monetary panic of having to be alone once again you nod your head, smiling at them. “Okay, I’m going to try to find Chenle.” They nod and bid their farewells, you sigh out loud as you walk through the crowd once again, searching for the blonde hair of the boy you so desperately need to calm right now.

“I heard that she is the one Chenle left Ava for?” You hear someone say.

“No way! Chenle wouldn’t stoop that low, plus I heard Ava broke up with him.”

“Either way, I don’t understand why he would be hanging with her anyway, he probably feels sorry for her. What a loser.”

It’s strange how you can hear their comments over the loud music that causes the walls to vibrate. You feel like vomiting as your insecurities take over and another sweaty presses against you. You push them away and run the rest of the way, not looking to find Chenle anymore just wanting to get out of here. You find what you hope is the bathroom and open the door, running inside and shoving the door closed, chest heaving.

“Y/N?” You hear from behind you, you turn around in shock and make eye contact with the red faced boy you spent your whole night looking for. “Chenle.”

It’s then that you realize that he’s not alone. Across from him is an equally red faced Ava, eyebrows furrowed and lips turned down in a frown.

It dawns upon you that you might have just interrupted something.

You look between the two before averting your gaze back to the floor. “Oh my god, I’m so sorry.” Hands grabbing the door handle and turning it quickly in a desperate attempt to flee the room. Completely deaf to the , “Wait!” That leaves Chenle’s mouth as you leave the room.

Soon enough your back in the sea of sweaty drunks, trying to stabilize your voyage to the front door. To escape the stormy waters this night has caused your nerves.

And you almost make it, had it not been for the harsh shove you received that sent you tumbling onto the floor. Suddenly, the people around you become giants and their huge feet stomp around you, threatening to squash you under their sneakers as if you were an irrelevant bug.

Your shaky legs prevent you from standing up, and you only realize you’re crying when you feel a tear run down the side of your neck. No one seems to notice you’re there and you suddenly remember why being invisible sucks.

It feels like ages have passed when you feel hands gripping your arms and lifting you onto your feet. Chenle’s voice sounds distance even if he’s barely an inch away from you. “Are you okay?”

“I think-“ you say, shakily. “I think I’m having a panic attack.”

Chenle takes your head and shoves it into his chest, making sure to keep a hand over your eyes as he leads you through the crowd. “It’s okay.” He whispers. “Everything is going to be okay.”

He repeats the sentences over and over until you two reach a quieter place and you hear the door of a shutting door and the music becomes muffled.

Chenle keeps a hand secured around your head as he holds you for a few more seconds before slowly letting you go.

“I need you to breathe with me, okay?” He says. Before you can think, you nod. “In through your nose.” He demonstrated, you follow. “Out through your mouth.”

You continue this until the beating of your heart has slowed down and you don’t feel like you're physically suffocating anymore. Instead, you feel tired. Chenle must have noticed because he ushers you to lay on the neatly made bed behind you, tucking you in before you had time to protest.

🏀

It takes a whole ten minutes for either of you to speak, you half expected Chenle to leave after throwing this blue blanket over you, instead, he sits at the edge of the mattress and picks at his nails. Kind of like he wants to say something.

“Thank you for helping me.” You speak first. “I don’t know what went wrong.”

Chenle sighs, “I’m sorry for not finding you, I just- I was-“

“It’s okay, you don’t have to explain.” You interrupt, remembering where he was when you finally found him. It leaves a bitter taste in your mouth, still you know it’s not your place to question him. “I should get going, anyway.” You rush to slip on your shoes only to be stopped by Chenle.

“No, it’s not what you thought it was.” He starts. You avert your gaze from him in fear of what he had to say. “Ava and I ran into each other earlier and she was just going off about how horrible I was in front of everyone. I think she was drunk, but she was causing a scene so I wanted to take her somewhere where it wouldn’t cause a commotion. I didn’t want to bring her in here so I just took her to the bathroom” He says, “We got into a bit of an argument, and that’s when you walked in.”

“It’s-“

“She told me she wanted to get back together.” He blurts out, like he was getting something off his chest.

“Oh.” Is your reply.

“Obviously I said no.” He says, almost expectedly. He doesn’t know that the knot that was tightening in your chest loosened a bit at his words. He watches you for a bit before speaking again. “What- what’s on your mind?”

The question catches you off guard. You don’t really know what’s on your mind, the messy twister of thoughts going too fast for you to be able to reach in and grab a coherent thought. Only one thing pops up and you go with it.

“Is this your room?”

Chenle is silent for a second before he says. “Uh, yeah? Yes, it is.”

You hum, laying on your back once again. It’s then that you notice the glow in the dark stars Chenle has stuck to the ceiling of his room, identical to the ones in your own. “You have stars on your ceiling.”

He chuckles embarrassingly, scratching the back of his neck. “Yeah, I’ve lived here since I was a kid my grandad put them up there when I was young and I just never got around to taking them down.”

“I have the same ones on mine.”

“Really?” He asks. But he can’t help the shift his heart takes as he thinks of the two of you laying under the same glow in the dark stars every night.

Before he knew it, he was walking towards the light switch and flicking it off. The lights shine to their full potential over you. It eases you a bit, until you feel the bed dip next to you and you smell his close proximity to you, feeling the warmth coming his shoulder where it touches your own as you lay side by side.

The silence is comfortable this time.

“Do you ever have panic attacks?” You ask suddenly.

Chenle shakes his head but remembers you can see him, “No.” He whispers, as if someone would hear him. “But Jisung does sometimes, so I learned some techniques to be able to help him through it.”

You smile into the darkness. “That’s nice of you.” You lower your voice to his whispering tone.

Suddenly words are absent and the two of you just stare at the stars to the ceiling.

You know it’s weird, that after the other night, you are lying in Chenle’s bed beside him like nothing happened. Like you had always been there. You wondered whether you should be glad or scared that you feel that way.

Beside you, Chenle is having his own dilemma. On one part, he feels relieved that you’re safe now, that no one can hurt you now that you’re here with him. He feels comforted that you look so at home in his room, blending in so well it almost sends his head reeling. (Partially the reason he turned off the lights.) On another part, he feels so scared that he wants to think you blend in and that he wants to tell you everything in his head. That he wants to let you in, when he knows he shouldn’t. That he felt concern in his veins when he saw you in such a panicked state earlier, and all he wanted to do was tuck you into his chest and protect you forever.

Why did he want to protect you forever?

He turns on his side, you feel it. His breath fans on the side of your face. You turn to his darkness, staring to where you knew his face would be.

“Can I tell you something?” He says, it’s too late to take it back now, since you nod. “The other night when I ate dinner at your house…” he starts, “I was in such a bad place, And I never thanked you for putting up with me and having me over for dinner, it made me feel so much better, you know before everything blew up in the car.”

You furrow your eyebrows at his words. “That was actually my mom’s doing, but I will make sure to tell her you said so.”

Chenle shakes his head, kissing his teeth. “No, that’s not it. It was because you were there, Y/N.”

You hold your breath when he said that, not replying. Chenle takes his own in an attempt to calm his rapid heart. “Spending time with your family kinda made me feel like I was a part of something special.” He confesses. “Something you were a part of.”

An unsteady exhale tumbles from your lips, his statement doing a number on your heart. “What… what are you trying to say?”

This is it, Chenle. Tell her about the bet, confess what you did and fix everything before things get too serious and you break her heart. Tell her the truth!

‘The truth’ Chenle thinks. ‘Okay.’

“I like you, Y/N.” You don’t see that he is squeezing his eyes shut even if the room is pitch black.

“What?” You say in disbelief, even if the butterflies have already started erupting in your stomach.

“I like you.” He repeats. “So much.”

You stare in his direction in a state of shock and happiness. Meanwhile, Chenle beats himself up in his mind, taking your silence as a bad sign. “It's okay if you don’t want to be a thing or anything, I just thought, you know, since I like you and you like me… Liked? Is that past tense?”

Your head shakes and causes a ruffling noise against his pillow. “No, it’s very much present tense.”

The warmth pressed against your shoulder disappears. And you hear Chenle’s footsteps throughout the room, suddenly the world turns bright and Chenle walks back to the bed. Now with the light on, he can see the blush on your cheeks and the small smile you wear. He smiles back at you, but he feels bad. So, so bad.

So bad that leans down to lay over you, kissing your breath away.

It's only after the momentary surprise that you begin to kiss him back.

His lips are rougher than you thought they would be, but still held some pillow like softness you expected. His hands hold your cheeks as he dips down further to bring his lips closer to yours.

Now you totally understood why everyone was so crazy about kissing. It’s the best thing ever, and you never want it to end. However, breathing becomes an issue when you kiss someone, you learned. Chenle is the first to pull away, keeping his face a barely centimeters from your own, your breaths meet in the middle.

When you finally open your eyes, you are met with Chenle’s worried ones already watching you. You immediately frown.

“What’s wrong?” You ask. Are you a bad kisser? Does your breath smell? Does he regret it? His response is unlike those, shocking you when the words leave his mouth.

“I don’t want to break your heart, Y/N.” He looks away from you. His body is still positioned above you, the position being one that makes it hard to avoid your eyes (and one that is even suggestive). Still he tries his best, that is, until he feels your soft hands cradling his cheeks just as he has been doing to your own just a few minutes ago.

“Chenle, look at me.” You say, though your voice is wavering. He obliges. “Why are you worried about that?”

“I just-” You can tell he would look away if you weren’t holding his head in place, he can’t hide his eyes now. “I’m just afraid I'll do something to hurt you and that you’ll hate me.” He says, which isn’t the whole truth but is also not a lie.

“Why would I hate you? I could never.” Chenle wants to scoff sadly when you say that but you cut him off. “I’ll promise to not break your heart if you promise to not break mine.” You extend your pinky in between your faces.

Chenle winces internally, feeling like he already broke your heart. And he is more scared now that it’s real. That you like each other and this probably makes you guys a thing, that he doesn’t want to hurt your feelings like he knows he will. But he also thinks about the fact that he has never felt this way with anyone else, that you were the first girl he ever felt comfortable enough with to let in his room, that you have glow in the dark stars like him and that it kind of feels like you’re split-aparts that have finally found each other. The longer he could keep you by his side, the better.

That’s when he decides to let himself live in this world, at least while he can. He wraps his pinky around yours and lets your thumbs touch, sealing the deal.

He doesn’t have time to regret his decision because you lean up and catch his lips before he can think of anything but you.

🏀

Two weeks later, and most of your days have been spent much like this one. Chenle’s arms wrap protectively around your middle as you read the messages on your phone. One being a reminder from the president of the student council about the special dress code for Valentine’s Day.

You turn in Chenle’s hold and meet his sleepy eyes, he smiles. “Did you see what the student council is doing?”

“Mm?” He replies, you turn your phone to him. “A dress code?”

“Yep, white for single, pink for complicated, and red for taken.” You say, bringing attention back to you phone. “I’m glad I look good in pink.”

The statement confuses Chenle. “What do you mean pink? What is complicated?”

You startle at the awareness and worry on his voice compared to the sleepy mumbles you were getting just moments ago. “Well… I mean, you never asked me to be your girlfriend.”

Chenle freezes. You were right, he never did because part of the bet was to have a girlfriend by Valentines, it made him feel as though he wasn’t a complete asshole if he hadn’t completed the bet. “You’re right.”

You watch him expectedly, but receive no response. Holding back a sigh, you bring your attention back down to your phone.

“Are you upset with me?” His soft voice meets your ears.

You shake your head. “Of course not, why would I be?”

“It’s not fair to you that I keep you waiting.” None of what I’ve done to you is fair, he thinks.

You reach up and stroke the hair that frames his face, smiling softly. “I’ll wait until you’re ready, Chenle. You know that.”

It scares him how soft you are, how warm and safe he feels when he’s with you. That’s when he decides, it’s best if he waits out this week and lets himself live like this longer, even if it’s for a bit.

“Kiss me.” He whispers. And you do. Pushing your chest flush against his, making sure every part of your body touches his own; remaining like that until you are sure you have blisters lining your lips from how much you’ve kissed him.

The two of you end up hotly panting, you straddled over his lying figure. Chenle looks up at you from where he is before sitting up, suddenly, you feel the warmth of his hands tug at the edge of your shirt. His eyes ask for permission, which you reply to with a nod.

You’re nervous. Very much so. You wonder if this will be the first time you have sex or if anything else will happen.

Chenle lifts your shirt off your head and places it next to your body. “Is this okay?” He asks, his big innocent eyes looking up at you.

“Yes.” Is the only answer you can formulate.

The boy maintains eye contact with you as he says the following words. “Do you want to take off mine?”

Your face flushed red, you can feel it. “I-if that’s okay with you.” His answer is in the form of his hands leading your own to the hem of his shirt, before letting go and putting his arms up. Your hands are shaking as you grab the clothing, slowly pulling it up, exposing his pale abdomen inch by beautiful inch.

You smile at him as his head finally reappears from the whole in his shirt. “Hi.” You say, he smiles.

What he does next is something you didn’t expect from the lead up of events, unlike anything you’ve seen in erotic movie or read about in novels.

He wraps his arms around your waist and pushes you down to lay next to him, he then pulls you towards him so that your the heat of your torso melts into his own. He shuffles until he is as close to you as he can get, only then is when stops moving. Resting his cheek against your own, you feel his breath on your ear.

“I just want to be close to you, to hold you.”

Just like that your heart is full to the brim once again.

It’s the night before Valentine’s Day and Chenle is restless. He had decided tomorrow would be the day he would tell you everything. He would come clean and the two of you would start over (right?). He had practiced what he was going to say for hours earlier that night, wanting to have the perfect words so that his message got across to you. Still, even with all that practice, he knows there’s no guarantee that you won’t hate him. That you will swear him off and never speak to him again, when he has become so fond of you. The thought makes his hands ache and toes curl in an angsty feeling.

After tossing and turning for nearly two hours, he finally gives up on sleeping and opts for looking at the stars stuck to his ceiling. He wonders if you’re awake right now. If you’re thinking about him while looking at your stars. He imagines your messy hair and pajamas and smiles softly to himself. “I miss her.” He says out loud, to the darkness of his room.

Suddenly, everything happens in a flash as he throws his covers off himself and marches to the closet, pulling out his favorite red hoodie, grabbing the Valentine’s Day gift he had gotten you days ago then he’s in his car. Desperate to get where you are.

It’s nearly 1am when you hear the knocking on your window. You had just begun to fall asleep when the noise startled you awake.

Upon inspecting your window cautiously, you gasp when you see Chenle’s blonde hair. The window opens with a click. “Chenle! What are you doing here?”

What is he doing here? “I just wanted to see you.”

His words flutter your heart. “But it’s 1am, on a school night.”

“I know that, I just…” he scratches the back of his neck because in reality he doesn’t know why the hell he even came here in the first place. “I had to give you something.”

He extends the bag in his hand out to you. “Happy Valentine’s Day.”

The bag contains two items, the first being the red hoodie you had seen Chenle wear many times before. His smell reeked off of it, causing you to nearly die of delight. “Wear this tomorrow.” He says. “Cause you’re mine.”

You don’t know that his heart hurts for you, he pities you for being the one who causes him to lose all self control and make decisions that will hurt you in the long run. He feels so sorry that he couldn’t wait until tomorrow, that he just wanted you today, now. Before you get the chance to hate him. To run away. He wanted you to be his.

You say nothing to him, only smiling bashfully as your cheeks matched the color of his clothing item. You look into the bag and see a black box that would be the second item. “What’s this?” You say to yourself, smiling up at Chenle. You open the box to reveal a beautiful necklace with a pretty pink diamond hanging off the end. You gasp.

“Chenle, I can't accept that.” You say, closing it. You knew the necklace probably cost more than your house, you felt guilty taking it.

“Please accept it. I bought it for you. I want to see it on you every day.” He seizes the opportunity to reassure himself. “And yes. It cost a lot, so that means we have to continue seeing each other, hm?”

“Chenle…” you say.

“Please.” He says in a way that makes you wonder if this is only about the necklace.

“Okay.”

You pivot and allow him to clip the chain, you turn to him and catch his reaction to the jewelry resting against your upper chest. “How do I look?”

Chenle’s eyes study the necklace before looking into your own. He smiles somewhat sadly as his arm reaches up to stroke your own. “You look beautiful.” He whispers. “Just like I knew you would.”

You can’t put your finger on it, but something about his demeanor is unsettling. “Chenle, is something wrong?” You ask, to which he shakes his head weakly, but the sad look on his face tells you otherwise. You figure it had something to do with his family and refrain from asking. Instead you cup his cheek to provide him comfort, he leans into your touch and shits his eyes momentarily. “I love it. Thank you.” You say in a quiet voice. Chenle watches your features move into a soft smile before impulsively leaning forward to peck your lips.

“I’m so happy.” To be with you, to be yours. “Let's be happy together for a long time, okay?”

You don’t say no.

The next morning you arrive before every other student to school. Chenle’s red sweater rests on your figure as you reach your locker and take out what had been heavy in your mind since last night. The letters. You were going to give them to Chenle and ask him to be your boyfriend. Sure, you were nervous to do so, but you knew Chenle was someone you wanted to have in your life for a long time. That's why you slip the envelopes decorated with his name one by one into the vent of his locker.

You remember thinking this would be the beginning of something great.

You were wrong.

🏀

There’s a pep in your step as you make your way through the halls after school clad in Chenle’s red hoodie, heart eyes searching for the boy.

And for the first time in probably ever, you wished you wouldn’t have found him. You wished you didn’t have to see Chenle pressed up against his locker with his hands resting on Ava’s hips as she kisses him roughly.

“Oh my god.” You say, voice small but enough to catch Chenle’s ear. The boy immediately pushes Ava away from him and turns to the sound of your voice with pleading eyes.

“Y/N-“

“Look who showed up!” Ava interrupts, turning fully towards you. “I was wondering when you were going to come looking for him like you always do, I bet you’re glad it’s over, right Chenle?”

The way the boy looks away from your eyes to shift his guilty gaze to the floor makes you furrow your eyebrows in confusion. “Chenle what is she talking about?”

When the boy remains silent, Ava’s high pitched voice answers for him. “Well, since he doesn’t seem very talkative right now, I’ll just tell you myself.” She clears her throat, as if setting the scene, your hands are starting to ache. “A month ago, our darling Chenle made a bet with his friends after our break up, you know as boys do, they said he couldn’t get another girlfriend before Valentine’s Day. Obviously, Chenle’s competitive self took that as a challenge and it’s obvious that you had been in love with him for like ever so you were the easiest target.”

The way the world stops spinning isn’t like it’s described in all the romance novels you read, it’s not the good kind that makes you feel like you're floating that nothing could stop you, it’s the kind that weighs you down and makes you feel dizzy, causing you to stumble. This is what you feel when you ask: “Chenle… is this true?” And the boy just stares at you, for a second before looking away once again.

“Of course, it’s true. He was even showing me the pathetic love letters you wrote to him.” She motions to the stack of letters in Chenle’s hands. You gasp, feeling like every last bit of you was torn apart. The thought of them reading the deepest tellings of your heart and laughing at it, all when you wholeheartedly believed that the boy you spoke about in the letters was finally all yours.

When he wasn’t. He was never yours. But he wanted you to think that.

“Oh my god,” you run to him and attempt to rip the letters out of his hands only for him to hold on tighter. “Let go, Chenle.”

“Y/N, please-“

You can’t help the sob that creeps up your throat as your attempt weakly to shake your heart out of his hands. “Please, let go.”

Chenle watches you cry before him and feels like that the act of ripping his actual heart out of his chest would hurt less than this.

You take this moment of weakness and rip the letters out of his grasp, before running down the hall.

It’s only when you feel a hand grasp your shoulder and spin you around that you realize that Chenle has followed you all the way out to the parking lot.

Seeing him caused every bone in your body to ache, and the contractions in your heart were hard to ignore. “Wait, okay? I need to explain somethings to you.”

“I don’t want to hear your explanations! I just want to go home.” You realize that you probably sound like a bratty child but you couldn’t care less.

Chenle nods, “Okay, then let’s go.”

“Not with you.”

Chenle can't help the dagger that the sentence shoots into his heart. “Then I’ll say what I need to say right here!” He exclaims, trying to mask his pain with anger. “It’s true that I made a bet with my friends to date you the day I first drove you home, and it’s really shitty of me, I know. But I had just broken up with Ava and everything was so messy and I just wanted to make her feel bad so I said yes. “ He pauses, “I said yes and so I went to you since I knew you liked me-“

“Jesus,” you wince, embarrassment creeping up your throat and clogging it up. Your eyes water as you think of how truly fucked up the situation is.

That day, one month ago, you were right to question Chenle’s intentions. No, he didn’t admire you or see you the way you saw him, you were just easy bait. And everything has been a lie. “I can’t- I can’t do this.”

Chenle tries to stop the tears of guilt that threatened to leak from the corners of his eyes. “I’m sorry, Y/N.”

“No you’re not.” Your bitter words are a shock to Chenle, he had never heard you use that tone with him (or with anyone) before. “You’re not fucking sorry.” Tears of humiliation and frustration run down your face and Chenle wants desperately to cradle your cheeks in his hands, but thinks he might never be able to after this. “It might not have been a big deal to you Chenle, but you were my first kiss, you were the first guy who ever took me on dates and drove me around in his car, you. And I thought you were the first boy who ever liked me.” The smell of him you once loved reeks of the hoodie covering your body, however, instead of feeling welcomed and happy you feel like it’s creeping up the sides of your neck and suffocating you to no end. You groan as you grab the hem of the article and rip it off your body, leaving you in a flimsy t-shirt to combat the winter cold.

Chenle sighs, “I know you’re mad at me but you’re going to get sick if you walk home like that. It’s cold.”

You scoff in response, “Lucky for you then, because you don’t need to worry about me anymore.” In a quieter voice you say. “I was probably just a burden to you this whole time.”

The boy immediately opposes the statement, “You were never a burden, I liked hanging out with you. I care about you.”

“Only because it helped you win that stupid bet, and to make your ex jealous!” You exclaim, finally looking into his sorry eyes. He looks tired, you almost falter in your stance before putting up the wall separating you two that had always been there before the day he drove you home.

You wished he had never approached you, because the Chenle in your dreams would never do this to you.

It’s in that moment that you feel the weight of the dove on your neck, your finger move to unhinge it as you place it on top of the hoodie resting against his chest. You watch his jaw tense as he looks at you. You make eye contact one last time with the blonde haired boy in front of you, Before sadly turning away.

“Y/n please,” it’s the weakest you’ve ever heard his usually booming voice. “Don’t leave me like this. What about our promise, huh? You’re breaking my heart right now.” Chenle knows the attempt to get you to stay is pathetic and desperate but he’s at a loss of what to do.

Angrily, you spit. “You broke my heart the moment you approached me that day so I guess that promise was made to be broken wasn’t it?”

Chenle watches you walk away with your arms wrapped tightly around your shaking body. He sees as you walk past a trash can and dump all your letters into it, wiping your tears and starting your journey to the bus stop.

And he would never share this with you, walks up the trash can with tears in his eyes and reaches into the garbage, picking out every letter in there. He figures it’s the only piece of your heart he can manage to save for himself. It’s proof that the hate you now hold in your heart for him was once love.

Even if he ruined everything.

You never knew they called it heartbreak because your chest physically hurts this much. At times you feel like throwing up, at others you want to throw all your belongings across your room. The pain was almost unbearable at the beginning, embarrassing and hot flashes of anger running through you constantly as you think back to that moment.

You don’t go to school that Monday, telling your mom you were feeling sick. Which isn’t entirely a lie, especially when you see Chenle’s car pull up outside your house that morning. You feel like throwing up again. You’re angry at him. So so angry that he thinks things will be the same after what he did. That he thinks he can pull up at your house and drive you around after completely breaking your heart.

You pull the blinds down as your mom comes through your door. “Honey, Chenle is here.”

“Tell him to leave.” You seeth, tears running down your face. You wipe them away frustratedly. “Tell him to never come back here, Mom.”

Your mother watches with sad, sympathetic eyes. Before nodding solemnly and closing the door on her way out.

Due to a strange urge, you peek through the blinds and wait to see him walk out your driveway. He does, dragging his feet. Much to your dismay, he stops suddenly and turns to face your window. You immediately step away in the darkness of your room, away from the light and Chenle’s eyes.

Three weeks pass, things at school remain the same for the most part. You hang out with Donghyuck like you used to. You try your best to not look over at the athletes table even when you feel Chenle’s eyes on you. However, somethings do change, you no longer spend your class time daydreaming about a certain blonde boy, or writing love letters on the back pages of your notebook about how pretty his eyes look when they catch the light. Instead, you stare out the window of your classrooms, wanting nothing more than to be in your room away from everyone once again. You sigh and look away from the window momentarily before looking up again. You startle as you see Chenle on the other side of the glass. Watching you with eyes that looked like they had a lot to say. You shudder when you take in the bag under his eyes and exhaustion written all over his face. You want to believe it’s because of you, you hope it is. You hope he can’t sleep at night thinking of you. Nevertheless, you remember what happened on Valentine’s Day and realize you were probably too insignificant to him to have caused him to be this way.

He softly smiles at you, bringing his hesitant hands up to wave at you, only for you to avert your eyes away from him and to the teacher at the front of the room.

Chenle looks down dejectedly before continuing his walk, meanwhile you sit at your desk, wanting to escape more than ever.

Three days later, your mother informs you that you have a visitor. “Tell him I don’t want to see him.”

“It’s not Chenle.” She says before confusedly adding: “He said his name is Jisung.”

Jisung? What the hell is he doing here? “I’ll be down in a minute.”

When you finally get down stairs Jisung smiles awkwardly at you before gesturing towards the door. “Do you like milkshakes?”

“What is this about?”

The words that say heavy on your tongue the whole car ride here finally leave you as you sit across Jisung at Billy’s. He sips his milkshake before clearing his throat to speak. “How have you been?”

You’ve been really shitty. “I’ve been fine, I guess.”

Jisung hums, rubbing his hand together before sighing. “I guess we should just get straight to the point, then.” He pauses, “Have you spoken to Chenle recently?”

While you figured this meeting had something with Chenle, you still sit up straighter when you hear his name. You clear your throat as if this is a kind of declaration. “No. I haven’t spoken to him since Valentine’s day.” You don’t want to ask about him, so you try the next best thing. “Why- why do you ask?”

“I haven’t seen him since last week.” Jisung says, something in your stomach doesn’t sit right. “He’s been missing practice, which he never did, and he’s not answering any of my messages or calls. And the pre-final game is tomorrow and no one has heard from him.”

His words are bazar. Basketball is unarguably the most important thing in Chenle’s life, why would he risk this chance of winning the championship like this? “He hasn’t spoken to me either, sorry.” You say, but your mind is fogged with worry as to where the boy could be. Jisung remains silent for some time before he clicks his tongue.

“I know what happened between you two.” You avoid his gaze and feel blood rush to your cheeks. “And I think you’re right for not talking to him after that.”

How could he say that about his best friend? Still, you nod. “But I think you only know a part of what’s really going on here.”

“Huh?”

“I mean, yeah. The whole thing started as a bet, but after a few weeks Chenle told me that something changed. He said he didn’t want to do the bet anymore, that he felt guilty for using you like that because he ended up really really liking you Y/N and I’m not just saying this because he is my best friend or anything but I think when the time is right, you should give him a chance.”

You finally look up at him and realize upon feeling a tear trail down your face that you were crying. You wipe it away quickly and sigh. “I don’t know, Jisung. He really hurt me, I was so embarrassed I felt like I could die.”

“Sometimes we make stupid decisions.” The ‘we’ reminds you of the story of Jisung and his girlfriend’s love story that Chenle animatedly told you about one night you stayed at his house. You remember wondering how someone as sweet as Jisung could do any of those things, and how his girlfriend could forgive him for any of it.However, you knew the love they had for each other in their hearts was more than the anger due to his actions. You wonder if the attachment you have for Chenle would ever be enough.

Jisung reads your mind. “I think he loves you.”

Your eyes become wide as planets before you scoff in disbelief. “Don’t say that.” You say, weak hearted.

“He does! While you two were still a thing he wouldn’t stop talking about how cute you were, how good you are at basketball and how you have the same glow in the dark stars on your ceiling that he does.”

What? You didn’t think cared enough to talk about you or to remember those details. “He told you that?”

Jisung nods, “And a lot of other things, but I don’t think we’ll have the time.”

“He… he never told me he loved me.” You thought Chenle had just come into your life as a lesson to always be on your guard, to never let anyone in and protect yourself above others. But now… you wonder if you meant more to Chenle than you thought.

“Take it from me,” Jisung says, “sometimes those 8 letters can be the hardest to say.”

🏀

Once you’ve parted ways with Jisung, (who offered to drive you home to which you politely declined to, telling him the walk home would give you time to think) you make your way home on your dirty sneakers and think about what Jisung said.

It’s hard to believe that Chenle would actually say those things about you, while knowing he was playing you. You wondered if it really did change for him like Jisung said, and if he really felt sorry like he was telling you that day in the parking lot.

You’re so lost in thought that you don’t realize the familiar car parked in front of your house until you hear the voice your heart has been longing to hear for weeks now. “Is Y/N home?”

You bolt to the nearest bush and duck behind it, close enough to hear their words but far enough that Chenle and your conflicted mother are unaware of your presence. “Oh, I’m sorry sweetie she went out a few hours ago.”

“Oh.” You flinch when you hear the disappointment in his voice. “Can you tell her I stopped by?” And that I miss her, he wants to say but you don’t know that. “And please give this to her too if it’s not too much trouble.” You hear shuffling as Chenle hands whatever it is he wanted to give you to your mom.

“I will, sweetie.” Your mom says. “And Chenle?” There's a pause in which he hums. “Get some sleep, honey.”

You can imagine that Chenle throws her his signature polite smile, “I will try, Ma’am.”

It’s not longer after that you hear his sneakers against the steps of your porch and see him get into his car. You have a perfect view of him from where you are. Watching as he frustratedly runs his hands through his hair and throws his head back against the seat. You don’t know why you feel sorry for him. You know you should be angry but after what Jisung told you, you need to stop yourself from going to him.

You contemplate if even looking inside the bag is a decision.

It sits in front of you neatly on your bed where you had placed it after your mother handed it to you with a worried: “He looks so tired, Y/N.” Which caused hurt to arise in your heart.

The bag is a bright red one, the type that usually is full of candies and sweets, maybe flowers. You want to know what is inside manically, but you're afraid about what this would mean for your relationship (if you could even call it that) with Chenle. Is this his final goodbye or is this him trying to get you back?

You had to know.

Upon opening it, you are shocked to see a pale yellow envelope with your name written in Chenle’s messy handwriting on top. You grab it with shaky hands, the texture is different somehow, because for the first time ever, this letter was meant for you.

Inside, there is a loose leaf paper much like the ones you had sent to him neatly folded. Your heart beats in your ear as you finally see the first words, you breathe in deeply and read away.

“Y/N,

I thought for a long time about what I would say to you in this letter, I’ve been sitting on it for three weeks trying to find the right things to say that would convince you to forgive me before I realized that they all sounded tacky and cliche when I read them back. So, i’ve decided to just go with the truth. It’s true that at first I wasn't honest with you, that I only approached you to complete a dare my friends had given me that day and I won’t make any excuses because I was such a huge asshole to you. I was just so hurt that day because of Ava and I wanted to make her feel like shit so bad, I wanted to hurt her like she had hurt me and I used you to do so, Y/N. But after I approached you and started spending time with you,I started thinking back to all the times I would look at you when the sun came in through the window in the English classroom before I had even spoken a word to you. I bet you didn’t know I did that, did you?”

You didn’t, the you at that time would’ve freaked out if she knew though.

“I remember thinking you were so pretty, that you were untouchable to me so i just never tried. But something changed when i got to know you, i realized that you were the coolest person i’ve ever met, that you were real and that you were there with me whenever i needed someone. No one has ever made me feel so safe and comforted. I became selfish with you because I never wanted it to end. I didn’t want to tell you because i was scared you would hate me do you hate me? The night before valentines i went to your house because i planned on telling you everything the next day, i wanted to see your happy eyes just once more just in case i ruined everything. On Valentine’s day, when i got to school and read your letters. You wouldn’t believe how happy I was to read all the wonderful things you said about me. I was so happy that you held me as close to your heart as I held you to my own. I was going to tell you everything after that, i was going to confess and tell you that i couldn’t go another day with this secret. I was going to tell you how i felt but Ava stopped me, she told me she knew about the bet and then she kissed me and that's when you showed up. I’m so sorry you had to see that, I’m so that i used you like that. I’m sorry that I took advantage of you but I want you to know that I meant everything I told you, I loved spending time with you, and being with your family made me feel so special. I remember thinking we were split aparts and i know that sounds stupid but i really want you to know that i meant it. And every kiss we shared and every time I held you I felt it and I really really really mean it when i say that i loved you. I loved you so much that I didn't ever want to lose you.”

The past tense makes your chest tighten.

“I won’t tell you to forgive me, but your spot on the bleachers looks so empty without you. The pre finals are tomorrow and i would love it if you came, to cheer me on like you used to. You don’t have to wear it if you don’t want to but I wanted to give you something that would portray how serious I am about this. That if you are willing to come cheer me on with a part of me with you.”

This when you reach into the bag and pull out the item that once laid underneath your letter. The 22 of Chenle’s basketball jersey stares back at you, you gasp as you hold the fabric in your fingers. You had watched him run around the court with this very jersey plenty times before, you knew how much being number 22 meant to him. You were grateful he would trust you so important to him, you really wanted to grab his face and tell him that. Instead, you finish reading the letter.

“You make me feel brave. And I will forever be sorry for what I did to you, but I mean it when I say I loved you I still love you.

Please come. - Zhong Chenle.”

He loves you! Present tense. You could almost jump from joy. You want to see him, tell him you love him too. A million times if you can. You want to say that you forgive him for everything, that you have felt incomplete without him these past few weeks and the Chenle you made up in your mind was too perfect anyway.

Chenle sighs for the upteenth time the next afternoon as he stretches along with his teammates. He tries his best to take his mind off of you for the time being, at least until after the game is over, he needed to focus but he found it very hard when he began to wonder what was going through your head when you read his letter, and if you were coming today.

He startles when he feels a hand on his shoulder. Hopeful, he turns. His hopefulness fades away when he sees Jisung standing before him.

“Damn don’t look too sad to see me.” He jokes. Chenle shakes his head

“It’s not that…” Chenle explains, biting his lip nervously and subconsciously looks toward the bleakers where your empty seat was. Jisung gets the hint.

“Chenle,” he says. “It's okay, she’ll come.”

Chenle wants to ask him how he is so sure, that if he were you, he would hate himself too. Instead, he nods at him and readjusts the waistband of his shorts on his hips as the coach calls for the team to step out onto the court.

People immediately start cheering for the players as they come into the view, girls go crazy in the stands and the members’ friends and families cheere enthusiastically from the side lines. The players smile and wave at their ‘fans’ doing a lap around the court to warm up and high five audience members.

Chenle can only bring himself to smile half heartedly and wave weakly due to the fact that your spot on the bleachers still remains empty.

He sighs out again, puffing his cheeks as the referee finally calls for the first round. That’s when his adrenaline starts pumping and he feels a bit better.

The game goes on.

Chenle’s jersey is only a bit big on you, almost fitting like something that would be your size, still, you try to pull it down over your hips in a nervous habit. You finally made it to the game, having fun late due to traffic. The spot you usually sit in is occupied by a woman holding a baby, so you decide to stay and watch from the sidelines, standing.

The first time you see him, he is running across the court so fast he becomes a blur. You only know it’s him because of the head of blonde hair you see in the blurry image. He looks breathtaking as always, his hair being pushed away from his face by a sweat band being an addition to his look you wouldn’t mind seeing again.

His sneakers squeak against the floor as he gets in position to shoot. You cross your fingers, but something is off. His eyebrows are furrowed in something that doesn’t look like concentration, but more like worry. His legs give him the impulse to jump up and soon enough his arms are shooting the ball towards the basket. You watch in disappointment as it hits against the rim and bounces back at him, he catches it with a frustrated click of his teeth.

The audience has already begun whispering, having never seen the star player miss a shot.

One of his teammates comes up to give him a fist bump of comfort, Chenle accepts it but still holds a troubled look on his face. The thought crosses your mind that it might be because of you, it troubles the organ in your chest as much as it warms it. You notice he keeps glancing at a certain part of the bleachers, this is when you know he meant everything and that he surely is waiting for you.

“Chenle!” You yell, trying to get his attention.

The boy doesn’t look your way, your voice getting lost in constant shouts and chatter from the people in the crowd. You try again, louder this time. Nothing.

You groan frustratedly, the boy continues the game the best he can, but he’s out of it. You hate to see him like this, a deep hurt in your chest rising up. You cheer for him as loud as you can, deciding it would be better to wait until after the game to see him.

As the game is coming to an end, Chenle appears to grow more and more tired and absent. Nevertheless, his team scores the winning point and the audience goes wild, including you. Chenle smiles but it doesn’t reach his eyes.

You can’t wait to hold him and tell him you forgive him for everything and that everything is going to be okay, and be with him for real this time. To have him be yours and be best friends against, go on nightly drives and have impromptu dance parties, to lay on his bed and count the plastic stars on his ceiling, to kiss him and be close to him.

And for it to be real.

🏀

Chenle can’t help but feel dejected when your seat was never taken by you. He should’ve known this would happen, that is true but there was a fraction of him that thought you would read his letter and realize how sincere he was, he thought there was a part of you that knew it had been real and there was no way everything he said could've been made up. But he was wrong, and now as he packs his gym bag to go home, he faces the consequences of his high hopes.

He’s mad, practically throwing his belongings in his bag, he almost throws his phone in the trash can next to him when he hears the ringtone go off. Chenle answers it with an irritated, “What?”

“Hey.” He recognizes your voice that same instant, still he pulls his phone back and makes sure its your caller ID before speaking again.

“Y/N? Oh my god, hi!” He clears his throat before repeating himself. “I mean, hi, hey.”

You hold back a laugh, noting his nervousness. “I’m sorry for calling so suddenly.” You decide to tease him, although, unbeknownst to him, you wear standing about 20 feet behind him after finally finding him in the now that the crowd of people has dispersed after the game.

“No, don’t worry about it. I was actually…” Chenle flicks the zipper of his bag with his nervous fingers, “I was waiting to hear from you.”

“Were you?”

“Yeah, I wanted a chance to talk things out with you and uhh… i'm sorry if me asking you to come out to the game was too much or if it made you uncomfortable I didn’t-“

“Chenle.” Your voice cuts his rant short. You internally marvel at the fact that you aren’t the one caught in a nervous ramble for once. “It didn’t make me uncomfortable. I’m here.”

“You’re here?” Someone clicks in his mind as he frantically looks around him in an effort to find you. When he does, his eyes turn soft and a smile takes over his face. “You came.”

You nod at him, feeling a bit overwhelmed when you finally make eye contact with him. There are people between you too, Chenle begins to close it as he walks forward. “I did. I just wanted to tell you that I missed you.”

“I missed you more, I swear on it.” He replies.

Your eyes burn, you wipe them and lighten the mood. “And that Curry would be sad to see you so out of it at a game.” You click your teeth jokingly. “What do you think he would say if he saw you like that cause of a girl?”

He laughs, “I think he would understand, after I tell him how amazing you are.”

You blush. “I also wanted to tell you that your jersey smells like you, and I like it.” This makes him beam, speeding up his footsteps that carry him to you.

“Is that it?” He asks, jokingly.

“And that I love you, Zhong Chenle. Not the Zhong Chenle that I had a crush on for 3 years and not Number 22 but you. The rawest versions of you. I love all of it and that i forgive you for everything.” He slows his pace in shock, his chest heaving.

“You mean that?” His voice is wavering and you can see the flush on his cheeks from how close he has gotten. Suddenly, he is taking big steps until he is directly in front of you. He puts his phone down and his pretty eyes look directly into your own.

Chenle’s face is hopeful, happy and lovestruck. He whispers: “You love me?”

You can only nod, overwhelmed. Chenle smiles wide, you can almost see his molars and his eyes disappear. “Say it.” He says, in a wondrous tone.

“I love you, Zhong Chenle.”

“Oh my god, yes!”

And he’s kissing you, arms wrapping around you and pressing your body against his, his finger grip at the jersey on your body and he moves his lips against yours. Every memory that you have ever shared, every kiss, every touch, and every laughing fit come to your mind. It’s all you can think about as you think about this boy. You don’t think about the bad part, because that doesn’t matter anymore now that Chenle is yours and you are never letting go.

4 months later; Graduation

“Chenle! Come on!” Jisung yells as he sees the boys floppy newly dyed orange hair amongst the crowd of people.

You were all posed for a picture, blue cap and gowns adorning your bodies and your parents huddle you together for a picture. “I’m coming!”

Your boyfriend appears from the crowd with his cap in his hand along with a giant bouquet of flowers. He walks directly to you, extending it with a smile. “For you.”

Your friends start squealing, playful hitting you and Chenle and your parents smirk at each other at the portrayal of young love before them. You cover your face with your hands to hide your blush. Chenle laughs and hugs you to his side.

“Y/N! Chenle! Pose for the picture!”

The two of you run to where your other friends are posing, haphazardly getting into the frame and posing crazily.

The air is full of laughter and youth as the sun begins to set on your time in high school. For a moment, you’re too busy basking in the presence of the relationships you have developed while in there that you forget you won’t be seeing these people every day like you had been for so many years. Or that your lives might take completely different courses and things won’t be the same after this. Instead you allow yourself to enjoy this moment.

🏀

You do think about it when you are on your way home though, in the passenger’s seat of Chenle’s car. His hand holds yours over the gear and he smiles to himself while humming along to the songs on the radio, unaware of the internal conflict going on in your head.

It wasn’t until he parks outside your house that he realizes that something is wrong.

“What is going to happen to us now?” Is your reply to his questioning. Chenle’s eyebrows furrow.

“What do you mean?”

“I mean-“ you collect your thoughts, “high school is over, and we’re going to go to college and we will be so busy and what if-“

“Whatever you think will happen, won’t happen.”

You look at him, offended that he could dismiss your worries so easily. “You don’t un-“

“I do understand. You’re worried that now that we won’t see each other every day that we’re going to drift apart, right? And that we won’t be together, am I right?”

You nod silently.

“Y/N, how many times am I going to tell you that I’m crazy in love with you? I won’t let you slip out of my hands, baby. Not again.” Chenle says firmly, sincerely. His eyes widen so you can see right through him and know he is telling the truth.

His pale hands come up to cup the sides of your face, making you face him. Your tear filled eyes meet his own. He brushes away your tear that rolls down your cheek. “I’m sorry, I was just overthinking.” You say.

“Don’t be sorry.” Chenle shakes his head, leaning forward to kiss your cheek lovingly, letting it linger for a few seconds before pulling back. Smiling upon seeing your smiling face.

It happens in a flash, now that the moment was right. Chenle gasps, starling you. “What?! What’s wrong?!”

“I love this song!” And he’s turning it up all the way on the car radio, rolling down the windows and stepping out. “Come on, Y/N!”

You don’t let him see the pure happiness on your face that you wanted to mask with annoyance. Chenle dances on the sidewalk crazily and you laugh in the passenger’s seat. You decide it was best to not let your boyfriend embarrass himself alone, wiping the excess of your tears and step out of the car. “M’lady has arrived to the dance party!” He exclaims.

And as you start dancing wildly together, the sun begins to set causing a golden hue to fall over your features. Anyone watching the scene could either think that you’re crazy or they will see what is really there: split aparts that have finally found one another.

Chenle thinks so too, he stops dancing for a bit to catch his breath and just watches you. He remembers the pain it took to make you his, how much you both cried and the beginning of the relationship was far from ideal. But there is no doubt in his mind that there are not enough glow in the dark ceiling stars in this world that will amount to the love he harbors for you in his chest. He was so happy that he had met his split apart, he couldn’t thank the universe enough.

This when he reaches forward and spins you around to face him. His chest against your own, you feel the rumble of his words from his chest when he says: “I’m so glad I found you.” And then he is kissing you, and the ground seems to melt away from your feet. You’re floating hundreds of feet in air and forget to take a view of your neighborhood from up here because Chenle is all you can think about. Because he makes you feel this way. You whisper in between kisses, he smiles knowingly, he feels it too.

“We.

Are.

Off.

Our.

Feet.”

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